本文選題：黑色幽默　切入點(diǎn)：影像表達(dá)　出處：《西南大學(xué)》2013年碩士論文

【摘要】：《瘋狂的石頭》在2006年讓低迷的國(guó)產(chǎn)電影票房一路高歌猛進(jìn),讓小成本電影見到了久違的曙光,寧浩導(dǎo)演開始被廣大影迷所熟知。2009年,“瘋狂”系列繼續(xù)上演瘋狂票房的傳奇神話,寧浩也躋身“億元票房”導(dǎo)演的行列,勢(shì)頭之強(qiáng)勁幾乎趕超張藝謀、馮小剛,可以說(shuō)是內(nèi)地少數(shù)最成功的導(dǎo)演之一。這兩部電影之所以能取得如此好的成績(jī),固然與其電影的剪輯、對(duì)白、攝影技巧、演員功力等因素密切相關(guān),但僅止于此,還遠(yuǎn)遠(yuǎn)沒(méi)有觸碰到問(wèn)題的實(shí)質(zhì),也無(wú)異于舍本逐末,在“瘋狂”系列的成功背后,有一種虛構(gòu)已遠(yuǎn)遠(yuǎn)超過(guò)了虛構(gòu)本身,它已經(jīng)進(jìn)入到了由虛幻到真實(shí)的境界,情節(jié)看似荒誕可笑,但這可笑的背后卻折射了人生的悲歡喜樂(lè)和生存境遇的真實(shí)。 有人說(shuō),《瘋狂的石頭》與《瘋狂的賽車》是近年來(lái)難得的喜劇電影佳作,究其根本,是因?yàn)閷幒茖?dǎo)演把黑色幽默演繹到了極致,這兩部電影以及接下來(lái)的幾部電影在成功上是有其相似之處的：黑色幽默的真實(shí)質(zhì)感,線索的交叉往復(fù),完美的剪輯鏡頭,這些都讓觀眾體驗(yàn)到了難以言說(shuō)的感受,表面輕松,實(shí)則沉重,笑聲歡快卻又難掩淚水,在這種體驗(yàn)中,觀眾與導(dǎo)演慢慢接近,心靈得以溝通。本文利用文獻(xiàn)綜合法,典例分析法,個(gè)案點(diǎn)評(píng)法等分別從黑色幽默、黑色幽默電影的簡(jiǎn)介,寧浩電影中的黑色幽默表征,寧浩電影黑色幽默的價(jià)值體現(xiàn)等方面對(duì)寧浩電影的黑色幽默進(jìn)行綜合論述,試圖以此為切入點(diǎn),對(duì)寧浩電影的顯著特征進(jìn)行探討。
[Abstract]:"Crazy Stone" in 2006 let the depressed domestic movie box office all the way forward, let the small cost movie saw the long unseen dawn. In 2009, the "Crazy" series continued to play the legendary myth of crazy box office, and Ning Hao was among the directors of "100 million Yuan Box Office," almost catching up with Zhang Yimou and Feng Xiaogang. Can be said to be one of the few most successful directors in the mainland. The reason why these two films have achieved such good results is, of course, closely related to such factors as film editing, dialogue, photography skills, actors' skill, and so on, but only here. Far from touching on the substance of the problem, it's nothing more than a slate. Behind the success of the "Crazy" series, there is a fiction that goes far beyond the fiction itself, and it has entered the realm from illusion to reality. The plot seems absurd and ridiculous, but behind it reflects the joys and joys of life and the reality of living conditions. Some people say that "Crazy Stone" and "Crazy Racing" are rare comic films in recent years. The root of this is that director Ning Hao deduce black humor to the extreme. There are similarities between the two films and the next few: the true texture of black humor, the crossover of clues, the perfect clip, all of which give the audience an unspeakable, superficial relief. In this kind of experience, the audience and the director gradually approach each other and the mind communicates. This paper uses the literature synthesis method, the canonical analysis method, the case review method and so on respectively from the black humor, The brief introduction of the black humor film, the black humor representation in Ning Hao's film, the value embodiment of the black humor in Ning Hao's film, and so on, carries on the comprehensive elaboration to the Ning Hao movie's black humor, attempts to take this as the breakthrough point, This paper discusses the remarkable features of Ning Hao's films.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 阿·奈特;美國(guó)電影簡(jiǎn)史(一)[J];世界電影;1982年03期

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本文編號(hào)：1673209