本文選題：南京大屠殺電影　切入點：猶太大屠殺電影　出處：《曲阜師范大學》2015年碩士論文　論文類型：學位論文

【摘要】：第二次大戰(zhàn)期間,世界上發(fā)生了兩次人類浩劫——亞洲日軍在中國南京制造的南京大屠殺和歐洲德國納粹對猶太民族進行的大屠殺。這為戰(zhàn)后的電影世界提供了豐富的創(chuàng)作主題。戰(zhàn)后,西方人便利用電影這種可以更好的逼真的再現(xiàn)民族記憶的手段開始了對猶太大屠殺題材的電影創(chuàng)作,生產(chǎn)出了如《夜與霧》、《浩劫》、《蘇菲的選擇》、《辛德勒的名單》、《美麗人生》、《鋼琴師》、《生死朗讀》等這些經(jīng)典之作。美國對猶太大屠殺電影的生產(chǎn)主要是在二十世紀七十年代以后,到目前為止,有近200部表現(xiàn)納粹屠猶的影片。影片不僅從人的生存、人性的扭曲、人性的救贖等方面表達了對德國納粹主義的批判和揭露,還帶有濃厚的反思色彩以及對人的終極關懷的人道主義立場。反觀中國南京大屠殺故事影片,從1987年才開始進行創(chuàng)作。20世紀90年以來,隨著國家對南京大屠殺話語權的放開,以及國際社會對南京大屠殺歷史事件的認知,南京大屠殺題材影像也不斷出現(xiàn)在屏幕上。國內(nèi)出現(xiàn)了不少對這一題材影像的理論研究,而且很多學者也開始了關于猶太大屠殺的影像研究。至今中國拍攝了約10部表現(xiàn)南京大屠殺的故事影片。通過對比可以看到中國電影的創(chuàng)作者們在南京大屠殺題材電影的藝術手法、主題內(nèi)容、敘事角度等方面有了巨大進步,但是我們也看到在這種對西方電影學習模仿痕跡下的差距,如影片的主題相對單一,大多是現(xiàn)實主義風格的電影,偏重于歷史講述等,這些都難以和猶太大屠殺影像的發(fā)達程度相提并論。本文通過中國生產(chǎn)的南京大屠殺故事電影和美國創(chuàng)作的猶太大屠殺故事電影的敘事進行比較分析,從電影的主題敘述、人物塑造、情節(jié)設置、敘事時空及視聽造型等方面去敘述論證,對南京大屠殺題材電影所存在的眾多不足進行思考,并提出了自己的觀點,希望對今后的南京大屠殺電影的研究提供參考。第一章的主要內(nèi)容是:一是對中國南京大屠殺事件和南京大屠殺題材的電影生產(chǎn)的概述,二是對猶太大屠殺事件和美國對猶太大屠殺題材電影的生產(chǎn)歷史做了概述,三是對造成中美大屠殺題材電影生產(chǎn)的差距進行了三方面的原因分析。第二章到第五章,論文主要對大屠殺題材電影的敘事做了對比研究,分別從敘事的主題、人物塑造、情節(jié)設置、影像的時空和聲畫結(jié)合這幾個方面進行論文的案例分析和論述總結(jié)。主題是所有影片都需要表達的東西,影片主題直接決定著影片的影像表達方式,大屠殺題材電影的主題內(nèi)容主要表現(xiàn)在對侵略者所犯下罪行的控訴、對人性的表達以及對戰(zhàn)爭的反思;人物和情節(jié)是故事影片的中心,人物形象的塑造是否成功直接影響著影片主題的深刻與否,影片中人物的塑造主要通過人物動作、語言以及心理方面的具體、形象展示出來的,本文通過對大屠殺題材電影的梳理,將影片中的人物形象的塑造進行對比分析;影片的故事性經(jīng)常決定了影片是否具有將觀眾吸引住的效果,而故事的精彩性的關鍵在于情節(jié)的好壞,如果影片中的矛盾沖突張弛有度、故事的懸念跌宕起伏、細節(jié)細膩精致,那么影片的情節(jié)一般都會比較好;電影的基本構成元素就是畫面、聲音、時間和空間,這四個元素的相互影響,并最終決定著電影的敘事結(jié)構和主題,也是考驗一個電影創(chuàng)作者專業(yè)素質(zhì)是否過硬的標準。第三章敘述了中美大屠殺題材電影的敘事比較研究所產(chǎn)生的啟示。主要從三方面做了總結(jié):一是電影敘事的主題方面,南京大屠殺電影的主題需要深層次的挖掘、類型多樣化的開拓;二是對國內(nèi)電影創(chuàng)作者的文化素養(yǎng)和專業(yè)素質(zhì)提出了自己的看法;三是從創(chuàng)作觀念的更新以及對數(shù)字技術的應用方面進行了總結(jié)。結(jié)語部分主要是對本論文的論述進行了總結(jié)歸納,試圖找到中美兩國對大屠殺題材電影差距的原因。
[Abstract]:During the Second World War, the world happened two times in the Japanese China human catastrophe - Asia made in Nanjing Nanjing massacre and the European Jewish Nazi Germany to the Holocaust. This provides rich creative theme for postwar movie world. After the war, Westerners can better use the film realistic reproduction of national memory means start on the Jewish Holocaust themed movie creation, produced such as "night and fog >, < > > < choose catastrophe, Sophie," Schindler's list > >, < < beauty, piano >, < reader > these classic. The United States Holocaust film production on the main after 1970s, so far, there are nearly 200 manifestations of Holocaust film. The film not only from human existence, the distortion of human nature, the salvation of humanity and expressed the criticism of Nazi doctrine And revealed, also with a strong color and reflection of people's ultimate concern of the humanitarian standpoint. In contrast China Nanjing massacre story since 1987 began the creation of the.20 century 90 years, with the opening of the Nanjing massacre discourse right of the state, and the international community on the cognition of the historical event of Nanjing Massacre, the theme of the Nanjing massacre the image also appears on the screen. There have been many on this theme image theory research, and many scholars have begun to study image about the Holocaust. Since Chinese took about 10 of the Nanjing massacre film. By contrast can be seen in the Nanjing massacre film art, China movie creator the theme, narrative point of view has made tremendous progress, but we also see in this study of imitation of western movies The gap as the theme of the movie is relatively simple, mostly realistic style of the film, the emphasis on history, the developed degree of difficult and Holocaust images. This paper China production in the Nanjing massacre film and story of the creation of the United States Holocaust Story movie narrative comparative analysis, narrative, from the movie the theme of the characters, plot, narrative and narrative time to demonstrate the audio-visual and other aspects of thinking about the Nanjing massacre, many defects of films, and put forward its own views, hope to provide reference for future research on the Nanjing massacre film. The main contents of the first chapter is: the first is to film production overview of Chinese Nanjing massacre and the Nanjing massacre, two of the Jewish Holocaust and the United States on Holocaust movies students The production history is summarized, the three is the massacre caused the Sino US film production gap were analyzed three reasons. The second chapter to the fifth chapter, the main narrative of the Holocaust movies do comparative research, respectively from the narrative theme, characterization, plot setting, case analysis and summary and image space the painting combined with several aspects of this thesis. The theme is all movies need to express something, the theme of the film directly determines the images of expression, theme films mainly in the Holocaust crimes indictment of the invaders, the expression of human nature and the reflection on the war; the characters and the plot is the story central to the film, the characters of success directly affects the theme of the movie deep or not, shaping the characters in the film mainly through the action figures, and language The psychological aspect of the specific display image, based on the Holocaust movie review, will shape the film's characters were analyzed; the story of the film often determines whether the film has attracted the audience effect, and the key lies in the wonderful story plot is good or bad, if the conflict of relaxation the film has, the suspense of the story of ups and downs, exquisite details, so the plot of the film are generally good; the basic elements of a film is the picture, sound, time and space, the mutual influence of the four elements, and finally determines the narrative structure and the theme of the film, but also a test the creators of film is excellent professional quality standards. The third chapter describes the comparative study of Chinese and American Holocaust themed movie's narrative produced by the enlightenment. Mainly from three aspects: one is summarized the movie The movie narrative theme, the theme of the Nanjing massacre to deep mining, diversified development; two is their views on the domestic film creators of culture quality and professional quality is put forward; three from creation to update the concept and application of digital technology are summarized. The conclusion is summarized to sum up this paper, tries to find out the causes of Sino US Holocaust movies gap.

【學位授予單位】：曲阜師范大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：J905

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本文編號：1631183