本文選題：張藝謀電影　切入點(diǎn)：鄉(xiāng)土性　出處：《南京師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：中國(guó)電影導(dǎo)演張藝謀早期的電影創(chuàng)作多聚焦鄉(xiāng)村和基層生活,通過(guò)對(duì)底層民眾人物形象與生存狀態(tài)的展現(xiàn),對(duì)地域民俗風(fēng)情的創(chuàng)造性展示,以及對(duì)基層自然環(huán)境與人文環(huán)境的描摹,在營(yíng)造濃郁鄉(xiāng)土氛圍的同時(shí),也體現(xiàn)出他在電影創(chuàng)作中自覺(jué)的鄉(xiāng)土性追求。 張藝謀電影的鄉(xiāng)土性首先體現(xiàn)在其思想意蘊(yùn)上。長(zhǎng)老權(quán)力與血緣傳承是解讀其電影鄉(xiāng)土性意蘊(yùn)的兩個(gè)重要角度。鄉(xiāng)土的長(zhǎng)老權(quán)力影響著電影角色的生活境況與存在狀態(tài)。血緣傳承的本能,使張藝謀電影中的兩性和婚姻關(guān)系呈現(xiàn)出某種功利性,這種本能一旦受阻,就會(huì)引發(fā)電影角色的生育焦慮。這種焦慮不僅影響著角色的行動(dòng)和思想,甚至?xí)兄滤麄兩钆c命運(yùn)的悲劇性。 張藝謀電影的鄉(xiāng)土性也體現(xiàn)在其對(duì)民俗元素的表現(xiàn)上。民俗元素具有民族性、地域性、基層性等鄉(xiāng)土性特質(zhì),也與鄉(xiāng)土生活聯(lián)系密切。在電影的信仰民俗、游藝民俗、人生儀禮等民俗元素中,既展現(xiàn)出鄉(xiāng)土情境下民俗元素的現(xiàn)實(shí)功能性,也蘊(yùn)含著導(dǎo)演的情感寄托和藝術(shù)追求,還是電影展現(xiàn)鄉(xiāng)土之美、人性之美及抒發(fā)情感的重要藝術(shù)手段。 張藝謀電影的鄉(xiāng)土性還體現(xiàn)在其電影的影像建構(gòu)上。很多作品聚焦基層社會(huì),展現(xiàn)和構(gòu)建了獨(dú)特的鄉(xiāng)土性時(shí)空影像,在電影對(duì)鄉(xiāng)土理想家園及現(xiàn)代化轉(zhuǎn)型的影像呈現(xiàn)中,蘊(yùn)含著導(dǎo)演對(duì)鄉(xiāng)土的藝術(shù)態(tài)度和觀念。 隨著張藝謀電影創(chuàng)作的多元化探索,其電影鄉(xiāng)土性的樣貌也發(fā)生了轉(zhuǎn)變,這種轉(zhuǎn)變體現(xiàn)了導(dǎo)演藝術(shù)創(chuàng)作的娛樂(lè)化、消費(fèi)化轉(zhuǎn)型,也反映出民族電影發(fā)展功利的現(xiàn)實(shí)性要求,也預(yù)示著中國(guó)電影未來(lái)發(fā)展的某種方向。
[Abstract]:Chinese film director Zhang Yimou's early film creation focused on rural and grass-roots life, through the image and living state of the people at the bottom of the show, to the local folk customs creative display, And the description of the natural and humanistic environment at the grass-roots level, which not only creates a strong local atmosphere, but also reflects his conscious local pursuit in film creation. The local character of Zhang Yimou's film is first embodied in its ideological implication. The power of elders and the inheritance of blood are two important angles to interpret the implication of the local character of the film. The power of the elders of the native land influences the living conditions and the living conditions of the characters of the film. State of existence. Instinct for blood transmission, It makes the gender and marriage relationship in Zhang Yimou film show a certain utilitarian, this kind of instinct once blocked, will cause the movie character's fertility anxiety, this kind of anxiety not only affects the character's action and the thought, this kind of anxiety not only affects the character's action and the thought, It will even lead to the tragedy of their lives and destinies. The local nature of Zhang Yimou's film is also reflected in its performance of folk elements. Folk elements have the characteristics of nationality, region and grass roots, which are also closely related to local life. In the film's belief, folk custom, recreation folklore, Among the folklore elements, such as the ritual of life, it not only shows the realistic function of the folk elements in the local context, but also contains the director's emotional sustenance and artistic pursuit. It is also an important artistic means for the film to show the beauty of the native land, the beauty of human nature and the expression of emotion. The local nature of Zhang Yimou's films is also reflected in the image construction of his films. Many works focus on the grass-roots society, showing and constructing unique local space-time images, and in the film's image presentation of the ideal homeland and modern transformation of the local land. It contains the artistic attitude and concept of the director to the native land. With the diversified exploration of Zhang Yimou's film creation, the local appearance of his film has also changed. This transformation reflects the entertainment and consumption of director's artistic creation, and also reflects the realistic requirement of the development of national film. Also foreshadowing the future development of Chinese films in a certain direction.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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