本文選題：色彩　切入點：動畫畫面　出處：《河北師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：色彩是現(xiàn)實生活中的真實反映，存在于任何我們感受到的地方，無論是何時何地，只要是對我們感官起到刺激的能力，那么應(yīng)用在我們的動畫畫面當(dāng)中，就是動畫故事的反應(yīng)情況，它可以是動畫畫面的簡單背景，也可以是動畫畫面的敘事結(jié)構(gòu)，從自然色彩的提煉與應(yīng)用，也是我們進(jìn)行動畫創(chuàng)作的重要元素之一，而寫生就是從自然色彩中進(jìn)行感受，然后再到創(chuàng)作的最好方法。 我們隨時走在路上，周邊的人與景會融合為一體，以及周邊發(fā)生的大大小小的事情，也是進(jìn)行主題創(chuàng)作的素材和體現(xiàn)，然而當(dāng)時對環(huán)境的渲染能力，就是對反應(yīng)故事的強(qiáng)化處理，那么它的最基本的出發(fā)點就是通過對自然環(huán)境的敘事方式，從而安排我們創(chuàng)作動畫畫面時的方式與順序，我們進(jìn)行的畫面的提煉與應(yīng)用，也是為了動畫畫面中進(jìn)行更好的修飾，使畫面的感受能更好的吸引觀眾，帶來視覺上美的感受。 眾所周知，動畫是一門視聽語言，，除了音效聽覺上的震撼，就是畫面上的突出體現(xiàn)，畫面帶來了故事的起承轉(zhuǎn)合，然而畫面當(dāng)中的色彩元素，也是突出主題的重要元素。它不僅是一幅富有詩意的風(fēng)景畫，也是一幅敘述故事的語言表達(dá)畫面。
[Abstract]:Color is the real reflection of real life, and it exists in any place we feel, whenever and wherever, as long as it is the ability to stimulate our senses, then it is applied in our animated images. That is, the reaction of the animated story, it can be the simple background of the animation screen, it can also be the narrative structure of the animation picture. It can be extracted and applied from the natural color, and it is also one of the important elements of animation creation. Sketching is the best way to feel from natural colors and then to create. We are on the road at any time, and the people and the scenery around us will merge into one, and the big and small things that happen around us will also be the material and embodiment of the theme creation, but the rendering ability of the environment at that time, That is, to strengthen the treatment of the reaction story, well, its most basic starting point is to arrange the way and order of the animation picture we create, the refining and application of the picture we carry out through the narrative way of the natural environment. It is also for the animation screen to better modify, so that the picture can better attract the audience, bring visual aesthetic feelings. As we all know, animation is an audiovisual language. In addition to the audible shock of sound effects, it is a prominent embodiment of the picture. The picture has brought the story to take over. However, the color elements in the picture, It is not only a poetic landscape painting, but also a narrative of the language of the picture.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J954

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

1 李俊峰;對于傳統(tǒng)色彩學(xué)的新認(rèn)識[J];甘肅教育;1997年Z2期

2 劉賁;;國畫中色彩的內(nèi)涵探析[J];遼寧工學(xué)院學(xué)報(社會科學(xué)版);2005年04期

3 呂鋒;;詮釋動畫片的美術(shù)設(shè)計風(fēng)格[J];美術(shù)大觀;2007年01期

4 曹方;教學(xué)札記:海斯特的四個課題及啟示[J];南京藝術(shù)學(xué)院學(xué)報(美術(shù)與設(shè)計版);2001年02期

5 李征;論色彩的心理效應(yīng)[J];石家莊職業(yè)技術(shù)學(xué)院學(xué)報;2004年03期

本文編號：1616643