本文選題：神鬼題材　切入點(diǎn)：美劇　出處：《南京師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：近年來,多部神鬼題材美劇橫空出世,從《吸血鬼日記》到《狼門血影》,從《我欲為人》到《秘社》等等,在風(fēng)靡全球的同時(shí)也引發(fā)人們對(duì)其廣泛關(guān)注。從其誕生之初,以吸血鬼為代表的這類神鬼題材就一直保持著旺盛的生命力,其特有的原型架構(gòu)值得研究。 而另一方面,目前對(duì)美劇的研究角度集中在美學(xué)研究和文化研究,其中美劇的文化研究多是從通俗文化的角度。而本文采用多領(lǐng)域交叉的研究方法,結(jié)合哲學(xué)、心理學(xué)、文化人類學(xué)、藝術(shù)學(xué)等相關(guān)學(xué)科,從原型角度對(duì)美劇進(jìn)行文化研究的。原型批評(píng)理論多見于文學(xué)作品研究,利用原型理論對(duì)神鬼題材美劇進(jìn)行文化研究的尚不多見。因此,本文力圖運(yùn)用原型批評(píng)理論,從一個(gè)不落俗套的角度,對(duì)神鬼題材美劇進(jìn)行研究,來分析這類作品所表現(xiàn)的深層文化意蘊(yùn),為美劇研究提供一個(gè)新的視角。 論文主體共分為三章,首先從主題、角色、故事模式三方面出發(fā),分析神鬼題材美劇的原型架構(gòu),其中包含生與死、善與惡的生命母題；吸血鬼、狼人、人類主角、女巫等角色類型；人鬼之愛、權(quán)力斗爭(zhēng)的故事模式。接著重點(diǎn)分析其文化意蘊(yùn),即特有的神話色彩和宗教品格。進(jìn)而論述其當(dāng)代文化啟示,即對(duì)包容和諧的理想社會(huì)的召喚、對(duì)純潔不朽的共同情懷的追尋。 總的來說,本文以神鬼題材美劇為研究對(duì)象,運(yùn)用原型理論,旨在以文化研究為視角,通過文本分析和文獻(xiàn)研究的方法,力圖為美劇的文化研究提供參照,本文認(rèn)為神鬼題材美劇有其特有的原型架構(gòu),其神話色彩和宗教品格表現(xiàn)出人類集體無意識(shí)中共同的原始意識(shí)和生命夢(mèng)想,同時(shí)其文化內(nèi)涵是遠(yuǎn)古文化的當(dāng)代投影,是一種通行于全世界的現(xiàn)代神話,對(duì)當(dāng)代社會(huì)具有精神反思和治愈作用。
[Abstract]:In recent years, many American TV dramas on gods and ghosts have been born, from the Vampire Diary to the Blood Shadow of the Wolf Gate, from "I want to be a Man" to "the Loop", and so on, which has aroused widespread concern in the world at the same time. From the beginning of its birth, This kind of ghost theme, represented by vampires, has always maintained its vigorous vitality, and its unique archetypal structure is worth studying. On the other hand, at present, the research angle of American TV drama focuses on aesthetics and culture, in which the cultural research of American drama is mostly from the perspective of popular culture. Cultural anthropology, art and other related disciplines, from the perspective of archetypal cultural studies of American dramas. Archetypal criticism theory is often found in the study of literary works, the use of archetypal theory in the cultural study of American TV dramas on the theme of ghosts is still rare. Therefore, This paper tries to use archetypal criticism theory, from an unconventional point of view, to study American TV dramas on the theme of gods and ghosts, to analyze the deep cultural implications of such works, and to provide a new perspective for the study of American TV dramas. The main body of the thesis is divided into three chapters. Firstly, from three aspects of theme, character and story mode, the thesis analyzes the archetype of American TV drama on the theme of god and ghost, which includes life and death, life motif of good and evil, vampires, werewolves, human protagonists, etc. The role types such as witches; the love of people and ghosts; the story mode of power struggle. Then, the author analyzes its cultural implication, that is, its unique mythical color and religious character, and then discusses its contemporary cultural enlightenment, that is, the call to an ideal society of tolerance and harmony. The search for a common feeling of immortality. In a word, this article takes the American TV drama of the theme of god and ghost as the research object, uses the prototype theory, aims at taking the cultural research as the angle of view, through the text analysis and the literature research method, tries to provide the reference for the cultural research of the American TV drama. This paper holds that American TV dramas on the theme of gods and ghosts have their own archetypal structure, their mythical color and religious character show the common primitive consciousness and life dream in the collective unconscious of human beings, and at the same time their cultural connotation is the contemporary projection of ancient culture. It is a kind of modern myth which is popular all over the world and has spiritual reflection and healing function to contemporary society.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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本文編號(hào)：1594243