本文選題：人文紀(jì)錄片　切入點(diǎn)：東巴文　出處：《昆明理工大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：人文紀(jì)錄片是主要反映各民族文化、藝術(shù)、歷史、民俗風(fēng)情的紀(jì)錄片,與傳統(tǒng)紀(jì)錄片不同的是,人文紀(jì)錄片除獲得真實(shí)的視聽素材以外,還展示出原生態(tài)的人文現(xiàn)象、闡述一定的人文價(jià)值,這種記錄的科學(xué)性與權(quán)威性,對(duì)于他人的創(chuàng)作與研究能夠提供良好的文獻(xiàn)資料價(jià)值。 自信息時(shí)代來臨以后,人文紀(jì)錄片作為一種載體對(duì)文化遺產(chǎn)的傳播顯得越來越為重要,尤其影像作為一種視聽語言帶來的沖擊力,更加符合當(dāng)今社會(huì)的需求,這在一定程度上拓寬了保護(hù)、傳承文化遺產(chǎn)的渠道。但人文紀(jì)錄片在中國(guó)市場(chǎng)的表現(xiàn)的確不盡如意,究其主要原因有：影片整體表現(xiàn)以“客觀記錄”為主,一定程度上忽視了社會(huì)、文化心理；具體則表現(xiàn)為選題角度、表現(xiàn)手法單一、創(chuàng)作理念落后,缺乏受眾分析等問題。因此,本作品在結(jié)合人文紀(jì)錄片創(chuàng)作一般規(guī)律的情況下,以世界“記憶遺產(chǎn)”東巴文為對(duì)象,對(duì)人文紀(jì)錄片創(chuàng)作的題材選取、劇本創(chuàng)作、表現(xiàn)形式等方面進(jìn)行作品創(chuàng)新探索。 通過拍攝關(guān)于“記憶遺產(chǎn)”東巴文的創(chuàng)作經(jīng)歷,深入研究了人文紀(jì)錄片的創(chuàng)作模式,吸取了其中的優(yōu)點(diǎn)與缺點(diǎn),并從前期準(zhǔn)備與主題確立、中期拍攝、后期制作等三大方面進(jìn)行詳細(xì)概述,對(duì)傳統(tǒng)紀(jì)錄片所帶來的枯燥無味、表現(xiàn)形式單一創(chuàng)作模式落后提供相關(guān)作品創(chuàng)新方案。
[Abstract]:Humanistic documentaries are documentaries that mainly reflect the culture, art, history and folklore of various nationalities. Unlike traditional documentaries, humanistic documentaries not only obtain real audio-visual materials, but also show the original humanistic phenomena. The scientific and authoritative record can provide good literature value for the creation and research of others. Since the advent of the information age, humanistic documentary as a carrier of cultural heritage transmission is becoming more and more important, especially the impact of video as a audio-visual language, more in line with the needs of today's society. To a certain extent, this has widened the channels for protecting and inheriting cultural heritage. However, the performance of humanistic documentaries in the Chinese market is indeed unsatisfactory. The main reason for this is that the overall performance of the film is mainly "objective records." To some extent, the social and cultural psychology has been neglected, and the specific problems are as follows: the angle of selecting the topic, the single expression method, the backward creative idea, the lack of audience analysis and so on. Therefore, this work is based on the general rules of the creation of humanistic documentary films. Taking Dongba language of the World memory Heritage as the object, this paper explores the theme selection, script creation, expression form and other aspects of the creation of humanistic documentaries. Through the creation experience of Dongba on "memory Heritage", this paper deeply studies the creation mode of humanistic documentary, absorbs its advantages and disadvantages, and establishes the preparation and theme from the early stage, shooting in the medium term. Post-production and other three major aspects of a detailed overview of the traditional documentary brought by the boring, the form of a single creation model backward to provide related works innovation program.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J952

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