本文選題：動(dòng)畫　切入點(diǎn)：角色設(shè)計(jì)　出處：《武漢理工大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：色彩作為動(dòng)畫的重要表達(dá)部分，在我國動(dòng)畫產(chǎn)業(yè)確并不被重視。縱觀美、日等動(dòng)畫大國在色彩的運(yùn)用上都獨(dú)具一格，動(dòng)畫創(chuàng)作者都十分注重色彩與鏡頭以及色彩對(duì)角色的塑造關(guān)系。而我國動(dòng)畫在色彩的運(yùn)用尤其是色彩對(duì)角色的塑造上還有很大的不足。本文對(duì)于角色設(shè)計(jì)中的色彩表達(dá)，主要針對(duì)的是我國動(dòng)畫行業(yè)現(xiàn)存的幾個(gè)基礎(chǔ)問題進(jìn)行探討與研究，，這幾個(gè)問題分別是：一、整體畫面關(guān)系。角色色彩的應(yīng)用必須在符合整個(gè)作品的基調(diào)，符合大場(chǎng)景的前提下，爭(zhēng)取更豐富更充盈。目前很多優(yōu)秀的動(dòng)畫作品都把注意力更多的放在故事情節(jié)的起承轉(zhuǎn)合、人物和場(chǎng)景的設(shè)計(jì)以及后期制作，以至于沒有精力豐富動(dòng)畫的整體色彩搭配，忽略角色色彩與場(chǎng)景色彩的相互呼應(yīng)。二、色彩搭配對(duì)于角色形象塑造的作用。角色形象塑造指的不僅僅是角色的外觀既人們口中的“看起來”，還包括性格的塑造以及給觀眾的心理暗示。三、打破單調(diào)的角色色彩風(fēng)格，擴(kuò)大動(dòng)畫的觀眾群體，從中國悠久的歷史文化中尋找靈感，積極借鑒國內(nèi)外優(yōu)秀作品的經(jīng)驗(yàn)，學(xué)習(xí)并創(chuàng)新。文章第一章主要介紹了本文的研究背景、意義以及研究方法。第二章到第四章直接進(jìn)入主題，從色彩和角色設(shè)計(jì)的概念入手，討論兩者之間的關(guān)系。第五章聯(lián)系動(dòng)畫實(shí)際案列分析場(chǎng)景色彩與角色色彩的關(guān)系，鏡頭講述故事，場(chǎng)景和角色共同組成每一個(gè)鏡頭，只有兩者相互統(tǒng)一，鏡頭的畫面感才會(huì)和諧一致，給觀眾沒的感受。第六章則以不同的國家為案例分析不同國家的動(dòng)畫，其色彩運(yùn)用得不同特征，不同的文化背景下，民眾的色彩心理也不一樣，這是決定一個(gè)國家動(dòng)畫色彩的主要因素。第八章則是主要研究我國傳統(tǒng)文化藝術(shù)中的色彩應(yīng)用，我國動(dòng)畫要形成自己的民族風(fēng)格，首先是要了解本國悠久的歷史傳承下的各種文化藝術(shù)，去領(lǐng)悟文化與藝術(shù)所形成的民族色彩心理認(rèn)知。同時(shí)，結(jié)合所學(xué)知識(shí)，分析畢業(yè)設(shè)計(jì)中的色彩指定的意義。最后引言部分則是對(duì)全文的總結(jié)。中國作為世界人口大國，我們從來不缺乏創(chuàng)意，我們?nèi)钡氖菍⑾敕ㄟ\(yùn)用到實(shí)踐的行動(dòng)力，我們需要努力學(xué)習(xí)，學(xué)習(xí)國外成功經(jīng)驗(yàn)，學(xué)習(xí)本國的傳統(tǒng)文化，學(xué)習(xí)優(yōu)良的技術(shù)，學(xué)習(xí)優(yōu)秀的技法，為中國動(dòng)畫之崛起去學(xué)習(xí)，我相信中國風(fēng)一定會(huì)再一次席卷全球。
[Abstract]:Color as an important part of animation, animation industry in China is not really taken seriously. Throughout the United States, Japan and other animation countries are unique in the use of color, Animation creators attach great importance to the relationship between color and lens and color on the role. But in our country, there is still a big shortage in the use of color, especially in the role of color. This article is about the color expression in character design. The main aim is to discuss and study several basic problems existing in the animation industry of our country. These problems are as follows: first, the relationship between the whole picture and the application of the role color must be in accordance with the tone of the whole work and the premise of the big scene. Strive for more richness and fullness. At present, many excellent animations focus more on storylines, character and scene design and post-production, so that they don't have the energy to enrich the overall color match of the animation. Ignore the interaction between the color of the character and the color of the scene. The role of color collocation in shaping the character image. Role image shaping not only refers to the appearance of the character, but also includes the shaping of character and the psychological implication to the audience. Third, break the monotonous color style of the character. Expanding the audience of animation, looking for inspiration from China's long history and culture, actively learning and innovating from the experience of excellent works at home and abroad. Chapter one mainly introduces the research background of this paper. From Chapter 2 to Chapter 4th, the relationship between color and character design is discussed. Chapter 5th analyzes the relationship between scene color and character color. The lens tells the story, the scene and the character make up each shot together. Only when the two are United, can the picture sense of the lens be harmonious and consistent, giving the audience a feeling that they do not have. Chapter 6th takes different countries as a case study to analyze the animation of different countries. Under different cultural background, the color psychology of the people is different, which is the main factor that determines the color of a country. Chapter 8th mainly studies the application of color in the traditional culture and art of our country. In order to form our own national style, animation must first understand the various cultures and arts in the long history of our country, and understand the psychological cognition of national color formed by culture and art. At the same time, we must combine the knowledge we have learned. Analysis of the significance of color designation in graduation design. Finally, the introduction is a summary of the full text. As a populous country in the world, we have never lacked creativity. What we lack is the ability to apply ideas to practice. We need to study hard, to learn foreign successful experience, to learn the traditional culture of our country, to learn the fine technology, to study the excellent technique, to study for the rise of Chinese animation, I believe that the Chinese style will sweep the whole world again.
【學(xué)位授予單位】：武漢理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J954

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