本文關(guān)鍵詞： 馮氏喜劇 方圓構(gòu)圖 藝術(shù)策略 社會(huì)科層　出處：《電影文學(xué)》2017年05期 　論文類型：期刊論文

【摘要】：馮氏喜劇在幽默諷刺中傳達(dá)著直視現(xiàn)實(shí)的力量。在《我不是潘金蓮》中,馮小剛導(dǎo)演將美術(shù)方圓構(gòu)圖引入光影視界,呈現(xiàn)出了山水意境與影視主題的巧妙結(jié)合,實(shí)現(xiàn)了美學(xué)形式與劇本內(nèi)容的有效融合。在方圓進(jìn)退之間呈現(xiàn)著中國(guó)的國(guó)情、世情和人情,傳遞著對(duì)朗朗乾坤天地正氣的思考。同時(shí),故事將人倫、人治與法治的社會(huì)科層化反觀呈現(xiàn)在觀眾面前,笑中有象,笑中有料,實(shí)現(xiàn)了喜劇電影娛樂(lè)化與厚重度的最佳承載。
[Abstract]:Feng's comedy conveys the power of looking directly at reality in humor and satire. In "I am not Pan Jinlian", director Feng Xiaogang introduces the circle composition of fine arts into the field of film and television, showing a clever combination of the artistic conception of landscape and the theme of film and television. It realizes the effective fusion of aesthetic form and script content. It presents the national conditions of China, the world situation and human feelings, and conveys the thinking of the world and the world. At the same time, the story will be human relations. The social stratification of the rule of man and the rule of law is presented in front of the audience, with images in laughter and materials in laughter, which realizes the best bearing of entertainment and thickness of comedy films.
【作者單位】： 河南科技學(xué)院文法學(xué)院;
【基金】：河南省教育廳人文社科重點(diǎn)項(xiàng)目“新鄉(xiāng)變遷與轉(zhuǎn)型中的空間場(chǎng)域文化形態(tài)研究”(項(xiàng)目編號(hào):2015ZD028) 河南科技學(xué)院博士科研創(chuàng)新培育項(xiàng)目“新時(shí)期文學(xué)場(chǎng)域建構(gòu)與文藝科層制度鏡像互動(dòng)關(guān)系研究”和教育教學(xué)改革重點(diǎn)項(xiàng)目“‘互聯(lián)網(wǎng)+教學(xué)’視域下的漢語(yǔ)言文學(xué)課程建設(shè)研究”階段性成果
【分類號(hào)】：J905
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本文編號(hào)：1554811