本文關(guān)鍵詞： 宮崎駿 動(dòng)畫電影 女性觀 女性形象 性別刻板印象　出處：《湖南大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：宮崎駿是當(dāng)代日本社會(huì)最具影響力的動(dòng)畫電影導(dǎo)演之一，創(chuàng)作了大量聞名世界的動(dòng)畫電影作品。其作品的主題大多為環(huán)保、成長、女性和夢(mèng)想等，引發(fā)了人們對(duì)環(huán)境，社會(huì)，文明乃至人性的關(guān)注。 本論文選取了宮崎駿作品中的《魔女宅急便》（1989）、《風(fēng)之谷》（1984）、《幽靈公主》（1997）、《龍貓》（1988）、《千與千尋》（2001）等塑造了典型女性形象的幾部作品為研究對(duì)象，從“女性認(rèn)識(shí)”這一新的視角對(duì)作品中表現(xiàn)出的宮崎駿的女性認(rèn)識(shí)進(jìn)行了研究。 本論文首先采用文本分析法，分析動(dòng)畫電影作品中的女性人物形象，并將女性角色分為成長中的小女孩、年輕女性和老年女性三種類型，通過這三個(gè)不同年齡層的女性形象，分析了宮崎駿的女性認(rèn)識(shí)：首先，對(duì)于成長中的小女孩，宮崎駿認(rèn)為她們?cè)谟龅酱煺蹠r(shí)能夠堅(jiān)持努力，不迷失自我。并且，，當(dāng)成長中的小女孩在取得物質(zhì)和精神的雙重自由時(shí)，就能夠激發(fā)出自身的巨大潛能；其次，宮崎駿認(rèn)為年輕女性具有親近自然的天性、強(qiáng)烈的責(zé)任感、足以拯救世界的偉大母愛、自我修正錯(cuò)誤的能力以及自立精神；再者，宮崎駿認(rèn)為老年女性具有指導(dǎo)年輕人的力量和智慧，并對(duì)老年女性的自立精神給予了贊美。此外，進(jìn)一步分析了宮崎駿女性認(rèn)識(shí)的形成原因并指出：宮崎駿的人生經(jīng)歷、對(duì)母親的懷念以及對(duì)男尊女卑社會(huì)的批評(píng)等，對(duì)其女性認(rèn)識(shí)的形成起到了決定性的作用。 期望通過本論文的研究，能夠?qū)χ型庖酝难芯恐卸己苌偕婕暗摹皩m崎駿的女性觀”這一課題的研究進(jìn)行補(bǔ)充，為更加全面地理解和把握宮崎駿及其作品提供一些參考。
[Abstract]:Hayao Miyazaki is one of the most influential animated film directors in Contemporary Japanese society. He has created a lot of world-famous animated films. The themes of his works are mostly environmental protection, growth, women and dreams, which arouse people's concern for environment, society, civilization and even human nature.
This paper selected works of Hayao Miyazaki "Kiki > (1989)," the valley of the wind (1984) >, < > Princess (1997), < >, < Totoro (1988) and (2001) etc. > shaping the typical female image works as the research object, understanding of from the "female consciousness" which is a new perspective on the works show Hayao Miyazaki's female.
This paper adopts the method of text analysis, analysis of animated films in the female characters, and the role of women divided into the growth of the little girl, young women and older women three types, through the image of women in the three different ages, analyzes Hayao Miyazaki's Feminist Consciousness: first, for the growth of small the girl, Hayao Miyazaki believes they can persevere through setbacks, don't lose yourself. And, when the growth of the little girl in the double free acquisition of material and spirit, can inspire their own potential; secondly, Hayao Miyazaki believes that young women with close to nature, strong sense of responsibility, great love to to save the world, self correcting errors and the ability of self-reliance; moreover, Hayao Miyazaki thinks that older women has guiding young people power and wisdom, and the old woman of the spirit of self-reliance Give praise. In addition, further analysis of the causes of Hayao Miyazaki's female consciousness and pointed out: the life experiences of Hayao Miyazaki, to the memory of his mother and the patriarchal social criticism, the understanding of the formation of women played a decisive role.
It is hoped that through the research of this paper, we can complement the research of Hayao Miyazaki's view of women rarely seen in Chinese and foreign studies, and provide some references for a more comprehensive understanding and grasp of Hayao Miyazaki and his works.

【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J954

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本文編號(hào)：1549362