本文關鍵詞： 紀錄片 撒尼人 民間歌舞　出處：《昆明理工大學》2017年碩士論文　論文類型：學位論文

【摘要】：少數民族民間歌舞是民族文化中最具外顯特征的符號系統,誕生于當地族群聚集者的生活、勞作中,由當地民眾直接創(chuàng)造,具有鮮明的人文風俗和地方特色;而紀錄片客觀再現、反映真實的影像特點,不僅可以完整記錄少數民族民間歌舞形式,形成獨特的視覺審美,更能反映背后的族群心理、生活狀態(tài)以及更深層次的民族文化內涵。少數民族民間歌舞獨特的外顯特質和紀錄片直觀、深刻的影像表達方式形成優(yōu)勢互補,相較其他視覺傳達方式,具有無可比擬的傳播優(yōu)勢。畢業(yè)作品《“行走”的樂舞》采用影像記錄的形式,筆者在多次到石林彝族撒尼村寨調研的基礎上,參照現有的影視理論和撒尼歌舞的實踐創(chuàng)作現狀,選擇以石林地區(qū)聚集的彝族撒尼人和撒尼民間歌舞作為創(chuàng)作對象,以當地較有代表性的老、中、青三代人作為主要人物,通過他們的生活狀態(tài)、心理變化和對本族群歌舞文化的認知,展現撒尼人對于歌舞天生的熱愛以及在大眾文化的影響下,不同年代的人對于本族群文化的理解和民族文化的再創(chuàng)造與傳承,將具有較強視聽審美的歌舞形式通過鏡頭語言轉化成一個個可看性的故事是本作品的創(chuàng)新之處�！丁靶凶摺钡臉肺琛樊厴I(yè)設計說明,分別從五部分詳細闡述了紀錄片創(chuàng)作過程中的準備工作、拍攝思路、方法、過程和相關經驗教訓,并從傳播學的角度和影視人類學的角度對影片的價值和意義進行了總結。第一部分,從影片選題背景入手,闡釋撒尼歌舞的現狀和意義,梳理國內外關于民族歌舞紀錄片的理論創(chuàng)作現狀和實踐創(chuàng)作現狀,從而總結出本部作品的創(chuàng)作價值:從文化人類學“他者的眼光”之角度,運用故事化的敘述方式表達主題,具有視角的獨特性,豐富了撒尼歌舞影像維度的記錄與研究;第二部分論述了本作品田野調研和前期準備情況,為作品的完成提供了較為完善的理論和現實儲備;第三部分是本作品的中期拍攝過程,詳細展示了拍攝過程中的設備使用、攝影技術、攝影技巧和場面調度以及突發(fā)事件的應對;第四部分是整部影片的后期制作闡述,從挑選素材、影片粗剪、素材補拍、影片精剪、調色、特效制作到輸出成片整個全過程都進行了理論和實踐的論述;最后一部分對本作品進行全方位總結,從傳播學和影視人類學的角度對影片的實踐進行學術性的思考和總結,以便今后進一步提升關于民族影像的理論和實踐創(chuàng)作。
[Abstract]:The folk song and dance of minority nationality is the symbol system with the most explicit characteristics in the national culture. It is born in the life of the local ethnic group gathering people, working, created directly by the local people, and has distinct humanistic customs and local characteristics. The objective reappearance of the documentary film, reflecting the true image characteristics, can not only record the forms of folk songs and dances of ethnic minorities completely, form a unique visual aesthetic, but also reflect the ethnic psychology behind it. The unique explicit characteristics of ethnic folk songs and dances and the visual features of documentaries, the profound ways of image expression form complementary advantages, compared with other visual means of communication, The music and dance of the graduation work "Walking" is in the form of video recording. On the basis of the investigation and investigation of the Sani village of the Yi nationality in Shilin many times, the author refers to the existing film and television theory and the present situation of the practical creation of the song and dance of Sani. They chose the Sani and the folk dance of the Yi nationality gathered in the Stone Forest area as their creative objects, and the three generations of the old, middle and young people who were more representative of the local people as the main characters through their living conditions. The psychological change and the cognition to the culture of singing and dancing of this ethnic group show the natural love for song and dance of the Sani people and the understanding of the culture of the ethnic group and the re-creation and inheritance of the national culture under the influence of the popular culture. It is the innovation of this work to transform the form of singing and dancing with strong audiovisual appreciation into a series of interesting stories by means of lens language. From the five parts, the preparation, shooting ideas, methods, process and relevant experience and lessons of documentary film creation are elaborated in detail. And from the angle of communication and film anthropology, the paper summarizes the value and significance of the film. The first part, starting with the background of the film topic, explains the current situation and significance of the song and dance of Sonny. Combing the present situation of theoretical creation and practical creation of national music and dance documentaries at home and abroad, and summing up the creative value of the works of this part: from the perspective of cultural anthropology "other person's vision", the theme is expressed by means of story narration. It enriches the recording and research of Sani's singing and dancing video dimension. The second part discusses the field investigation and preliminary preparation of this work, which provides a more perfect theoretical and practical reserve for the completion of the work. The third part is the medium-term shooting process of this work, which shows the use of equipment, photography technology, photography techniques and scene scheduling and emergency response in detail. Part 4th is the post-production of the whole film. From the selection of materials, film coarse scissors, material shooting, film fine scissors, color adjustment, special effects production to the output of the whole process of the whole process are discussed in theory and practice; the last part of the overall summary of this work, From the angle of communication and film anthropology, the author thinks and summarizes the practice of the film academically in order to further improve the theory and practice of national image creation in the future.
【學位授予單位】：昆明理工大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J952

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