新世紀(jì)以來農(nóng)民工題材電視劇人物形象的喜劇性研究
發(fā)布時間:2018-02-24 18:10
本文關(guān)鍵詞: 農(nóng)民工題材電視劇 人物形象 喜劇性 轉(zhuǎn)變 出處:《云南師范大學(xué)》2014年碩士論文 論文類型:學(xué)位論文
【摘要】:伴隨著改革開放,我國出現(xiàn)了一個特有的群體——農(nóng)民工,這一群體從出現(xiàn)到影響越來越大,逐漸引起了社會各界的關(guān)注。于是接連出現(xiàn)了許多以農(nóng)民工為主人公的電視劇。這些電視劇的創(chuàng)作來源于生活,關(guān)注農(nóng)民工的生活狀態(tài),反映他們的生活經(jīng)歷和感情歷程。本文將選取新世紀(jì)以來農(nóng)民工題材電視劇人物形象的喜劇性作為研究對象,從農(nóng)民工題材電視劇的社會背景、文化背景,人物形象的語言、外形、行為,人物形象喜劇性的審美意蘊、人物形象喜劇性的意義,農(nóng)民工題材電視劇發(fā)展中所存在的問題等幾個方面來進行研究分析。全文共由四章組成,分別講述了: 第一,農(nóng)民工題材電視劇表述的社會背景,他們?nèi)丝诒姸,得益于國家政策的頒布,懷揣著賺錢養(yǎng)家的信念來到城市打拼生存。農(nóng)民工題材電視劇創(chuàng)作的文化背景,1989年出現(xiàn)的第一次民工潮之后,不少新聞記者和社會學(xué)者開始通過報告文學(xué)和社會學(xué)調(diào)查的方式關(guān)注農(nóng)民工的各種情況,這一時期,一些電視劇制作者也開始關(guān)注這個影響越來越大的群體。農(nóng)民工城打工的實際處境,他們是二元對立的元素的綜合體,是底層生存的邊緣群體,有的最終成為城市夢斷者,有的則成功圓了自己的城市夢。 第二,對農(nóng)民工題材電視劇人物喜劇性要素及其藝術(shù)價值進行分析。根據(jù)人物形象的一般要素,從農(nóng)民工題材電視劇人物形象的語言、外形、行為、地域因素等幾個方面,對農(nóng)民工題材電視劇人物形象的喜劇性表現(xiàn)來進行分析。并通過現(xiàn)代化的視角來分析民工劇中人物喜劇性的審美及審丑。 第三,從功能方面來對農(nóng)民工題材電視劇人物形象的喜劇性進行分析。探討了草根文化的崛起、觀眾追求精神上的閑適等喜劇性的成因,以及農(nóng)民工題材電視劇人物形象的喜劇性的實際意義。 第四,就農(nóng)民工題材電視劇存在的創(chuàng)作者對農(nóng)民工群體不夠了解、觀眾市場缺失等問題進行了分析,并得出了一定的建議。 最后總結(jié)歸納了本文主要論述的內(nèi)容,進一步指出喜劇性元素在農(nóng)民工題材電視劇中的重要作用,,并提出了對未來農(nóng)民工題材電視劇發(fā)展的幾點思考。
[Abstract]:With the reform and opening up, China has emerged a unique group-migrant workers, from the emergence of this group from the emergence to a growing impact, Gradually aroused the attention of all walks of life in society. As a result, many TV dramas with migrant workers as their protagonists appeared one after another. The creation of these TV dramas came from life and concerned about the living conditions of migrant workers. Reflecting their life experience and emotional process. This paper will choose the comedy of the characters of the peasant workers TV series since the new century as the research object, from the social background, the cultural background, the character image language of the peasant workers theme TV series, In this paper, the aesthetic implication of the comic character, the significance of the comic character, the problems existing in the development of the TV series on the subject of migrant workers and so on are studied and analyzed. The full text is composed of four chapters, respectively. First, the social background of the teleplays on the subject of migrant workers. They have a large population and benefit from the promulgation of national policies. With the belief of making money to support families, I came to the city to fight for survival. The cultural background of the creation of TV dramas about migrant workers, after the first wave of migrant workers in 1989, Many journalists and social scholars began to pay attention to the various situations of migrant workers through reportage and sociological surveys. Some TV series makers are also beginning to pay attention to this increasingly influential group. The actual situation of migrant workers working in urban areas is a synthesis of the elements of duality, a marginal group living at the bottom, and some end up as urban dream breakers. Some have succeeded in fulfilling their urban dreams. Secondly, it analyzes the comic elements and their artistic value of the characters in the peasant workers TV series. According to the general elements of the characters' image, it analyzes the language, appearance, behavior and regional factors of the characters' images of the peasant workers'TV dramas. This paper analyzes the comic performance of the characters in the peasant workers'TV series, and analyzes the tragic aesthetics and the appreciation of the ugliness of the characters in the peasant workers' dramas from the perspective of modernization. Thirdly, it analyzes the comedy of the characters in the peasant workers TV series from the aspect of function, and probes into the causes of comedy, such as the rise of grassroots culture and the pursuit of spiritual leisure by the audience. And the theme of migrant workers TV characters image of the comedy of the practical significance. In 4th, the author analyzes the problems of peasant workers' lack of understanding and the lack of audience market, and gives some suggestions. Finally, this paper summarizes the main content of this paper, further points out the important role of comedy elements in the theme of peasant workers TV series, and puts forward some thoughts on the future development of peasant workers TV series.
【學(xué)位授予單位】:云南師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J905
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