本文關(guān)鍵詞： 愛(ài)沙尼亞電影 政治反思 民族主義 歐洲身份　出處：《當(dāng)代電影》2017年09期 　論文類型：期刊論文

【摘要】：愛(ài)沙尼亞政治題材電影的歷史由來(lái)已久,近年來(lái)的政治反思電影全面清算了愛(ài)沙尼亞和蘇聯(lián)的恩怨。同時(shí),這些電影的價(jià)值立場(chǎng)盡可能地向西歐國(guó)家靠攏,彌漫著愛(ài)沙尼亞建構(gòu)獨(dú)立國(guó)家民族認(rèn)同和尋回自己歐洲身份的文化鄉(xiāng)愁�；谄涿褡逍院臀幕瘋鹘y(tǒng),這些電影通常選取隱喻和諷刺的敘事策略。電影中反復(fù)出現(xiàn)的"失父/失兄—尋父/尋兄"情節(jié),反映出愛(ài)沙尼亞意識(shí)形態(tài)轉(zhuǎn)型期的文化征候。
[Abstract]:The history of Estonian political films has a long history, and recent political rethinking films have completely cleared up the grudges between Estonia and the Soviet Union. At the same time, the value positions of these films are as close as possible to those of Western European countries. Estonia's cultural nostalgia for building an independent nation's national identity and seeking its European identity, based on its national character and cultural tradition, These films usually use metaphors and satirical narrative strategies. The recurring plot of "lost father / lost brother-seeking father / brother" reflects the cultural symptoms of Estonian ideological transition.
【作者單位】： 武漢大學(xué)藝術(shù)學(xué)院;
【分類號(hào)】：J905
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本文編號(hào)：1519291