發(fā)布時間：2018-02-15 21:18

  本文關鍵詞： 《刺客聶隱娘》 敘事策略 鏡語表達 傳奇　出處：《電影文學》2016年20期 　論文類型：期刊論文

【摘要】：電影《刺客聶隱娘》通過反傳奇的方式改寫唐傳奇。導演以真實性為本,摒棄虛幻離奇的情節(jié);以主人公意志為本,通過場面調度、主觀視點和閃回鏡頭的運用為人物行動構建內在依據(jù);以靜觀為本,在自然場景、生活場景和對話場景中還原常態(tài)之奇。從唐傳奇到文學劇本,再到電影本身,經(jīng)歷了一個逐漸內化的過程,電影摒棄文學作品中離奇的情節(jié)表象,運用鏡頭語言呈現(xiàn)人物的內心世界,引導觀眾去探察其"隱而不顯"的行動根源,塑造了一個孤獨而不乏溫情和大義的女刺客形象。
[Abstract]:The film "the Assassin Nie Yin Nie" rewrites the Tang legend in an anti-legendary way. The director takes authenticity as the basis and abandons the illusory and bizarre plot; he takes the protagonist's will as the basis and dispatches the story through the scene. The application of subjective viewpoint and flashback lens is the internal basis for the character's action; taking the static view as the foundation, restoring the normal in the natural scene, the life scene and the dialogue scene. From the legend of Tang Dynasty to the literary script, and then to the movie itself, After a gradual process of internalization, the film abandons the bizarre plot representation in the literary works, uses lens language to present the inner world of the characters, and guides the audience to explore the root causes of its "hidden but invisible" action. Created a lonely but no lack of warmth and righteousness of the image of a female assassin.
【作者單位】： 上海大學上海電影學院;長江大學文學院;
【分類號】：J905

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本文編號：1513899