本文關(guān)鍵詞： 3D立體技術(shù) 3D電視紀錄片 特征研究 創(chuàng)作規(guī)律 美學分析　出處：《南京師范大學》2013年碩士論文　論文類型：學位論文

【摘要】：3D立體視頻技術(shù)具有高臨場感、高仿真性的特征,是廣播電視顯像和傳播的下一代高尖技術(shù)。從最近十幾年開始,圍繞3D立體視頻技術(shù),世界各國在信息獲取和視覺顯示科技等領(lǐng)域,展開了新一輪的追逐�，F(xiàn)在,3D立體視頻已經(jīng)成為了國內(nèi)外助力廣播電視數(shù)字媒體和文化創(chuàng)意產(chǎn)業(yè)升級更新的主要推手。 3D電視紀錄片作為其中一種典型的類型分支開始在許多國家初露頭角,以其獨特的審美形式復制并改變著人們當下的生活方式和感知方式,成為加速全球化進程的極為重要的新興文化因素。但是,相比于其熒屏上的快速發(fā)展,3D電視紀錄片的理論研究現(xiàn)仍滯后,多技術(shù)開發(fā)而少理論梳理,理論結(jié)構(gòu)嚴重缺失。 本文將通過四章的篇幅,由表及里,分析3D立體技術(shù)對于3D電視紀錄片產(chǎn)生的雙面影響,并結(jié)合影視藝術(shù)理論、社會學理論、傳播學理論,對3D電視紀錄片展開研究。 第一章探討了3D電視紀錄片的特征和創(chuàng)作規(guī)律：通過分析3D電視紀錄片最直觀的的影像構(gòu)成要素,以及題材角度,來展示技術(shù)與藝術(shù)相互影響的張力關(guān)系,提出3D電視紀錄片作用于受眾的最獨特的特征。 第二章則在對3D電視紀錄片的特征有一定認知的基礎(chǔ)上,從美學角度,通過分析3D立體技術(shù)對3D電視紀錄片在受眾審美方面產(chǎn)生的突破和沖擊,提煉出3D電視紀錄片的美學價值。 第三章對3D電視紀錄片從文化學和社會學層面進而提出了擔憂和批判,在分析3D電視紀錄片可能帶來的消解文化深刻性的同時,也一分為二地對3D電視紀錄片的積極意義進行了闡釋。 最后,第四章論證了3D電視紀錄片在中國的市場發(fā)展前景、優(yōu)勢路徑和在跨文化傳播中生存的可能性,并且預見性地提出了對策分析。
[Abstract]:3D stereoscopic video technology is the next-generation high-sharp technology of radio and television imaging and transmission with the characteristics of high telepresence and high simulation. Since the last decade, 3D stereoscopic video technology has been around. Countries around the world in the field of information acquisition and visual display technology, launched a new round of pursuit. Now. 3D stereoscopic video has become the main driving force for the upgrading of domestic and foreign radio and television digital media and cultural and creative industries. 3D TV documentary as one of the typical types of branches began to show its head in many countries, with its unique aesthetic form to copy and change the current way of life and perception of people. However, compared with the rapid development on the screen, the theoretical research of 3D TV documentary is still lagging behind, more technology development and less theory combing. The theoretical structure is seriously missing. This paper will analyze the impact of 3D stereoscopic technology on 3D TV documentary through four chapters, and combine the theory of film and television art, the theory of sociology, the theory of communication. Research on 3 D TV documentary. The first chapter discusses the characteristics and creative law of 3D TV documentary: by analyzing the most intuitive image elements of 3D TV documentary, as well as the angle of subject matter. In order to show the tension relationship between technology and art, the author puts forward the most unique characteristics of 3D TV documentary acting on the audience. The second chapter on the basis of a certain understanding of the characteristics of 3D TV documentaries, from the perspective of aesthetics, through the analysis of 3D three-dimensional technology on the 3D television documentary in the aesthetic aspects of the breakthrough and impact. Abstract the aesthetic value of 3 D TV documentary. The third chapter of the 3D television documentary from the cultural and sociological level and then put forward the concern and criticism, in the analysis of 3D television documentary may bring about the resolution of cultural profundity at the same time. It also explains the positive significance of 3 D TV documentary. Finally, chapter 4th demonstrates the market development prospect of 3D TV documentary in China, the advantage path and the possibility of surviving in the cross-cultural communication, and puts forward the countermeasure analysis presciently.
【學位授予單位】：南京師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J952

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