本文關(guān)鍵詞： 紀(jì)錄片 審美 教育　出處：《河北大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：紀(jì)錄片被譽(yù)為人類的“生存之境”。它是一種紀(jì)實(shí)美和藝術(shù)美兼?zhèn)涞乃囆g(shù)表現(xiàn)方式，，也是一種對(duì)歷史表現(xiàn)手法和自身觀念的外在表現(xiàn)。主要用真實(shí)的手段記錄身邊的真人真事，以此來(lái)表達(dá)一個(gè)思想或主題。作為“舶來(lái)品”的紀(jì)錄片，傳入我國(guó)已經(jīng)有很長(zhǎng)時(shí)間了。但其發(fā)展一直不能盡如人意。直到后來(lái)開(kāi)始在電視熒屏播放，紀(jì)錄片又重新開(kāi)始發(fā)展。 《鄉(xiāng)村里的中國(guó)》這部紀(jì)錄片，是導(dǎo)演焦波在《俺爹俺娘》和汶川地震紀(jì)錄系列作品后的又一部重要作品，獲得了第15屆中國(guó)電影華表獎(jiǎng)紀(jì)錄片大獎(jiǎng)等數(shù)個(gè)大獎(jiǎng)。這是一部鄉(xiāng)村題材的紀(jì)錄片，關(guān)注農(nóng)民自然淳樸的生存狀態(tài)；關(guān)注農(nóng)民干凈純潔的內(nèi)心世界；關(guān)注農(nóng)業(yè)令人擔(dān)憂的發(fā)展現(xiàn)狀。其對(duì)農(nóng)村未來(lái)發(fā)展的期待給人溫暖�！多l(xiāng)村里的中國(guó)》追求的風(fēng)格是當(dāng)下已經(jīng)不再受人追捧的紀(jì)實(shí)美學(xué)。以沂蒙山區(qū)的杓裕村為拍攝樣本，通過(guò)373天不間斷的跟蹤拍攝，記錄當(dāng)?shù)乩习傩盏恼鎸?shí)生活，拿到的都是第一手資料。整部作品樸素而充滿張力，內(nèi)容平實(shí)而又豐富多彩，深刻描繪了當(dāng)下中國(guó)農(nóng)村的生活全景。這部紀(jì)錄片《鄉(xiāng)村里的中國(guó)》是當(dāng)時(shí)國(guó)家廣電局電影局的“命題作文”，一直擱置五年，最終焦波接下了這個(gè)任務(wù)焦波說(shuō)：“有這個(gè)村莊，就有安放鄉(xiāng)愁的地方�！庇纱丝梢�(jiàn)，這是一部特別有分量的紀(jì)錄片。 《鄉(xiāng)村里的中國(guó)》這部紀(jì)錄片，在我的論文成型初期的時(shí)候處于試映的階段，今年清明節(jié)時(shí)候在紀(jì)錄片拍攝地山東淄博首次公映，根據(jù)我的搜索，截至目前在國(guó)內(nèi)還沒(méi)有對(duì)紀(jì)錄片《鄉(xiāng)村里的中國(guó)》的研究性論文，大部分都是這部紀(jì)錄片的觀后感或?qū)δ承┚唧w內(nèi)容的評(píng)析。我試圖通過(guò)自己所學(xué)知識(shí)進(jìn)行研究。本文分為四個(gè)章節(jié)，第一個(gè)章節(jié)會(huì)介紹導(dǎo)演焦波及其主要作品，紀(jì)錄片的發(fā)展現(xiàn)狀及創(chuàng)作；第二章簡(jiǎn)要對(duì)《鄉(xiāng)村里的中國(guó)》這部紀(jì)錄片進(jìn)行介紹，會(huì)談到這部紀(jì)錄片的拍攝團(tuán)隊(duì)、拍攝背景等。在視聽(tīng)語(yǔ)言方面會(huì)涉及到畫(huà)面、聲音和蒙太奇等三個(gè)方面；第三章會(huì)將分析這部紀(jì)錄片的審美價(jià)值，會(huì)從真實(shí)之美、和諧之美、思考之美、語(yǔ)言之美、即興之美等多個(gè)角度對(duì)這部紀(jì)錄片進(jìn)行研究；第四章介紹這部紀(jì)錄片的教育價(jià)值，會(huì)從紀(jì)錄片的教育功能以及紀(jì)錄片的教育特性等角度進(jìn)行研究，并在這一章對(duì)這部紀(jì)錄片進(jìn)行反思。希望能通過(guò)本文對(duì)這部紀(jì)錄片的分析，能讓更多的人真切的意識(shí)到，紀(jì)錄片所具有藝術(shù)教育功能的重要性，通過(guò)紀(jì)錄片這種教育媒介，讓更多人接收到藝術(shù)教育。另外，在當(dāng)下浮躁的社會(huì)環(huán)境中，能有這樣的一部紀(jì)錄片出現(xiàn)，是非常難得可貴的。希望通過(guò)本文的研究，能夠直接或間接的引起更多人對(duì)農(nóng)村、農(nóng)業(yè)、農(nóng)民的關(guān)注。
[Abstract]:Documentary film is known as the "state of existence" of human beings. It is a kind of artistic expression with both documentary and artistic beauty. It is also a kind of external expression of the historical expression technique and its own concept. It mainly uses the real means to record the real events around it to express a thought or theme. It has been introduced to China for a long time, but its development has not been satisfactory. "China in the country" this documentary is another important work of director Jiao Bo after "my father and mother" and Wenchuan earthquake record series works. Won the 15th China Film Award documentary Award and several other awards. This is a rural theme documentary, concerned about the natural and simple living state of farmers; Pay attention to the clean and pure inner world of farmers; Focus on the worrisome development of agriculture. Its expectations for the future development of rural areas give people warm. "China in the country" pursuit of the style is now no longer popular documentary aesthetics. Take a sample. Through 373 days of continuous tracking shooting, record the real life of local people, get the first-hand information. The whole work is simple and full of tension, the content is plain and rich and colorful. This documentary, "China in the country", was a "propositional composition" by the Film Bureau of the State Administration of Radio, Film and Television at that time, and had been shelved for five years. Finally, Jiao Bo took over the task and said, "if there is this village, there is a place for homesickness." thus, this is a particularly important documentary. "China in the country" this documentary, in the early days of my thesis is in the trial stage, this year Ching Ming Festival in the documentary shooting in Zibo, Shandong Province for the first time, according to my search. Up to now, there is no research paper on documentary "China in the country" in China. Most of them are the reflection of the documentary or the analysis of some specific content. I try to study through my own knowledge. This article is divided into four chapters, the first chapter will introduce the director Jiao Bo and his main works. The development and creation of documentary; The second chapter briefly introduces the documentary "China in the country", will talk about the documentary shooting team, shooting background and so on. In audio-visual language, it will involve three aspects: picture, sound and montage. The third chapter will analyze the aesthetic value of the documentary, will be from the true beauty, the beauty of harmony, the beauty of thinking, the beauty of language, the beauty of improvisation and other aspects of the documentary will be studied; Chapter 4th introduces the educational value of this documentary, and will study from the educational function and educational characteristics of the documentary. And in this chapter to reflect on this documentary. Hope that through the analysis of this documentary, can let more people realize the importance of art education. Through documentary this educational medium, let more people receive art education. In addition, in the current impetuous social environment, there can be such a documentary. Through the research of this paper, I hope to arouse more people's attention to the countryside, agriculture and farmers directly or indirectly.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J952

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 李紅兵;試論紀(jì)錄片的審美價(jià)值[J];江漢大學(xué)學(xué)報(bào);1999年05期

本文編號(hào)：1448975