本文關(guān)鍵詞：從“仿寫”到“轉(zhuǎn)譯”:以早期歌舞片《人間仙子》為例　出處：《當(dāng)代電影》2017年04期 　論文類型：期刊論文

  更多相關(guān)文章： 但杜宇 《人間仙子》 中國歌舞片

【摘要】：中國早期電影的開拓者之一但杜宇是一位頗具爭議的導(dǎo)演。20世紀(jì)20年代卷入古裝神怪浪潮下的《盤絲洞》及其相關(guān)作品使得他被冠以"香艷"和"肉感"。就像我們對《盤絲洞》的低估一樣,30年代但杜宇的創(chuàng)作轉(zhuǎn)向了另一種類型的生產(chǎn)——歌舞片。但杜宇在大量模仿好萊塢類型片的同時(shí),也依據(jù)當(dāng)時(shí)上海的社會(huì)現(xiàn)實(shí)進(jìn)行改寫。總之,無論但杜宇所拍攝的是歌舞片還是古裝片,其"香艷"和"肉體美"都是在機(jī)械復(fù)制影像中的"奇觀化"的表演,也是軟硬之爭的關(guān)鍵之所在。
[Abstract]:One of the pioneers of early Chinese films but du Yu was a controversial director. In 20s, he was involved in the wave of antiquated geniuses and his related works made him known as "Xiangyan" and "flesh feeling" Just as we underestimate it. In 30s, but du Yu's creation turned to another type of production-song and dance film. But du Yu in a large number of Hollywood type films, but also according to the social reality of Shanghai at that time to rewrite. Regardless of whether du Yu made a song and dance film or an ancient costume film, his "Xiangyan" and "body Beauty" are both performances of "Wonderization" in mechanical reproduction images, and are also the key to the contention of hard and soft.
【作者單位】： 上海大學(xué)上海電影學(xué)院;
【基金】：上海市“電影學(xué)高峰學(xué)科”項(xiàng)目支持
【分類號】：J951
【正文快照】： 關(guān)于中國電影史上的“歌舞片”的誕生和發(fā)展的研究鮮見專文探討。什么原因呢?一則是相關(guān)記錄及其影像文本較少,二則是這種誕生在好萊塢的類型電影也未在中國形成氣候,其類型特質(zhì)經(jīng)過中國文人的改寫和轉(zhuǎn)化,大多最終形成了一種所謂的“歌唱片”,尤其是中國的早期女明星們(周璇、，

本文編號：1435749