本文關鍵詞：嚴歌苓小說與影視改編互動關系研究　出處：《蘭州大學》2013年碩士論文　論文類型：學位論文

  更多相關文章： 嚴歌苓小說 電影改編 電視改編 互動關系

【摘要】：時下,大家對嚴歌苓這個名字早己不再陌生,于2011年11月熱映的電影《金陵十三釵》,讓既是小說作者又是電影編劇的嚴歌苓再度聲名鵲起。不論是在小說領域,還是在電影領域,嚴歌苓都占有重要的一席之地。近年來,隨著越來越多人對嚴歌苓及其創(chuàng)作的關注,學術界也一度時期出現(xiàn)了“嚴歌苓研究熱”現(xiàn)象。女性主義、人性開掘、流散文學、文革敘事以及敘事學等多元化的論述視角使得研究成果異彩紛呈。筆者試圖從小說與影視改編對比角度出發(fā),運用文本細讀與比較的方法,借用影視學、敘事學、傳播學以及接受心理學的相關理論知識,在詳盡的文本比照基礎上,通過理性的分析,試圖加深一個認識：嚴歌苓的作品從小說到影視不僅僅只是制作手段的改變,同時還是一種藝術再創(chuàng)造的過程。換句話說,嚴歌苓小說與影視改編之間的互動是很有必要的,也是值得肯定的,這是豐富影視創(chuàng)作領域的一種可取途徑,也是當代小說的一種前沿發(fā)展趨勢。 本論文共分緒論、正文、結語三大部分,其中正文部分共分四個章節(jié)。 第一部分緒論主要是對嚴歌苓個人簡介及其創(chuàng)作背景的整理歸納,同時就有關嚴歌苓的學術研究做了相應的綜述分析。 第一章,筆者在對嚴歌苓小說影視改編熱現(xiàn)象做出陳述的基礎上,就現(xiàn)象背后的原因進行了相關的分析和闡釋。 第二章,主要以《少女小漁》、《天浴》以及《金陵十三釵》為例,從文本對比的角度著重分析嚴歌苓小說被改編為電影后,二者在藝術美表現(xiàn)方面的差異。 第三章,從主題意蘊、戲劇沖突、情感關系、故事結局等方面就嚴歌苓小說的電視劇改編做出了分析,進而更清楚地看到小說與電視劇創(chuàng)作之間的諸多不同之處。 第四章,首先分析小說與影視改編之間的雙向互動關系,其次依托視覺文化背景,就嚴歌苓的個人選擇做相對客觀的分析和論述。 結語部分：通過一系列的分析,筆者更加認識到,小說與影視的關系是雙向互動的。影視借小說更強大,小說借影視傳播得更遠,可以說這二者是彼此的翅膀,小說的影視改編是一種值得肯定的藝術再創(chuàng)作方式。
[Abstract]:Nowadays, the name Yan Geling is no longer unfamiliar to us. In November 2011, the movie "Jinling 13 hairpin" was released. In recent years, Yan Geling, who is both a novelist and a screenwriter, has once again gained fame. Both in the field of fiction and in the field of film, Yan Geling has played an important role in recent years. With more and more people pay more and more attention to Yan Geling and his creation, the academic circles also appeared the phenomenon of "Yan Geling's research craze" at one time. The diversified narration and narratology of the Cultural Revolution make the research achievements colorful. The author tries to use the method of text careful reading and comparison to borrow the film and television science from the angle of comparison between the novel and the film and television adaptation. Narratology, communication and reception psychology related theoretical knowledge, on the basis of detailed text comparison, through rational analysis. Try to deepen the understanding: Yan Geling's works from the novel to the film is not only a change in the means of production, but also a process of artistic re-creation. In other words. The interaction between Yan Geling's novels and film adaptation is necessary and worthy of recognition, which is a desirable way to enrich the field of film and television creation, and is also a forward development trend of contemporary novels. This thesis is divided into three parts: introduction, text and conclusion, in which the text is divided into four chapters. The first part of the introduction is the summary of Yan Geling's personal introduction and the background of his creation, at the same time, the author makes a corresponding summary and analysis on the academic research of Yan Geling. The first chapter, the author on the basis of Yan Geling's novel film adaptation hot phenomenon to make a statement, the phenomenon behind the reasons for the analysis and interpretation. The second chapter mainly takes "Girls fishing", "Sky Bath" and "Jinling 13 hairpin" as examples, from the point of view of text contrast analysis Yan Geling's novel was adapted into the film. The difference between the two in artistic beauty. The third chapter analyzes the adaptation of Yan Geling's novels from the aspects of theme implication, drama conflict, emotional relationship, story ending and so on. Then we can see more clearly the many differences between the novel and the TV play creation. Chapter 4th first analyzes the bidirectional interaction between the novel and the film adaptation, and then, relying on the visual cultural background, makes a relatively objective analysis and discussion on Yan Geling's personal choice. Conclusion: through a series of analysis, the author realizes that the relationship between the novel and the film and television is bidirectional. The film and television borrow the novel more powerful, the novel spreads further through the film and television. It can be said that the two are each other's wings, and the film and television adaptation of the novel is a way of artistic re-creation worthy of affirmation.
【學位授予單位】：蘭州大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：I712.074;J905

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