好萊塢電影《功夫熊貓》的中國文化演繹
發(fā)布時間:2018-01-15 20:40
本文關(guān)鍵詞:好萊塢電影《功夫熊貓》的中國文化演繹 出處:《吉林大學(xué)》2013年碩士論文 論文類型:學(xué)位論文
【摘要】:電影與其他文化形式的跨文化傳播的重要媒介相比是比較直觀的,能夠直接而有效地建立一個文化傳播;電影用最直觀的表現(xiàn)形式跨越國家和民族的界限對不同文化背景的受眾傳遞信息并建立交流;充滿活力和魅力的電影藝術(shù)通過高科技的保存方式,也將歷久彌新的文化得以承載和延續(xù)。伴隨著舉世矚目的2008年北京奧運,首度以大熊貓和中國功夫作為故事主線的《功夫熊貓》在6月全球上映,加上武術(shù)首度被列為奧運特設(shè)項目,《功夫熊貓》在全世界掀起勢不可擋的中國功夫熱潮并取得了優(yōu)異的票房。2011年,美國夢工廠伴隨著電影界3D熱潮乘勝追擊推出了《功夫熊貓2》,全球票房突破6億美元!豆Ψ蛐茇垺罚1、2)是好萊塢對中國文化的完美借鑒和運用,通過對中國文化精粹的發(fā)掘和轉(zhuǎn)換,是對中國文化演繹的成功案例。 好萊塢秉承商業(yè)化和娛樂化的原則選擇可以轉(zhuǎn)化為商業(yè)價值的文化文本,而普世性價值是這些文本首先應(yīng)該具備的品質(zhì)!豆Ψ蛐茇垺吩谝欢巡┪镳^化的材料中選取了中國古代建筑、風(fēng)景、圖騰以及民間的生活習(xí)俗,借用《英雄》、《臥虎藏龍》中的部分功夫場景,,塑造了一個看似很中國的華夏人文景觀。好萊塢電影中慣用的中國元素包括三種類型:現(xiàn)實場景、文化符號、文化精神。20世紀(jì)90年代以來中國動作導(dǎo)演吳宇森,徐克,袁和平和功夫巨星成龍,李連杰,楊紫瓊在好萊塢成為中國功夫和文化的代言人,中國式的音效伴隨著激烈的武俠情節(jié)在水墨畫般的意境中展開,引起了西方人對神秘東方的好奇感和東方受眾的文化認(rèn)同感。2008年《功夫之王》和《功夫熊貓》,2012年《功夫熊貓》2繼續(xù)掀起全球熱映,足以說明好萊塢電影界的功夫熱潮毫無減退。好萊塢電影樂于使用帶有的中國文化符號與標(biāo)志的元素,如功夫、中醫(yī)、服飾、飲食、圖騰等,應(yīng)用在陌生的國度和遙遠的傳說中的這些文化元素就為電影增添了一絲神秘的色彩。中國的文化價值觀和文化精神是中國的民族智慧,而《功夫熊貓》中利用到的儒釋道思想就是中華民族獨特的價值體系的重要組成部分。 本文分為四個章節(jié),第一章分析了好萊塢電影對東方文化的演繹,通過對比好萊塢電影對日本文化和印度文化的詮釋進一步分析《功夫熊貓》的文化背景。第二章具體分析了《功夫熊貓》1、2的中國文化元素,包括現(xiàn)實場景、文化符號和文化精神。第三章論述了文化認(rèn)同感在《功夫熊貓》跨文化傳播中的重要作用。從而總結(jié)出功夫熊貓得以成功的原因。 研究方法: 文本分析法:即從《功夫熊貓》(1、2)的表層深入到文本的深層,研究《功夫熊貓》表象背后蘊含的豐富的文化內(nèi)涵和深層意義,解讀其全球化傳播的可能性。 個例分析法:本文以《功夫熊貓》進行個例分析。 比較分析法:在第一章中通過對比東方元素中的日本影片、印度影片等突出《功夫熊貓》對中國文化的演繹。
[Abstract]:Compared with other important media of cross-cultural communication, film is more intuitive and can establish a cultural communication directly and effectively. Films use the most intuitive form of expression across the boundaries of countries and nations to convey information to audiences with different cultural backgrounds and establish exchanges; Full of vitality and charm of the film art through high-tech preservation, will also be a lasting new culture to carry and continue, with the world's attention to the 2008 Olympic Games. Kung Fu Panda, the first of its kind with giant pandas and Chinese kungfu as the main story line, was released globally in June, along with martial arts as a special Olympic event for the first time. Kung Fu Panda has set off an unstoppable craze of Chinese Kung Fu around the world and has made excellent box office sales. In 2011, DreamWorks launched Kung Fu Panda 2 with the 3D craze in the film industry. The global box office exceeds $600 million. "Kung Fu Panda" is Hollywood's perfect reference and application of Chinese culture, through the discovery and transformation of the essence of Chinese culture. It is a successful example of the interpretation of Chinese culture. Hollywood follows the principles of commercialization and entertainment to choose cultural texts that can be translated into commercial values. The universal value is the first quality of these texts. Kung Fu Panda borrows "Hero" from a pile of museum materials from ancient Chinese architecture, scenery, totem and folk customs. Part of the kung fu scene in "Crouching Tiger, Hidden Dragon" portrays a seemingly Chinese humanistic landscape. The Chinese elements commonly used in Hollywood movies include three types: realistic scenes and cultural symbols. Since 90s, Chinese action directors Wu Yusen, Hark, Yuan Peace and Kung Fu superstars Jackie Chan, Li Lianjie and Yang Ziqiong have become spokesmen of Chinese kungfu and culture in Hollywood. The sound effect of Chinese style is accompanied by fierce martial arts plot in the artistic conception of ink painting. In 2008, the King of Kung Fu and "Kung Fu Panda", 2012 "Kung Fu Panda" 2 continued to set off a global hit. Hollywood films like to use symbols and symbols of Chinese culture, such as kung fu, traditional Chinese medicine, clothing, diet, totem and so on. These cultural elements applied in strange countries and distant legends add a hint of mystery to the film. Chinese cultural values and cultural spirit are the national wisdom of China. The Confucianism, Buddhism and Taoism used in Kung Fu Panda is an important part of the unique value system of the Chinese nation. This paper is divided into four chapters. The first chapter analyzes the interpretation of Hollywood movies to the oriental culture. The cultural background of Kung Fu Panda (Kung Fu Panda) is further analyzed by comparing the interpretations of Japanese culture and Indian culture in Hollywood movies. Chapter two analyzes the Chinese cultural elements of Kung Fu Panda 1 / 2. The third chapter discusses the important role of cultural identity in the cross-cultural communication of Kung Fu Panda, and concludes the reasons for the success of Kung Fu Panda. Research methods: Text analysis: from the surface layer of Kung Fu Panda to the deep layer of the text, study the rich cultural connotation and deep meaning behind the appearance of Kung Fu Panda. To interpret the possibility of globalization. Case Analysis: this paper takes Kung Fu Panda as a case study. Comparative Analysis: in the first chapter, by contrasting the Japanese films and the Indian films in the oriental elements, the Kung Fu Panda gives prominence to the interpretation of Chinese culture.
【學(xué)位授予單位】:吉林大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:G122;J905
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