本文關(guān)鍵詞：建筑動(dòng)畫中的視覺語言應(yīng)用研究　出處：《西安工程大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 建筑動(dòng)畫 靜態(tài)視覺語言 動(dòng)態(tài)視覺語言 互動(dòng)藝術(shù)

【摘要】：建筑動(dòng)畫作為建筑的表現(xiàn)形式已經(jīng)發(fā)展的相當(dāng)成熟，觀眾對(duì)其欣賞水平也在不斷的提高，對(duì)于建筑動(dòng)畫的設(shè)計(jì)者和制作者來說，如何巧妙的運(yùn)用視覺語言來成功塑造建筑形象顯得十分迫切。建筑動(dòng)畫的視覺語言在表現(xiàn)形式上雖然借助了影視和動(dòng)畫藝術(shù)的表述方法，但又有其自身獨(dú)特的特點(diǎn)。因此，，本文重點(diǎn)研究它獨(dú)特的視覺語言表述方法，以及在實(shí)際創(chuàng)作中如何合理巧妙地運(yùn)用這些方法。 建筑動(dòng)畫沒有故事情節(jié)，而是通過具有表現(xiàn)情感結(jié)構(gòu)的藝術(shù)圖像，來成功塑造建筑形象和建筑環(huán)境的。建筑設(shè)計(jì)者通過這種表現(xiàn)形式表達(dá)其傾注在其中的設(shè)計(jì)理念，觀眾通過它表現(xiàn)出的獨(dú)特的視覺語言形成對(duì)建筑的更深層次的認(rèn)識(shí)。本文從視覺語言角度出發(fā)，借助影視藝術(shù)、動(dòng)畫藝術(shù)以及交互藝術(shù)之間的交叉互動(dòng)對(duì)建筑動(dòng)畫中的靜態(tài)、動(dòng)態(tài)視覺語言進(jìn)行解構(gòu)，通過對(duì)視覺表達(dá)形式的美感和運(yùn)動(dòng)規(guī)律的把握，對(duì)建筑動(dòng)畫進(jìn)行靜態(tài)和動(dòng)態(tài)的組織設(shè)計(jì)，以達(dá)到完美的結(jié)合，逐步向當(dāng)代設(shè)計(jì)藝術(shù)中“以人為本”的設(shè)計(jì)理念靠攏。 靜態(tài)畫面中的建筑形象如何以更好的姿態(tài)呈現(xiàn)在動(dòng)態(tài)的畫面中，是建筑動(dòng)畫靜態(tài)視覺語言的主要研究對(duì)象。在本文的第三章節(jié)重點(diǎn)研究建筑動(dòng)畫的靜態(tài)視覺語言，主要包括建筑動(dòng)畫在制作前期的構(gòu)圖、景別、角度、色彩以及光線的運(yùn)用法則等，體現(xiàn)建筑形象在動(dòng)畫中立體的美感和豐富的空間層次。 建筑動(dòng)畫動(dòng)態(tài)視覺語言的研究對(duì)象就是使得其“動(dòng)”的諸多因素，在文章的第四章節(jié)，重點(diǎn)研究建筑動(dòng)畫的靈魂，即動(dòng)態(tài)視覺語言。主要包括模擬攝影機(jī)的運(yùn)動(dòng)，動(dòng)態(tài)構(gòu)圖、鏡頭組接，從而在視覺上提升建筑動(dòng)畫的藝術(shù)感染力。 在第五章節(jié)對(duì)建筑動(dòng)畫的表現(xiàn)形式做進(jìn)一步的拓展，從互動(dòng)的角度出發(fā)，主要對(duì)互動(dòng)和互動(dòng)藝術(shù)的概念，以及互動(dòng)藝術(shù)的視覺語言特點(diǎn)做分析研究，并以實(shí)例簡析互動(dòng)藝術(shù)在建筑虛擬漫游動(dòng)畫中的應(yīng)用。 第六章節(jié)主要對(duì)前文論述的視覺語言的應(yīng)用優(yōu)勢，在理論的指導(dǎo)下，以理論結(jié)合實(shí)踐的方法，巧妙地運(yùn)用視覺語言元素創(chuàng)作出建筑動(dòng)畫短片。 最后一章則對(duì)本文進(jìn)行總結(jié)，通過課題研究，有利于我們今后更好地運(yùn)用視覺語言進(jìn)行建筑動(dòng)畫的創(chuàng)作。
[Abstract]:Architectural animation as a form of architecture has developed quite mature, the audience appreciation has been improved, for the construction of animation designers and producers, how to use visual language to shape the success of building image is very urgent. Architectural animation visual language in the form of performance although with the expression method of film and television the art of animation, but also has its own unique characteristics. Therefore, this paper focuses on the research of its unique visual language expression methods, as well as in the actual creation how to skillfully use these methods.
Architectural animation there was no story, but through the artistic image with emotion structure, to shape the success of architecture and architectural environment. Building designers express their into its design concept in this form, the audience demonstrated by its unique visual language form a deeper understanding of architecture. From the perspective of the visual language of the film and television art, interactive animation art and interactive art between the static of architectural animation, dynamic visual language of deconstruction, through the expression of sense of beauty and movement form of visual grasp, organization design for static and dynamic construction of animation, to achieve the perfect combination, and gradually to the contemporary art and design in the "people-oriented" design concept to close up.
The static picture of the architectural image of how to better posture in dynamic picture, is the main research object of architectural animation static visual language. Static visual language in the third chapter focuses on the research of architectural animation, including architectural animation in pre production composition, scene, angle, color and light use. Reflected in the animation image, building three-dimensional beauty and rich spatial levels.
The research object of architectural animation dynamic visual language is to make a lot of factors of the "dynamic", in the fourth chapter, focuses on the architectural animation of the soul, namely the dynamic visual language. Mainly includes the analog camera movement, dynamic composition, montage, resulting in visual building animation artistic appeal.
Do form of architectural animation in the fifth chapter the further development, starting from the perspective of interaction of interaction and the concept of art, interactive art and visual language characteristic analysis, application and examples of interactive art in the construction of virtual roaming animation.
The sixth chapter mainly focuses on the application advantages of the visual language discussed before. Under the guidance of theory, combining the theory with practice, skillfully using visual language elements to create architectural animation shorts.
The last chapter is a summary of this article, and through the research of the subject, it is helpful for us to make better use of visual language in the creation of architectural animation in the future.

【學(xué)位授予單位】：西安工程大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J954

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本文編號(hào)：1423551