發(fā)布時(shí)間：2018-01-11 14:05

  本文關(guān)鍵詞：基于話輪轉(zhuǎn)換理論的醫(yī)務(wù)電視劇《豪斯醫(yī)生》中豪斯的性格分析　出處：《山西師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 話輪轉(zhuǎn)換 戲劇文體學(xué) 《豪斯醫(yī)生》 多面性格

【摘要】：話輪是指在會(huì)話過(guò)程中，說(shuō)話者在任意時(shí)間內(nèi)連續(xù)說(shuō)的話語(yǔ)，其結(jié)尾以說(shuō)話者和聽(tīng)話者的角色互換或各方的沉默等放棄話輪的信號(hào)為標(biāo)志（李悅娥、范宏雅，2002）。話輪轉(zhuǎn)換，顧名思義，就是指參與會(huì)話的人輪流說(shuō)話，并交替扮演說(shuō)話者和聽(tīng)話者的角色。1974年， H. Sacks，E. A.Schegloff和G. Jefferson首先系統(tǒng)地提出了話輪轉(zhuǎn)換理論，為話輪轉(zhuǎn)換理論的發(fā)展奠定了堅(jiān)實(shí)的基礎(chǔ)。而后，20世紀(jì)70年代到80年代，話輪轉(zhuǎn)換理論逐漸被運(yùn)用到日常會(huì)話和課堂教學(xué)中，主要代表人物有Sinclair，Coultard以及Brazil。隨著戲劇文體學(xué)的快速發(fā)展和話輪轉(zhuǎn)換分析的不斷完善，到了20世紀(jì)80年代末，學(xué)者們將話輪轉(zhuǎn)換逐漸運(yùn)用于文學(xué)領(lǐng)域。 在國(guó)內(nèi)，許多學(xué)者都試圖將話輪轉(zhuǎn)換規(guī)則與戲劇文體學(xué)相結(jié)合，并在此方面有了重大突破。例如，王虹（2006）認(rèn)為應(yīng)該從三方面研究戲劇文本，即，話輪分配，話輪分布于話輪長(zhǎng)度，以及話輪序列。而俞東明和李華東（2001）提出了話輪轉(zhuǎn)換量化分析模式，即，話題的提出與控制，話輪長(zhǎng)度，話輪類型，打斷與獨(dú)白，以及話輪控制策略這五方面。此模式不僅可以揭示人物的性格特點(diǎn)和權(quán)勢(shì)關(guān)系，也能反映人物的價(jià)值取向和劇情的發(fā)展規(guī)律，并為文學(xué)作品的鑒賞提供了一種新方法。 電視劇，作為戲劇的一種擴(kuò)展形式，在新世紀(jì)得到了迅速的發(fā)展。學(xué)者們對(duì)電視劇的研究也隨之展開(kāi)。但是近年來(lái)，用話輪轉(zhuǎn)換理論分析電視劇文學(xué)，以揭示人物性格特點(diǎn)的研究并不多見(jiàn)。因此，，本文的研究以俞東明和李華東的話輪轉(zhuǎn)換分析模式為基礎(chǔ)，揭示了電視劇《豪斯醫(yī)生》中豪斯的多面性格。 《豪斯醫(yī)生》又名《怪醫(yī)豪斯》，是一部美國(guó)醫(yī)務(wù)電視劇，由著名的導(dǎo)演大衛(wèi)蕭爾創(chuàng)作并執(zhí)行制片。2004年11月16日，該片首次上映。自此以后，《豪斯醫(yī)生》成為�？怂闺娨暰W(wǎng)收視觀眾最多的電視節(jié)目之一。從2004年到2012年，這個(gè)古怪孤傲的瘸腿豪斯，用他獨(dú)特的人格魅力和多重的性格特征一次次為我們?cè)忈屃松膱?jiān)強(qiáng)與意義。時(shí)至今日，該劇仍然受到觀眾的好評(píng)。 通過(guò)基于俞東明、李華東的話輪轉(zhuǎn)換量化分析模式的詳細(xì)研究，本文揭示出這部醫(yī)務(wù)電視劇的主人公：豪斯擁有著多面的性格，他聰明、認(rèn)真，但也專橫、惡毒。總的來(lái)說(shuō)，他的性格中既有天使的一面，也有惡魔的一面。不論在兩者的對(duì)話中還是在多人的會(huì)話中，他的多面性格都能通過(guò)話輪轉(zhuǎn)換分析模式淋漓盡致地體現(xiàn)出來(lái)。 基于話輪轉(zhuǎn)換理論的醫(yī)務(wù)電視劇《豪斯醫(yī)生》中人物的性格分析，本文可以幫助研究者和觀眾更好的理解戲劇中人物的表現(xiàn)，更精確的了解、欣賞醫(yī)務(wù)電視劇。同時(shí)，話輪轉(zhuǎn)換策略也能在一定程度上幫助英語(yǔ)學(xué)習(xí)者從語(yǔ)言學(xué)角度理解文學(xué)作品。
[Abstract]:The turn of speech refers to the continuous utterance of the speaker at any time in the course of the conversation, whose ending is marked by the signal of giving up the turn of speech, such as the exchange of roles between the speaker and the hearer or the silence of the parties (Li Yue-e, Fan Hongya. 2002.Turn-turn, as the name implies, means that the participants in the conversation take turns speaking and alternately play the roles of speaker and hearer. 1974, H. Sacks. E. A. Schegloff and G. Jefferson first put forward the theory of turn-switching systematically, which laid a solid foundation for the development of wheel-switching theory. From 1970s to 80s, the theory of turn-switching was gradually applied to the daily conversation and classroom teaching, the main representative character is Sinclair. Coultard and Brazil. With the rapid development of drama stylistics and the continuous improvement of turn-over analysis, by the end of 1980s. Scholars have gradually applied the turn of conversation to the field of literature. In China, many scholars have tried to combine the rules of turn-switching with drama stylistics, and have made a great breakthrough in this field. For example, Wang Hong-ying 2006) thinks that drama texts should be studied from three aspects, namely. While Yu Dongming and Li Huadong 2001) put forward the quantitative analysis model of turn-shifting, that is, the presentation and control of the topic and the length of the turn-round. This model can not only reveal the character characteristics and power relationship, but also reflect the value orientation of the characters and the development law of the plot. It also provides a new method for the appreciation of literary works. As an extended form of drama, TV plays have been developed rapidly in the new century, and scholars have also developed their researches on TV dramas. However, in recent years, the theory of turn-switching has been used to analyze the literature of TV dramas. Therefore, based on the analysis model of Yu Dongming and Li Huadong, this paper reveals the multi-sided character of House in the TV series "Dr. House". "Dr. House", also known as "House," is an American medical TV series created and produced by famous director David Schauer. It was first released in November 16th 2004. Ever since. "House" became one of Fox's most watched television shows. From 2004 to 2012, the wacky limp House. With his unique personality charm and multiple personality characteristics, we have repeatedly interpreted the strength and significance of life. To this day, the play is still well received by the audience. Based on Yu Dongming and Li Huadong's quantitative analysis model, this paper reveals that the hero of this medical TV series: House has a multi-faceted personality, he is smart, serious, but also bossy. Generally speaking, he had an angel side and a devil side in his character, both in the conversation between the two and in the conversation of many people. His multi-sided character can be reflected incisively and vividly through the model of turn-over analysis. The character analysis of the characters in the medical TV series "Dr. House" based on the theory of turn-shifting can help the researchers and the audience to better understand the performance of the characters in the drama and to understand the characters more accurately. At the same time, the strategy of turn-switching can help English learners to understand literary works from a linguistic point of view.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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