發(fā)布時(shí)間：2018-01-11 12:36

  本文關(guān)鍵詞：新生代導(dǎo)演創(chuàng)作轉(zhuǎn)型中的類型策略探析　出處：《上海大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 新生代導(dǎo)演 創(chuàng)作轉(zhuǎn)型 類型策略 類型模式

【摘要】：上世紀(jì)90年代，新生代導(dǎo)演游離于體制邊緣或處于地下狀態(tài)，呈現(xiàn)出疏離主流、文化反叛等集體傾向性；新世紀(jì)以來，，他們逐漸浮出地表，開始進(jìn)入電影體制與商業(yè)市場。在這樣一個(gè)曲折的過程中，他們的作品呈現(xiàn)出一系列自覺或不自覺的變化，構(gòu)成了新生代導(dǎo)演群體的創(chuàng)作轉(zhuǎn)型。在這一轉(zhuǎn)型過程中，類型作為一種策略成為新生代的創(chuàng)作策略之一，而新生代也逐步成為中國當(dāng)代電影的生力軍。 在描述新生代轉(zhuǎn)型趨勢的基礎(chǔ)上，本文著力于把新生代導(dǎo)演的類型策略納入到其整體的創(chuàng)作轉(zhuǎn)型趨勢中。通過分析外部環(huán)境即創(chuàng)作權(quán)力機(jī)制的客觀影響與作為電影作者的主體選擇，解決第一個(gè)核心問題即類型策略緣何成為新生代們的主流道路選擇。 繼而進(jìn)入文本層面，試圖解決第二個(gè)核心問題即新生代導(dǎo)演如何通過類型策略在大眾文化語境、主流意識(shí)形態(tài)與商業(yè)市場機(jī)制中謀求生存與發(fā)展的空間。首先描述新生代導(dǎo)演類型策略呈現(xiàn)的文本共性，并依據(jù)類型化程度及其與作者關(guān)系的差異對(duì)其進(jìn)行內(nèi)部區(qū)分。然后在此基礎(chǔ)上以喜劇片、公路片、情愛倫理片、心理懸疑片為重點(diǎn)，深入剖析典型類型模式的建構(gòu)與呈現(xiàn)。通過具體文本的癥候式解讀，探討新生代導(dǎo)演的類型策略包含自身創(chuàng)作轉(zhuǎn)型和對(duì)既定類型突破創(chuàng)新的雙重軌跡，回應(yīng)并驗(yàn)證類型作為一種策略如何在尋求意識(shí)形態(tài)合法性和商業(yè)市場競爭力上發(fā)揮出積極的作用。
[Abstract]:In -10s, the new generation of directors drifted from the edge of the system or in the underground state, showing alienation from the mainstream, cultural rebellion and other collective tendencies; Since the new century, they have gradually surfaced and entered the film system and commercial market. In such a tortuous process, their works show a series of consciously or unconsciously changes. In the process of this transformation, type, as a kind of strategy, has become one of the creative strategies of the new generation, and the new generation has gradually become the new force of Chinese contemporary film. On the basis of describing the trend of Cenozoic transition. This paper focuses on the new generation of directors type strategy into its overall creative transformation trend, through the analysis of the external environment, that is, the objective impact of the creation power mechanism and the choice of the subject as the film author. The first core problem is why type strategy has become the mainstream choice of the new generation. Then into the text level, trying to solve the second core problem is how the new generation of directors through the type of strategy in the context of popular culture. The main ideology and commercial market mechanism to seek survival and development of space. First of all describes the new generation of directors type strategies presented by the text common. And according to the degree of typology and the difference between the author and its internal distinction. Then on this basis to comedy, road film, love ethics film, psychological suspense film as the focus. Deeply analyze the construction and presentation of the typical type model. Through the syndromes interpretation of the specific text, this paper discusses the new generation directors' type strategy including their own creation transformation and the dual track of breaking through the innovation of the established type. Response and verify how type, as a strategy, plays an active role in seeking ideological legitimacy and commercial market competitiveness.
【學(xué)位授予單位】：上海大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J911

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