本文關(guān)鍵詞：王麗萍電視劇研究　出處：《山東師范大學》2013年碩士論文　論文類型：學位論文

  更多相關(guān)文章： 王麗萍 家庭倫理 敘事策略 女性意識

【摘要】：上世紀九十年代以來，隨著我國改革開放的深入和社會主義市場經(jīng)濟體制的逐步建立完善，社會生活和家庭生活發(fā)生了巨大的變化，社會家庭倫理秩序呈現(xiàn)出新的特征。反映這一變化的家庭倫理題材電視劇的創(chuàng)作也呈現(xiàn)出百花齊放的繁榮局面，涌現(xiàn)出一大批優(yōu)秀作品。同時，也暴露出了一些亟待解決的問題，如創(chuàng)作題材同質(zhì)化嚴重、情節(jié)設(shè)置高度模式化、矛盾沖突極端化、人物關(guān)系畸形、價值觀念混亂等。這些問題不解決，將會使觀眾對這類電視劇產(chǎn)生審美疲勞，逐漸失去興趣。 作為家庭倫理劇編劇的杰出代表，王麗萍十幾年間創(chuàng)作了大量優(yōu)秀的電視劇作品。其作品有著獨特的文化視角和創(chuàng)作手法，成為研究家庭倫理劇創(chuàng)作的重要個案。 本文以王麗萍的電視劇作品為研究對象，以敘事學、倫理學、社會學、傳播學、影視學、女性主義等相關(guān)理論為指導，總結(jié)歸納王麗萍電視劇的藝術(shù)特色，并分析其電視劇作品的倫理內(nèi)涵、女性關(guān)照和現(xiàn)實意義，以期對我國家庭倫理題材電視劇的發(fā)展盡綿薄之力。本文包括以下幾個方面： 首先，在大量閱讀文獻資料和對家庭倫理劇特別是王麗萍電視劇作品進行分析整理的基礎(chǔ)上，總結(jié)家庭倫理劇存在的問題以及將王麗萍電視劇作品作為個案進行研究的重要性，分析本篇論文選題的背景和意義。對國內(nèi)外關(guān)于王麗萍電視劇作品的研究現(xiàn)狀進行分析，發(fā)現(xiàn)還沒有對其作品做系統(tǒng)性論述的論著，進一步確立了對王麗萍電視劇作品進行研究和分析的必要性。 其次，梳理王麗萍的成長經(jīng)歷，分析這種經(jīng)歷對她的電視劇創(chuàng)作主題和創(chuàng)作風格的影響，介紹王麗萍的創(chuàng)作歷程和風格流變，分析她不同時期電視劇作品的藝術(shù)特點，介紹其作品所獲重要獎項，解析其作品獲得巨大社會關(guān)注的原因。 再次，對王麗萍電視劇作品進行敘事學分析。在敘事主題上，王麗萍以社會變革中的都市家庭生活、都市人的心理問題、知青及知青后代的人生境遇及社會發(fā)展中的熱點話題為主；在敘事結(jié)構(gòu)上，采用一主多副的多線索敘事模式和雙核對立、核心-衛(wèi)星式的人物關(guān)系設(shè)置，，以多元化的戲劇沖突表現(xiàn)當下都市人的生活；在人物塑造上，以正襯、反襯的手法塑造類型化人物；在語言特色上，人物語言以精心設(shè)計的日�；瘜Π诪橹�，哲理化語言為輔。 第四，對王麗萍電視劇作品中所蘊含的父權(quán)家長制的衰敗、家庭重心和家庭模式的改變、新舊夫妻觀和生育觀的矛盾、族親與姻親的微妙變化、新型婆媳關(guān)系等家庭倫理秩序的變遷進行深層次的解讀。 第五，分析王麗萍電視劇作品對現(xiàn)實生活中女性生存狀態(tài)的人文關(guān)懷及蘊含其中的隱性的女性主義話語；研究王麗萍電視劇作品中所推崇的中華民族的傳統(tǒng)美德和真善美的當代標準對構(gòu)建和諧家庭、和諧社會的價值。
[Abstract]:Since -10s, with the deepening of China's reform and opening up and the gradual establishment and perfection of the socialist market economic system, great changes have taken place in social life and family life. The social family ethical order presents new characteristics. The creation of family ethics TV series, which reflects this change, also presents a prosperous situation, and a large number of excellent works emerge at the same time. It also exposed some urgent problems, such as serious homogenization of creative themes, highly stylized plot setting, extreme conflict and contradiction, deformity of character relations, confusion of values, and so on. Will make the audience to this kind of TV series aesthetic fatigue, gradually lose interest. As an outstanding representative of family ethics drama screenwriter, Wang Liping has created a large number of outstanding TV plays in the past ten years. His works have a unique cultural perspective and creative techniques. It has become an important case of family ethics drama creation. This article takes Wang Liping's teleplay works as the research object, with narrative, ethics, sociology, communication, film and television, feminism and other related theories as the guidance, summed up the artistic characteristics of Wang Liping TV series. It also analyzes the ethical connotation, female care and practical significance of its TV drama works, in order to contribute to the development of family ethics TV series in China. This paper includes the following aspects: First of all, on the basis of reading a great deal of literature and analyzing family ethics drama, especially Wang Liping TV drama works. Summarize the problems existing in family ethics drama and the importance of studying Wang Liping's TV plays as a case study. Analysis of the background and significance of the topic of this paper. On the domestic and foreign research on Wang Liping's teleplay works are analyzed, found that there has not been a systematic discussion of his works. Further established the necessity of studying and analyzing Wang Liping's teleplay works. Secondly, combing Wang Liping's growing up experience, analyzing the influence of this experience on the theme and style of her TV drama creation, introducing the writing process and style change of Wang Liping. This paper analyzes the artistic characteristics of her works of TV drama in different periods, introduces the important awards of her works, and explains the reasons why her works have received great social attention. Thirdly, the narrative analysis of Wang Liping TV series works. In the narrative theme, Wang Liping in the social transformation of urban family life, the psychological problems of urban people. The life situation of educated youth and their descendants and the hot topics in social development are the main topics; In the narrative structure, the author adopts the multi-clue narrative mode of one principal and multiple pairs and the dual-core opposites, the core and satellite character relationship setting, and shows the life of the present urban people with the diversified drama conflict. In the shaping of characters, we should use positive and contrasting techniques to shape the types of characters; In terms of linguistic features, the characters' language is mainly composed of carefully designed daily dialogue, supplemented by philosophical language. In 4th, the decline of patriarchal patriarchal system contained in Wang Liping's TV plays, the change of family center and family pattern, the contradiction between new and old concepts of husband and wife and fertility, the subtle changes of kinship and in-laws. The new relationship between mother-in-law and daughter-in-law and other family ethical order changes to a deeper interpretation. In 5th, it analyzes the humanistic concern of Wang Liping's TV plays to the living state of women in real life and the implicit feminist discourse. This paper studies the value of the traditional virtues of the Chinese nation and the contemporary standards of truth, goodness and beauty in Wang Liping's TV plays to the construction of a harmonious family and a harmonious society.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905;I207.35

【參考文獻】

相關(guān)期刊論文 前10條

1 肖朵朵;;從“父親三部曲”到《斷臂山》的精神源流[J];湖南大眾傳媒職業(yè)技術(shù)學院學報;2007年01期

2 張英;;電視劇《雙城生活》精彩臺詞的語用學分析[J];大眾文藝;2012年10期

3 李冬茵;;從電視劇文本的困境架構(gòu)看編劇的多維性[J];中國廣播電視學刊;2009年02期

4 冀星;劉莉莎;;溫暖的力量來源于生活與真情——《雙城生活》編劇王麗萍印象[J];當代電視;2012年02期

5 蘭飛飛;;電視劇《媳婦的美好時代》中人物對白的會話含義分析[J];牡丹江教育學院學報;2012年03期

6 汪懷君;試析現(xiàn)代家庭倫理關(guān)系的嬗變[J];前沿;2005年11期

7 姜敏;栗思涵;;中美情景喜劇中敘事空間的家庭元素運用之異同[J];神州;2012年30期

8 王雅琴;;淺析電視連續(xù)劇《媳婦的美好時代》的藝術(shù)性[J];無錫職業(yè)技術(shù)學院學報;2011年04期

9 戴清;;近年家庭倫理電視劇的敘事結(jié)構(gòu)分析[J];中國電視;2007年08期

10 顧偉麗;屈定琴;;歲月中的女人與現(xiàn)實中的女人——編劇王宛平與王麗萍比較[J];中國電視;2011年08期

相關(guān)碩士學位論文 前7條

1 鄭越文;論蘇小衛(wèi)的電影劇本創(chuàng)作[D];復旦大學;2011年

2 陳曉凡;家庭結(jié)構(gòu)變遷背景下的婆媳關(guān)系對比研究[D];華中科技大學;2010年

3 楊冬梅;影視敘事研究[D];蘭州大學;2007年

4 廖秀萍;論市場經(jīng)濟條件下我國家庭道德的建設(shè)[D];廣西師范大學;2007年

5 邵燕;中國家庭倫理電視劇研究[D];山東師范大學;2009年

6 劉朋朋;中國家庭倫理劇變遷的文化研究[D];陜西師范大學;2009年

7 張靜;在女性主義的關(guān)懷下解讀《媳婦的美好時代》[D];西南交通大學;2011年

本文編號：1393118