本文關(guān)鍵詞：新西部電影中“西部精神”的塑造和文化傳承　出處：《陜西師范大學(xué)》2013年碩士論文　論文類(lèi)型：學(xué)位論文

  更多相關(guān)文章： 西部電影 西部精神 母體文化 傳承 創(chuàng)新

【摘要】：產(chǎn)生于20世紀(jì)八十年代的中國(guó)西部電影在文化內(nèi)涵、制作方式和整體風(fēng)格上,已經(jīng)形成了自身成熟的形態(tài),并在中國(guó)電影史上扮演著特殊的角色,處于重要的地位,成為了一個(gè)標(biāo)志性的中國(guó)民族電影品牌,引領(lǐng)著中國(guó)電影走上世界電影舞臺(tái)的中央。 作為一種文化樣態(tài)和傳播媒介,西部電影在發(fā)展進(jìn)程中,承載了許多民族精神與民族母體文化,對(duì)受眾的精神、文化以及認(rèn)知上產(chǎn)生著變革式的影響。在中國(guó)這樣一個(gè)歷史悠久,文化豐富多樣,人文精神積淀深厚的國(guó)家,文化界對(duì)于民族自身和文化母體的探討從未間斷。中西部電影就成長(zhǎng)于這么一個(gè)文化“尋根”的民族。中國(guó)西部電影從八十年代起,就對(duì)中國(guó)電影甚至整個(gè)華語(yǔ)電影有著震蕩式的影響,從陳凱歌,張藝謀等許多第五代導(dǎo)演在對(duì)于電影語(yǔ)言,創(chuàng)作風(fēng)格以及思想內(nèi)涵的不斷探索上,創(chuàng)造出了一種中國(guó)傳統(tǒng)文化的共同認(rèn)知符號(hào),這種符號(hào)化的形象在之后電影當(dāng)中也被充分的詮釋,從而形成了一種極具特色的“西部精神”。 西北風(fēng)沙黃土,貧瘠荒涼所孕育的中國(guó)傳統(tǒng)文化,是粗獷的農(nóng)耕文化,也是中華民族的母體文化,這些特有的西部文化傳統(tǒng)都滲透在西部電影中并隨之成為人們心中的文化符號(hào),在典型的西部電影創(chuàng)作中,創(chuàng)作者都在用當(dāng)代主流觀念去反思和描繪發(fā)生在這片廣袤西部的人和故事,造就了一類(lèi)具有鮮明西部文化特色的人物形象,通過(guò)展示他們的人生經(jīng)歷,講述封建愚昧與現(xiàn)代文明、鄉(xiāng)村與城市、舊與新的碰撞和矛盾以及人們痛苦、糾結(jié)、堅(jiān)持、反抗和奮斗的歷史。在社會(huì)政治、經(jīng)濟(jì)、文化高速發(fā)展,都市化不斷演進(jìn)、市場(chǎng)經(jīng)濟(jì)浪潮風(fēng)起云涌的時(shí)代,西部廣大農(nóng)村地區(qū)與現(xiàn)代都市文化的矛盾對(duì)立,更加凸顯了中國(guó)西部電影所要闡釋、傳達(dá)的西部精神中人性的堅(jiān)強(qiáng)和堅(jiān)韌、對(duì)民族意識(shí)的堅(jiān)守和傳統(tǒng)文化的傳承。 本文通過(guò)對(duì)西部電影起源和流派發(fā)展的梳理,解讀西部電影中的典型形象、文化內(nèi)涵,分析中國(guó)傳統(tǒng)文化在西部電影創(chuàng)作中產(chǎn)生的影響,以及隨著時(shí)代的發(fā)展和中國(guó)電影的發(fā)展而不斷變化的西部電影意象,全方位地分析與闡釋西部電影中所特有的西部精神。并結(jié)合當(dāng)下國(guó)內(nèi)外電影生態(tài)環(huán)境,具體分析了美國(guó)西部片與中國(guó)西部電影的異同,在分析中總結(jié)經(jīng)驗(yàn),就西部電影中代表著中國(guó)傳統(tǒng)文化精髓的西部精神的傳播與傳承所面臨的問(wèn)題,提出了立足特色文化,面向國(guó)際市場(chǎng);商業(yè)化經(jīng)營(yíng)、產(chǎn)業(yè)化管理；與時(shí)俱進(jìn)吸納先進(jìn)文化等具體的建議,為傳承民族文化的精粹、把西部電影這一民族電影品牌發(fā)揚(yáng)光大、為中國(guó)電影的發(fā)展貢獻(xiàn)力量。
[Abstract]:In twentieth Century 80s China in the western film culture connotation, production mode and overall style, has formed its own mature form, and in the China movie history plays a special role in an important position, has become an iconic Chinese national film brand, leading the Chinese film onto the world film the center of the stage.
As a form of culture and media, western films in the process of development, a lot of bearing the national spirit and national culture, to the audience's spirit, culture and cognition on the impact of change type. Chinese in such a long history, rich culture, humanistic spirit deeply rooted in the national and cultural circles to explore the culture of the nation itself and never stopped. The Midwest movie grew up in such a cultural roots of the nation. Chinese western film from 80s onwards, there is a type of shock effect, Chinese film and even the whole Chinese film from Kaige Chen, Zhang Yimou and many other directors of the fifth generation in the film language, continue to explore the creation style and connotation, to create a common understanding of a Chinese symbol of traditional culture, the symbolic image after the movie has been fully interpretation As a result, a distinctive "spirit of the west" was formed.
Northwest sandy loess, barren desert also China traditional culture, is a rugged farming culture, and culture of the Chinese nation, the unique cultural tradition of Western penetration in the western movies and then become a cultural symbol in people's mind, in the western film creation in a typical creator in the contemporary mainstream idea reflection and description occurred in the vast western people and stories, created a kind of distinctive western culture characters, by showing their life experiences, about feudal and modern civilization, the city and the country, the old and new collision and conflict and human suffering, struggle, persistence, resistance and struggle of history the economy in the social and political, cultural, and rapid development, the continuous evolution of urbanization, market economy era contradictions raging like a storm, in the vast rural areas and modern city culture. It also highlights the interpretation of the western Chinese film, the strong and tough nature of human nature in the western spirit, the adherence to national consciousness and the inheritance of traditional culture.
Based on the origin and development of the western film genre analysis, the connotation of a typical image interpretation of western film culture, analysis of the influence of traditional culture in the creation of China produced in the western film, and changing with the development of the times and the development of the film China Western movie image, unique and comprehensive analysis and interpretation of western movies in the spirit of the West. And combined with the current domestic and foreign film ecological environment, analyzes the similarities and differences between the western and China of western movies, summing up the experience in the analysis, dissemination and inheritance of traditional China represents the cultural essence of the western spirit in the Western film problems, put forward based on the characteristics of culture, for the international market; commercial management, industrial management; absorb advanced culture specific times, for the inheritance of national culture, the western film of this nation The film brand is flourish and contributes to the development of Chinese films.

【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J905

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