本文選題：琉璃廠(chǎng) + 書(shū)畫(huà)鑒定家��； 參考：《中國(guó)書(shū)法》2017年12期

【摘要】：民國(guó)時(shí)期,琉璃廠(chǎng)涌現(xiàn)出眾多的書(shū)畫(huà)鑒定家,他們具有深厚的學(xué)識(shí)修養(yǎng)和高超的書(shū)畫(huà)鑒定能力,是琉璃廠(chǎng)書(shū)畫(huà)鑒定的權(quán)威者。這些書(shū)畫(huà)鑒定家在幼年時(shí)便來(lái)到琉璃廠(chǎng)字畫(huà)古玩店,經(jīng)過(guò)了長(zhǎng)期的學(xué)習(xí)和實(shí)踐鍛煉,形成和完善了書(shū)畫(huà)鑒定的理論,最終成長(zhǎng)為書(shū)畫(huà)鑒定的專(zhuān)家。他們身為書(shū)畫(huà)鑒定家同時(shí)又經(jīng)營(yíng)書(shū)畫(huà),具有書(shū)畫(huà)鑒定家和商人的雙重身份。
[Abstract]:In the period of the Republic of China, there emerged numerous experts of painting and calligraphy identification in Liulichang, who had profound knowledge and excellent ability of calligraphy and painting identification, and they were the authoritative experts of painting and calligraphy identification in Liulichang. These calligraphers came to Liulichang calligraphy and painting antique shop when they were young. After a long period of study and practice, they formed and perfected the theory of calligraphy and painting identification, and finally grew up to be experts in painting and calligraphy identification. As calligraphers and calligraphers, they had dual identities as calligraphers and dealers.
【作者單位】： 首都師范大學(xué)書(shū)法文化研究院;
【分類(lèi)號(hào)】：G894

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