詩人拜倫（George Gordon Byron,1788-1824）代表作《唐璜》（Don Juan）已有200年歷史。其漢譯研究主要以查良錚譯本（1980）為主,因其富有文學(xué)性,貼合中文讀者審美需求倍受學(xué)界關(guān)注。相反,近現(xiàn)代詩人、譯者朱維基（1904-1971）所譯首部《唐璜》全譯本（1956）卻遭到忽視,鮮有研究。事實(shí)上,《唐璜》早在孤島時(shí)期（1937-1941）就吸引由蔣錫金、朱維基等學(xué)者主持的詩歌書店的注意,被納為翻譯對(duì)象。譯作帶有強(qiáng)烈的歷史時(shí)代烙印,翻譯背景特殊。且譯本大量的腳注及文內(nèi)增添體現(xiàn)譯作的現(xiàn)實(shí)性特征,突顯作者的創(chuàng)作意圖,展現(xiàn)譯者的翻譯目的。本研究以《唐璜》朱譯本中的“厚譯”為研究對(duì)象,運(yùn)用文獻(xiàn)研究法,對(duì)其分類及功能進(jìn)行考察。本研究基于美國哲學(xué)家、文化學(xué)者奎邁·安東尼·阿皮亞（Kwame Anthony Appiah,1951-）提出的“厚譯”概念并將其延伸,根據(jù)《唐璜》朱譯本中“厚譯”的位置,將其分為兩類:（1）文外“厚譯”,指腳注;（2）文內(nèi)“厚譯”,指文內(nèi)增添。通過分析發(fā)現(xiàn),《唐璜》朱譯本中“厚譯”現(xiàn)象實(shí)現(xiàn)了三重功能:一、“厚譯”突顯拜倫創(chuàng)作意圖,突顯拜倫蘇格... 

【文章來源】：中央民族大學(xué)北京市 211工程院校 985工程院校

【文章頁數(shù)】：99 頁

【學(xué)位級(jí)別】：碩士

【文章目錄】：
摘要
ABSTRACT
Introduction
    0.1 Research background
    0.2 Research questions
    0.3 Research methodology
    0.4 Research significance
    0.5 Thesis structure
Chapter Ⅰ Literature Review
    1.1 Previous Studies of Chinese Version of Don Juan
        1.1.1 Previous Studies of Zhu's Chinese Version of Don Juan
        1.1.2 Previous Studies of Zhu Weiji
        1.1.3 Previous Studies of Other Chinese Versions of Don Juan
    1.2 Previous Studies of Don Juan
        1.2.1 Previous Studies of Don Juan
        1.2.2 Previous Studies of Byron's Scottish Identity
Chapter Ⅱ Introduction to Zhu Weiji and his Chinese Version of Don Juan
    2.1 Zhu Weiji's Change in Translation and Creation
        2.1.1 Zhu's Change in Translation Theme
        2.1.2 Zhu's Change in Creation Theme
    2.2 Background of Zhu's Translating Don Juan
    2.3 Zhu's Intention of Translating Don Juan
Chapter Ⅲ Research Framework
    3.1 What is "Thick Translation"
    3.2 The Development of "Thick Translation"
    3.3 Framework of "Thick Translation" in the Thesis
        3.3.1 Out-text "Thick Translation"-Annotations
        3.3.2 In-text "Thick Translation"-Additions
Chapter Ⅳ The Analysis of Out-text "Thick Translation" in Zhu's Chinese Version of Don Juan-Annotations
    4.1 Explication
        4.1.1 Proper Noun
        4.1.2 Foreign Idiom
        4.1.3 Cultural Image
    4.2 Contextualization
        4.2.1 Creation Background
            4.2.1.1 Byron's Scottish Identity
            4.2.1.2 Conflict between Byron and Other Romantic Poets
            4.2.1.3 National Diversity of Britain
        4.2.2 Ideology
            4.2.2.1 Policy
            4.2.2.2 Philosophy
    4.3 Grounding
        4.3.1 Intertexts Concerning the Text-self
        4.3.2 Intertexts Concerning Other Works
Chapter Ⅴ The Analysis of In-text "Thick Translation" in Zhu's Chinese Version of Don Juan-Additions
    5.1 Adding Local Color
    5.2 Adding Historical Color
    5.3 Adding Emotional Color
        5.3.1 Negative Emotion of Wars
        5.3.2 Positive Emotion of Patriotism
Chapter Ⅵ Functions of "Thick Translation" in Zhu's Chinese Version of Don Juan
    6.1 Revealing the Creation Intention of the Author Byron
    6.2 Representing Translation Purpose of the Translator Zhu Weiji
    6.3 Improving the Acceptance of Target-language Readers
Chapter Ⅶ Conclusion
    7.1 Major Findings in the Thesis
    7.2 Limitations and Suggestions for the Further Studies
References
Appendix
Acknowledgements


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碩士論文
[1]《唐璜》漢譯中譯者主體性比較研究[D]. 趙月月.聊城大學(xué) 2014



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