本文選題：宋代　切入點(diǎn)：樂(lè)府制度　出處：《首都師范大學(xué)》2007年博士論文　論文類(lèi)型：學(xué)位論文

【摘要】： 宋代音樂(lè)文學(xué)的繁榮與宋代音樂(lè)文化的發(fā)達(dá)、宋代樂(lè)府制度的完備有著不可分割的關(guān)系。本文旨在通過(guò)對(duì)宋代樂(lè)府制度的全面考察,為進(jìn)一步研究宋代音樂(lè)文學(xué)奠定堅(jiān)實(shí)的基礎(chǔ)。 目前,學(xué)術(shù)界對(duì)宋代樂(lè)府制度的關(guān)注還不夠,直接成果尚不多見(jiàn)。就僅有的一些相關(guān)成果而言,大部分對(duì)宋代樂(lè)府制度的認(rèn)識(shí)還處于概觀(guān)的階段,一些重要問(wèn)題尚未厘清,許多觀(guān)點(diǎn)有待于修正。宋代樂(lè)府按功能和隸屬關(guān)系可分為教坊、太常寺及屬下的太樂(lè)局和鼓吹局、大晟府、鈞容直、云韶部和仙韶院。本文的結(jié)構(gòu)按樂(lè)府各機(jī)構(gòu)的設(shè)置情況,自然展開(kāi)。 本文首先對(duì)各重點(diǎn)樂(lè)府機(jī)構(gòu)的沿革情況,進(jìn)行了詳細(xì)考察。詳細(xì)描述了這些樂(lè)府機(jī)構(gòu)的發(fā)展、變化過(guò)程,并對(duì)這一過(guò)程中出現(xiàn)的相關(guān)現(xiàn)象進(jìn)行了分析。本文認(rèn)為,宋代教坊的建立,開(kāi)始于建國(guó)初期,到真宗、仁宗朝教坊進(jìn)入了它的全盛期,這一過(guò)程一直延續(xù)到北宋滅亡。到南宋,教坊開(kāi)始進(jìn)入了衰落期,直至紹興末年被廢,宋代教坊的歷史徹底終結(jié)。南宋教樂(lè)所是教坊的遺構(gòu),是教坊職能的替代者。教坊的衰落與教樂(lè)所的出現(xiàn)是市井音樂(lè)興起的必然結(jié)果,在新興的民間音樂(lè)文化的沖擊下,宋代原有的教坊體制發(fā)生了質(zhì)的改變。 宋代是一個(gè)格外重視雅樂(lè)的朝代,宋王朝數(shù)次興起的樂(lè)議,正是這一事實(shí)的最好證明。宋代的雅樂(lè)建設(shè)從太祖朝開(kāi)始,到崇寧四年達(dá)至頂峰。宋代雅樂(lè)建設(shè)的主線(xiàn)索是對(duì)古代樂(lè)制的不懈追求,復(fù)古思潮一直在宋人的雅樂(lè)建設(shè)過(guò)程中,占據(jù)著主導(dǎo)地位。 對(duì)樂(lè)官職能和任職條件的認(rèn)識(shí)是考察宋代樂(lè)府運(yùn)行機(jī)制的一個(gè)重要方面。本文首次對(duì)宋代樂(lè)府各機(jī)構(gòu)的置官情況進(jìn)行了全面考察,并訂正了前人的一些認(rèn)識(shí)上的錯(cuò)誤。 本文還對(duì)宋代各樂(lè)府機(jī)構(gòu)所管理的音樂(lè)進(jìn)行了考察。對(duì)曲目進(jìn)行了分類(lèi),對(duì)音樂(lè)的使用情況進(jìn)行總結(jié),對(duì)樂(lè)目的相關(guān)情況進(jìn)行了必要的考證。 對(duì)宋代樂(lè)籍制度的考察是研究宋代樂(lè)府制度的一個(gè)重要方面,本文對(duì)宋代樂(lè)籍制度發(fā)展、變化進(jìn)行了詳細(xì)討論,并針對(duì)一些觀(guān)點(diǎn)進(jìn)行了辨析。 本文還在全面描述宋代樂(lè)府制度的基礎(chǔ)上,就宋代樂(lè)府制度與宋代音樂(lè)文學(xué)的關(guān)系問(wèn)題,做了探討,并進(jìn)行了總結(jié)。
[Abstract]:The prosperity of music literature in Song Dynasty is closely related to the development of music culture in Song Dynasty and the perfection of Yuefu system in Song Dynasty. For the further study of the Song Dynasty music literature laid a solid foundation. At present, the academic circles have not paid enough attention to the Yuefu system in the Song Dynasty, and the direct results have not been seen much. As far as only some related achievements are concerned, most of the understanding of the Yuefu system in the Song Dynasty is still in the general stage, and some important issues have not been clarified. Many points of view need to be revised. Yuefu in the Song Dynasty can be divided into teaching workshops, Taichang Temple and its subordinate Taile Bureau and propaganda Bureau, Dasheng House, Jun Rong Zhi, Yunshao Department and Xianshao Yuan according to the function and subordinate relationship. The structure of this paper is based on the setting of each organization of Yuefu. Unfold naturally. In this paper, the evolution of the key Yuefu institutions is investigated in detail. The development and changing process of these institutions are described in detail, and the related phenomena in the process are analyzed. In the Song Dynasty, the establishment of the religious workshops began at the beginning of the founding of the people's Republic of China, and the Renzong Chao Church came into its heyday, which continued until the demise of the Northern Song Dynasty. In the Southern Song Dynasty, the workshops began to decline, until the last year of Shaoxing was abandoned. The history of the teaching workshops in the Song Dynasty was completely ended. The Southern Song Dynasty Jiayue Music Institute was a relic of the teaching workshops and a substitute for the functions of the teaching workshops. The decline of the teaching workshops and the emergence of the teaching music houses were the inevitable result of the rise of market music. Under the impact of the new folk music culture, The original system of teaching and learning in Song Dynasty changed qualitatively. The Song Dynasty was a dynasty that attached great importance to elegant music, and the Song Dynasty had several rising music discussions, which was the best proof of this fact. The construction of elegant music in the Song Dynasty began from the Taizu Dynasty. The main clue of the construction of elegant music in the Song Dynasty was the unremitting pursuit of the ancient music system, and the trend of thought of the restoration of the ancient times had always occupied a leading position in the process of the construction of elegant music in the Song Dynasty. It is an important aspect to investigate the operating mechanism of Yuefu in Song Dynasty. This paper makes a comprehensive investigation on the establishment of officials in Yuefu for the first time, and corrects some mistakes made by predecessors. This paper also investigates the music managed by various musical institutions in Song Dynasty, classifies the repertoire, summarizes the use of music, and makes necessary textual research on the relevant situation of musical subjects. It is an important aspect to study the Yuefu system in Song Dynasty. This paper discusses in detail the development and changes of the Yue nationality system in Song Dynasty and analyzes some points of view. Based on the comprehensive description of the Yuefu system in Song Dynasty, this paper discusses the relationship between the Yuefu system in Song Dynasty and music literature in Song Dynasty, and summarizes it.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2007
【分類(lèi)號(hào)】：J609.2;K244

【引證文獻(xiàn)】

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