天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

當前位置:主頁 > 社科論文 > 文化論文 >

“文化創(chuàng)意”的哲學探討

發(fā)布時間:2019-05-14 18:36
【摘要】:自人類有文化以來,文化創(chuàng)意就伴隨著人類歷史發(fā)展的腳步。當今時代,科學技術迅猛發(fā)展,文化與經(jīng)濟、政治的融合更加緊密,在經(jīng)濟社會發(fā)展中發(fā)揮著越來越大的作用,文化創(chuàng)意已成為21世紀的“新寵”。不僅成為人們展示聰明才智的新平臺,更成為帶動創(chuàng)業(yè)的新支點,而且還成為拉動經(jīng)濟增長的新引擎。因此,對文化創(chuàng)意進行哲學探討和思考,具有十分重要的理論意義和現(xiàn)實意義。本文第一部分回答的是“何為文化創(chuàng)意”。運用馬克思、恩格斯的文化觀,對文化創(chuàng)意的內(nèi)涵特質(zhì)進行了分析和探討。認為文化創(chuàng)意是指以文化為元素、融合多種文化形態(tài)、充分發(fā)揮思維和意識的能動性、利用不同資源和載體而進行再造與創(chuàng)新的文化現(xiàn)象。它具有創(chuàng)造性、人文性與具象性的基本特征。文化創(chuàng)意是一個系統(tǒng),它由文化創(chuàng)意的主體、客體、手段和形態(tài)等要素所構成。模仿型文化創(chuàng)意、改進型文化創(chuàng)意、創(chuàng)造型文化創(chuàng)意,構成了文化創(chuàng)意的基本類型。論文的第二部分探討了“文化創(chuàng)意何以可能”。文化創(chuàng)意如何發(fā)生,何以可能?這既有其現(xiàn)實依據(jù)和哲學基礎,同時也有其存在和發(fā)生的主客觀條件。經(jīng)濟可持續(xù)發(fā)展、建設創(chuàng)新型國家與提升文化軟實力的需要,是文化創(chuàng)意趨熱的現(xiàn)實基礎;馬克思主義哲學的意識能動性原理、精神生產(chǎn)原理與具象思維原理,是文化創(chuàng)意存在的哲學基礎;文化創(chuàng)意的發(fā)生還需要必備的主觀條件與客觀環(huán)境。論文的第三部分探討“如何進行文化創(chuàng)意”。這是問題的關鍵點和落腳點。筆者認為,從思想指導來說,必須遵循文化創(chuàng)意的獨立運行、自由創(chuàng)造、文化轉(zhuǎn)型的規(guī)律;從實踐過程來說,必須把握策劃、實施、結果、檢驗的文化創(chuàng)意環(huán)節(jié);從具體做法來說,必須注重從國家、社會與個人三層面制定切實可行的發(fā)展戰(zhàn)略和對策措施,從而讓文化創(chuàng)意更好地發(fā)揮它的作用和威力。
[Abstract]:Since human beings have culture, cultural creativity has been accompanied by the development of human history. Nowadays, with the rapid development of science and technology, the integration of culture, economy and politics is closer, and plays a more and more important role in economic and social development. Cultural creativity has become the "new favorite" of the 21st century. It has not only become a new platform for people to show intelligence, but also a new fulcrum to drive entrepreneurship, but also a new engine to stimulate economic growth. Therefore, it is of great theoretical and practical significance to discuss and think about cultural creativity. The first part of this article answers "what is cultural creativity". Based on Marx and Engels' view of culture, this paper analyzes and probes into the connotation and characteristics of cultural creativity. It is considered that cultural creativity refers to the cultural phenomenon which takes culture as the element, merges various cultural forms, gives full play to the initiative of thinking and consciousness, and makes use of different resources and carriers to reconstruct and innovate. It has the basic characteristics of creativity, humanism and representativeness. Cultural creativity is a system, which is composed of the subject, object, means and form of cultural creativity. Imitating cultural creativity, improved cultural creativity, creative cultural creativity, constitute the basic type of cultural creativity. The second part of the paper discusses how cultural creativity is possible. How and how is cultural creativity possible? This not only has its realistic basis and philosophical basis, but also has its subjective and objective conditions for its existence and occurrence. The need for sustainable economic development, the construction of an innovative country and the promotion of cultural soft power is the realistic basis for the heating of cultural creativity. The principle of consciousness initiative, the principle of spiritual production and the principle of concrete thinking of Marxist philosophy are the philosophical basis of the existence of cultural creativity, and the occurrence of cultural creativity also needs the necessary subjective conditions and objective environment. The third part of the paper discusses how to carry out cultural creativity. This is the key point and foothold of the problem. The author believes that, from the point of view of ideological guidance, we must follow the law of independent operation, free creation and cultural transformation of cultural creativity, and from the point of view of practice, we must grasp the cultural creative links of planning, implementation, result and test. From the specific approach, we must pay attention to the formulation of practical development strategies and countermeasures from the national, social and individual levels, so that cultural creativity can better play its role and power.
【學位授予單位】:中共湖南省委黨校
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:G02

【參考文獻】

相關期刊論文 前9條

1 秦楓;;文化創(chuàng)意產(chǎn)業(yè)生態(tài)系統(tǒng)分析及運行機制[J];中國文化產(chǎn)業(yè)評論;2013年02期

2 張海峰;;基于旅游視角的文化創(chuàng)意產(chǎn)業(yè)研究述評[J];經(jīng)濟研究導刊;2013年32期

3 邱月明;;國外文化創(chuàng)意產(chǎn)業(yè)發(fā)展的借鑒意義[J];華章;2013年05期

4 周志平;;我國文化創(chuàng)意產(chǎn)業(yè)的現(xiàn)狀及發(fā)展對策[J];改革與戰(zhàn)略;2011年10期

5 石長順;景義新;;中國文化創(chuàng)意產(chǎn)業(yè)研究的偏頗與平衡——基于相關期刊論文文獻的量化分析[J];河南社會科學;2011年03期

6 黃志鋒;;創(chuàng)意產(chǎn)業(yè)理論研究綜述[J];延邊大學學報(社會科學版);2010年05期

7 王言;;文化創(chuàng)意產(chǎn)業(yè)政策支撐體系的研究綜述[J];東南大學學報(哲學社會科學版);2009年S2期

8 陳玨宇;;國外文化創(chuàng)意產(chǎn)業(yè)發(fā)展述評[J];武漢交通職業(yè)學院學報;2008年02期

9 胡敏中;;論創(chuàng)意思維[J];江漢論壇;2008年03期

相關博士學位論文 前4條

1 鮑楓;中國文化創(chuàng)意產(chǎn)業(yè)集群發(fā)展研究[D];吉林大學;2013年

2 黃斌;北京文化創(chuàng)意產(chǎn)業(yè)空間演化研究[D];北京大學;2012年

3 鄭洪濤;基于區(qū)域視角的文化創(chuàng)意產(chǎn)業(yè)發(fā)展研究[D];河南大學;2008年

4 鄧曉輝;新工藝經(jīng)濟時代的文化創(chuàng)意產(chǎn)業(yè)研究[D];復旦大學;2006年

相關碩士學位論文 前4條

1 錢泳蓁;3-6歲兒童創(chuàng)新思維培養(yǎng)的研究[D];湖南師范大學;2012年

2 李庸;湖南文化創(chuàng)意產(chǎn)業(yè)競爭力研究[D];湘潭大學;2012年

3 陳小燕;創(chuàng)新思維的哲學思考[D];中央民族大學;2007年

4 湯銘;促進學生“創(chuàng)新思維”發(fā)展的思維導圖教學研究[D];上海師范大學;2006年

,

本文編號:2476952

資料下載
論文發(fā)表

本文鏈接:http://www.sikaile.net/shekelunwen/wenhuayichanlunwen/2476952.html


Copyright(c)文論論文網(wǎng)All Rights Reserved | 網(wǎng)站地圖 |

版權申明:資料由用戶f6e26***提供,本站僅收錄摘要或目錄,作者需要刪除請E-mail郵箱bigeng88@qq.com