【摘要】：以往對于節(jié)日的研究大多關注在時間上把節(jié)日作為一個獨特節(jié)點的風俗,在空間視角上使用"文化空間"的概念來描述文化活動的存在現狀而缺乏相應的學術支撐,理論探討后續(xù)乏力。因此,針對"文化空間"的局限性而提出了"節(jié)日空間"的概念并詳細探討了生成機制及文化意義,重新討論了"文化空間""民間"等說法及其與空間的關系,在此基礎上提出節(jié)日的六種空間機制和生成原理,旨在探討節(jié)日發(fā)生的根源,這其實是在關注節(jié)日作為社會活動的空間化表達及"每一次呈現"的表述意義,強調"這一空間"的理論價值。節(jié)日空間的研究是重要的學術問題,對于節(jié)日空間的深入理解將推進節(jié)日研究。
[Abstract]:In the past, most of the researches on festivals focused on the custom of taking festivals as a unique node in time, and used the concept of "cultural space" to describe the present situation of cultural activities from the perspective of space, and lacked the corresponding academic support. Theoretical discussion of subsequent fatigue. Therefore, in view of the limitation of "cultural space", this paper puts forward the concept of "holiday space", probes into the formation mechanism and cultural significance in detail, and rediscusses the expressions of "cultural space" and "folk" and their relationship with space. On the basis of this, six kinds of spatial mechanism and principle of formation of festivals are put forward in order to probe into the origin of festivals, which is actually to pay attention to the spatial expression of festivals as social activities and the expression meaning of "every presentation". Emphasize the theoretical value of "this space". The study of holiday space is an important academic issue.
【作者單位】： 中國社會科學院民族文學研究所;
【基金】：國家社會科學基金一般項目“民族文學的傳承、創(chuàng)新與影像表達研究”(項目編號:17BZW173)階段性成果
【分類號】：K892.11

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