本文選題：物盡其用 + 大同銅器　； 參考：《溫州大學(xué)》2017年碩士論文

【摘要】：大同銅器系山西大同及其周邊地區(qū)極具地方特色的民間工藝品,在當(dāng)?shù)孛癖姷纳钍澜缰谐袚?dān)著重要的功能,既有作為日常器具的實(shí)用功能,又有作為神器的儀式媒介功能。本論文從民俗學(xué)的視角展開對(duì)大同銅器之“物盡其用”的研究,充分利用田野調(diào)查所獲得的第一手資料,還盡量對(duì)文獻(xiàn)材料一網(wǎng)打盡。本論文由五個(gè)部分組成。緒論部分提出問題,闡釋選題的緣由、意義及價(jià)值,概述國內(nèi)外研究現(xiàn)狀,并指出本論文的研究方法。論文主體第一部分主要從兩個(gè)層面,即作為“神器”的大同銅器與作為“俗器”的大同銅器,對(duì)大同銅器的歷史淵源進(jìn)行還原;所謂“神器”側(cè)重于社會(huì)的上層文化,與社會(huì)統(tǒng)治或管理有關(guān),而“俗器”則強(qiáng)調(diào)其在民眾日常生活世界中角色定位及功能區(qū)隔。第二部分闡述銅器與當(dāng)代大同民眾日常的深層勾連及精神對(duì)話,主要體現(xiàn)在其與民生水乳交融的日常性上,因工業(yè)化而退居日常生活邊緣的大同銅器,其生存空間已發(fā)生了很大的變化,大同銅器作為民間工藝品獲得凸顯,其背后的歷史動(dòng)因值得深入研究。第三部分主要從“非遺”情境下的器盡其用與圖像講述和銅器傳承人的生活這兩個(gè)層面,研究遭遇“非遺”情境的大同銅器是如何繼往開來的;“非遺”情境下的大同銅器能強(qiáng)化當(dāng)?shù)氐奈幕J(rèn)同,通過其在相關(guān)儀式中的出場而重構(gòu)民眾生活的神圣維度,借助銅器的圖像敘事以還原或重建大同民眾的精神圖譜,并對(duì)作為民間工藝品的銅器之存續(xù)提供某種參照。本論文結(jié)語部分再次強(qiáng)調(diào):通過研究一種民間工藝品,尤其是從民俗學(xué)的視角去研究,其重要意義和價(jià)值是不言而喻的。并指出在大力提倡工匠精神的時(shí)代情境下,民間工藝的民俗學(xué)研究還是大有前途的。
[Abstract]:Datong Bronze is a folk handicraft with local characteristics in Datong Shanxi and its surrounding areas. It plays an important role in the world of life of the local people, both as a practical function of daily utensils and as a ceremonial medium of artifact. From the perspective of folklore, this paper makes full use of the firsthand data obtained from field investigation and tries to eliminate the literature and materials as far as possible. This thesis consists of five parts. The introduction part puts forward the questions, explains the reason, significance and value of the topic, summarizes the current research situation at home and abroad, and points out the research methods of this paper. The first part of the thesis mainly restores the historical origin of Datong bronze ware from two aspects, that is, Datong bronze ware as a "artifact" and a "common ware", and the so-called "artifact" focuses on the upper-class culture of the society. It has something to do with social domination or management, while vulgarity emphasizes its role and function in the world of people's daily life. The second part expounds the deep connection and spiritual dialogue between the bronze ware and the people of Datong, which are mainly reflected in the daily harmony with the people's livelihood, and the Datong bronze ware which retreated to the edge of daily life because of industrialization. Great changes have taken place in its living space, and the historical motivation behind it is worthy of further study. The third part mainly from the "non-posthumous" situation of the use of vessels and image narration and bronze inheritance of human life in these two levels, the study of the "non-legacy" situation of Datong bronze is how to carry on from the past; The "non-posthumous" bronze ware can strengthen the local cultural identity, reconstruct the sacred dimension of people's life through its appearance in related ceremonies, and restore or reconstruct the spiritual map of the people of Datong by means of the image narration of the bronze ware. And as a folk arts and crafts of the survival of bronze to provide some reference. The conclusion of this thesis emphasizes once again that the significance and value of studying a folk handicraft, especially from the perspective of folklore, is self-evident. It also points out that the folklore study of folk craft has great prospects in the context of advocating the spirit of craftsmen.
【學(xué)位授予單位】：溫州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J526.1;K892.2

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