本文選題：非遺 + 漢中非遺　； 參考：《陜西科技大學(xué)》2014年碩士論文

【摘要】：近年來，非遺保護(hù)是關(guān)于文化遺產(chǎn)的熱門詞條，全國各地都積極踴躍地通過各種形式展示屬于自己的文化瑰寶。尤其在文化創(chuàng)意產(chǎn)業(yè)的大背景下，非遺保護(hù)已從傳統(tǒng)的靜態(tài)保護(hù)轉(zhuǎn)向了與活態(tài)傳承相結(jié)合的新高度，使傳統(tǒng)藝術(shù)與現(xiàn)代時(shí)尚融合為一種新藝術(shù)形式。 面對(duì)我國經(jīng)濟(jì)的快速發(fā)展，反映民間歷史記憶與生活印記的無形文化在被發(fā)掘、保護(hù)的同時(shí)也在大量銷聲匿跡。究竟是它們不能適應(yīng)新的社會(huì)環(huán)境，還是我們應(yīng)該思考新的保護(hù)視野以實(shí)現(xiàn)永續(xù)利用。非遺是民間文化的根源，依附于一定生態(tài)環(huán)境而存在，凝聚著人們生活的意識(shí)形態(tài)和精神追求，能夠?yàn)楝F(xiàn)代都市生活提供一種質(zhì)樸與安寧，但是，現(xiàn)代化的進(jìn)步使人們不能夠適應(yīng)完全沉浸在傳統(tǒng)氛圍中的生活方式，而是希望在傳統(tǒng)與現(xiàn)代之間建立一種折中的心理需求。由此，學(xué)術(shù)界在“原生態(tài)保護(hù)”與“繼承創(chuàng)新”之間展開了激烈的討論，且都持之有故。 漢中地處陜西南部，位于秦嶺以南，山川秀美賦予其豐富的自然資源，兩漢三國史記使其積淀了悠久的歷史文化，民風(fēng)淳樸譜寫了寶貴的民俗風(fēng)情。漢中非遺的保護(hù)與傳承，對(duì)地區(qū)特色文化的挖掘具有重要意義，可以為漢中旅游業(yè)的發(fā)展提供更多具有文化深意與內(nèi)涵的旅游資源，進(jìn)一步提升城市的形象和促進(jìn)經(jīng)濟(jì)增長(zhǎng)，促進(jìn)文化產(chǎn)業(yè)的發(fā)展。 本文試圖從設(shè)計(jì)視野探討漢中非遺的保護(hù)與傳承，主張繼承傳統(tǒng)與創(chuàng)新發(fā)展相結(jié)合，為漢中各類非遺提供適合的保護(hù)傳承途徑。本論文綜述了國內(nèi)外的研究現(xiàn)狀，采用田野調(diào)查、文獻(xiàn)研究、演繹推理、多學(xué)科交叉、比較分析等研究方法，通過對(duì)漢中非遺地域分布的統(tǒng)計(jì)與梳理，理清了漢中各種類別非遺的散布脈絡(luò)及保護(hù)現(xiàn)狀與存在的問題，為后文從設(shè)計(jì)角度提出保護(hù)策略埋下了伏筆。在明確了設(shè)計(jì)與非遺保護(hù)存在必然聯(lián)系之后，本文從非遺可物化的外部形態(tài)與無形的精神文化兩部分論述了設(shè)計(jì)在非遺保護(hù)中的推動(dòng)作用及分析了可創(chuàng)新的設(shè)計(jì)元素。最后，從元素重構(gòu)與宣傳推廣兩方面提出了設(shè)計(jì)視野中漢中非遺保護(hù)與傳承的策略，并以省級(jí)非遺保護(hù)名錄“洋縣蔡家燈影制作技藝”為個(gè)案研究，結(jié)合制作工藝與藝術(shù)特征，，以其作為一項(xiàng)地域特色明顯的傳統(tǒng)手工技藝，從造型本身及設(shè)計(jì)應(yīng)用方面提出了創(chuàng)新元素，論證了本文從設(shè)計(jì)角度提出的保護(hù)與傳承對(duì)策，以期對(duì)漢中及其他地區(qū)的非遺保護(hù)提供一些參考價(jià)值。 當(dāng)然，非遺保護(hù)還可以從其它視野窺見更好的發(fā)展前景，但設(shè)計(jì)領(lǐng)域是一個(gè)廣闊的學(xué)科門類，已經(jīng)與人們的生活密不可分，而漢中非遺又是地域文化、民間生產(chǎn)與生活方式的寫照，故以“設(shè)計(jì)”談非遺保護(hù)的意義不言而喻。
[Abstract]:In recent years, non-heritage protection is a popular term about cultural heritage, all over the country actively display their own cultural treasures through various forms. Especially in the context of cultural and creative industries, non-heritage protection has changed from the traditional static protection to a new height combined with the living state of inheritance, which makes traditional art and modern fashion merge into a new art form. In the face of the rapid economic development of our country, the intangible culture, which reflects the folk historical memory and the imprint of life, has been excavated and protected, and at the same time, a large number of invisible cultures have disappeared. Whether they can not adapt to the new social environment, or should we think of a new perspective of protection to achieve sustainable use. Non-inheritance is the root of folk culture. It exists in a certain ecological environment and condenses the ideological and spiritual pursuit of people's life. It can provide a kind of simplicity and tranquility for modern urban life, but, The progress of modernization makes people can not adapt to the way of life completely immersed in the traditional atmosphere, but hope to establish a kind of eclectic psychological demand between tradition and modern. Therefore, there is a heated discussion between "original ecological protection" and "inheritance innovation" in academic circles. Hanzhong is located in the south of Shaanxi, located in the south of Qinling. The beautiful mountains and rivers endow it with abundant natural resources. The protection and inheritance of non-heritage in Hanzhong is of great significance to the excavation of regional characteristic culture, which can provide more tourism resources with cultural meaning and connotation for the development of tourism in Hanzhong, further enhance the image of the city and promote economic growth. Promote the development of cultural industry. This paper attempts to discuss the protection and inheritance of non-heritage in Hanzhong from the design perspective, and advocates the combination of inheritance with innovation and development in order to provide suitable ways to protect and inherit all kinds of non-posthumous relics in Hanzhong. This paper summarizes the current research situation at home and abroad, adopts the research methods of field investigation, literature research, deductive reasoning, multi-disciplinary intersection, comparative analysis and so on, through statistics and combing the distribution of non-posthumous region in Hanzhong. This paper clarifies the distribution context of various types of non-posthumous relics in Hanzhong and the present situation and existing problems of protection, which lays a good foundation for the design of protection strategies in the future. After making clear the inevitable connection between design and non-posthumous protection, this paper discusses the impelling role of design in non-posthumous protection and analyzes the innovative design elements from the external form of non-posthumous materialization and intangible spiritual culture. Finally, from the aspects of element reconstruction and propaganda and promotion, this paper puts forward the strategies of protecting and inheriting the non-posthumous of Hanzhong in the design field of vision, and takes the provincial list of non-posthumous protection as a case study, "Caijia Lantern making skills in Yangxian", combined with the production process and artistic features. As a traditional handwork technique with obvious regional characteristics, this paper puts forward the innovative elements from the aspects of modeling itself and design application, and demonstrates the protection and inheritance countermeasures put forward in this paper from the point of view of design. In order to provide some reference value for the protection of Hanzhong and other regions. Of course, non-legacy protection can also be seen from other perspectives of better development prospects, but the design field is a wide range of disciplines, has been closely related to people's lives, and Hanzhong non-heritage is a regional culture, Folk production and life style portrayal, so "design" to talk about the significance of non-legacy protection is self-evident.
【學(xué)位授予單位】：陜西科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：G122

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