本文關(guān)鍵詞： 影視產(chǎn)業(yè) 地域文化 互動(dòng)機(jī)理 優(yōu)化調(diào)控 江蘇省　出處：《江蘇師范大學(xué)》2017年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：新時(shí)期,開(kāi)展影視產(chǎn)業(yè)與地域文化互動(dòng)研究,對(duì)于強(qiáng)化地域文化特色,發(fā)展特色地域文化產(chǎn)業(yè),實(shí)現(xiàn)影視產(chǎn)業(yè)發(fā)展中文化價(jià)值與經(jīng)濟(jì)價(jià)值的精巧平衡、全球化背景下的本土化堅(jiān)守、文化現(xiàn)代化進(jìn)程中的傳統(tǒng)守望、文化資源的充分永續(xù)利用與文化邁上新臺(tái)階的統(tǒng)籌兼顧均有重要的意義。本文基于地方性、文化認(rèn)同、嵌入性等視角,以1982-2016年間江蘇省內(nèi)獲得國(guó)家級(jí)重要獎(jiǎng)項(xiàng)且反映江蘇地域文化的42部影視文本為研究對(duì)象,運(yùn)用文本分析、詞頻分析等研究方法,分析江蘇影視產(chǎn)業(yè)與地域文化的互動(dòng)過(guò)程,進(jìn)而從市場(chǎng)效益、文化認(rèn)同、意識(shí)形態(tài)等嵌入角度揭示其動(dòng)力機(jī)制,探討二者調(diào)控措施。研究表明:(1)江蘇影視產(chǎn)業(yè)經(jīng)歷了快速起步—平穩(wěn)過(guò)渡—高質(zhì)量發(fā)展—成熟四個(gè)階段;影視基地建設(shè)呈現(xiàn)南多北少蘇南發(fā)展水平高于蘇北的格局。(2)江蘇影視產(chǎn)業(yè)與地域文化間表現(xiàn)為立體式全方位的互動(dòng)過(guò)程。一方面,江蘇地域文化通過(guò)歷史名人、地方景觀、本土方言、民歌戲曲、地域精神等地域元素影響江蘇影視主角、影視取景、影視對(duì)白、影片音樂(lè)、影片主旨等的選擇、借鑒和創(chuàng)新。另一方面,影視產(chǎn)業(yè)成為地域文化的一種全新傳播媒介,成為市場(chǎng)經(jīng)濟(jì)條件下文化傳承創(chuàng)新的重要力量與方式。(3)江蘇影視產(chǎn)業(yè)與江蘇地域文化互動(dòng)機(jī)理是多重嵌入的結(jié)果。基于資本、經(jīng)濟(jì)效益的市場(chǎng)嵌入是影視產(chǎn)業(yè)文化特色形成的第一推動(dòng)力。文化嵌入層面中,個(gè)人層面的文化認(rèn)同引致的文化自覺(jué)、文化責(zé)任是影響影視創(chuàng)作的內(nèi)在能動(dòng)力量;各級(jí)政府的文化定位與文化戰(zhàn)略,政府與部隊(duì)、企事業(yè)戰(zhàn)略合作以及國(guó)家宏觀層面的政策環(huán)境,通過(guò)引導(dǎo)匡正,促進(jìn)影視作品風(fēng)格特色的塑造,形成外在結(jié)構(gòu)性力量。(4)針對(duì)江蘇影視與地域文化的良性互動(dòng),提出相應(yīng)調(diào)控措施:江蘇影視產(chǎn)業(yè)應(yīng)立足地域多元特色文化,打造“江蘇風(fēng)情”影視劇;提升江蘇影視基地建設(shè)水平,夯實(shí)江蘇影視產(chǎn)業(yè)發(fā)展載體;融入主流價(jià)值觀,引發(fā)觀眾情感共鳴;創(chuàng)新影視產(chǎn)業(yè)發(fā)展模式,傳承地域文化;加強(qiáng)政策引導(dǎo)扶持,創(chuàng)造良好的政策環(huán)境。
[Abstract]:The new period, to carry out the film and television industry and regional cultural interaction, for strengthening the geographical and cultural characteristics, development characteristics of regional culture industry, cultural film and television industry value and economic value of the delicate balance, adhere to the localization of culture under the background of globalization, the modernization process of the traditional watch, cultural resources and culture to fully sustainable utilization a new level of overall consideration has important significance. This paper is based on the local, cultural identity, embeddedness perspective, to 1982-2016 years in Jiangsu Province won the national awards and reflect the Jiangsu region culture 42 text as the object of study, using the research methods of text analysis, frequency analysis, analysis of the interaction process in Jiangsu film and television industry and regional culture, and benefit from the market, cultural identity, ideology embedded reveals its power mechanism, discusses the two control measures. The result shows: (1) the Jiangsu film industry experienced a rapid start - smooth transition - high quality development of four stages of maturity; the film base construction is less than in the north south development level of South of Jiangsu province has higher pattern. (2) the Jiangsu film industry and regional culture show a full range of three-dimensional interactive process. On the one hand, Jiangsu regional culture through historical celebrities, local landscape, local dialect, folk opera, influence of regional spirit elements in Jiangsu film and television star, framing, film dialogue, film music, movie theme choice, reference and innovation. On the other hand, the film industry has become a new media dissemination of regional culture, become a market economy under the condition of cultural heritage of innovation and an important force. (3) Jiangsu film and television industry and the culture of Jiangsu is the result of multiple embedded interactive mechanism. Based on the capital market, the economic benefit is embedded. As the first driving force of industrial culture formation. Embedding culture level, the individual level of cultural identity caused by the cultural consciousness, cultural responsibility is the inherent power of film and television creation; cultural orientation and cultural strategy at all levels of government, government and army, enterprise strategic cooperation and policy environment of the national macro level, guided by rectification to promote the film and television works, shaping the style, form the external structural strength. (4) according to the interaction of Jiangsu television and regional culture, put forward the corresponding measures: Jiangsu film industry should be based on the regional various cultural features, to create "Jiangsu style" TV drama; enhance the construction level of Jiangsu film base, reinforce the development of Jiangsu film and television industry carrier; the mainstream values, causing the audience emotional resonance; innovation and development mode of film and television industry, the heritage of regional culture; strengthen policy guidance and support, to create a good A good policy environment.

【學(xué)位授予單位】：江蘇師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：G127;J943

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 ;我國(guó)推進(jìn)廣播影視產(chǎn)業(yè)發(fā)展的五大方向[J];中國(guó)鄉(xiāng)鎮(zhèn)企業(yè);2004年04期

2 陳梁;;淺析韓國(guó)影視產(chǎn)業(yè)的發(fā)展[J];電影文學(xué);2008年15期

3 鄧?yán)矸?;新加坡、韓國(guó)和香港的影視產(chǎn)業(yè)政策比較[J];中國(guó)廣播電視學(xué)刊;2008年06期

4 胡璐;;韓國(guó)影視產(chǎn)業(yè)振興的經(jīng)濟(jì)學(xué)分析——基于波特“鉆石模型”的思考[J];中外企業(yè)家;2009年08期

5 朱衛(wèi)江;金晶瑜;;浙江應(yīng)加快發(fā)展壯大影視產(chǎn)業(yè)[J];今日浙江;2010年11期

6 譚成才;劉彥臣;;吉林省影視產(chǎn)業(yè)發(fā)展的戰(zhàn)略探析[J];中國(guó)電影市場(chǎng);2012年05期

7 ;新華網(wǎng):浙江影視產(chǎn)業(yè)發(fā)展會(huì)議在杭州召開(kāi)[J];杭州(周刊);2012年05期

8 王超英;;浙江大學(xué)國(guó)際影視發(fā)展研究院成立 浙江影視產(chǎn)業(yè)獲建行浙江省分行100億授信[J];視聽(tīng)縱橫;2013年03期

9 周格洋;;韓國(guó)影視產(chǎn)業(yè)發(fā)展原因淺析[J];現(xiàn)代企業(yè)教育;2013年12期

10 芊;從數(shù)字看韓國(guó)影視產(chǎn)業(yè)的發(fā)展[J];世界電影;2003年04期

相關(guān)會(huì)議論文 前6條

1 孫麗君;;中國(guó)影視產(chǎn)業(yè)應(yīng)對(duì)金融危機(jī)的對(duì)策[A];建設(shè)經(jīng)濟(jì)文化強(qiáng)�。禾魬�(zhàn)·機(jī)遇·對(duì)策——山東省社會(huì)科學(xué)界2009年學(xué)術(shù)年會(huì)文集（2）[C];2009年

2 趙富斌;趙莉;史龍龍;王甫;;中國(guó)武術(shù)影視產(chǎn)業(yè)發(fā)展路徑研究[A];中國(guó)體育產(chǎn)業(yè)與體育用品業(yè)發(fā)展論壇論文集[C];2012年

3 聶偉;;后“經(jīng)典”時(shí)代的影視產(chǎn)業(yè)與文化生態(tài)[A];新世紀(jì)新十年：中國(guó)影視文化的形勢(shì)、格局與趨勢(shì)——中國(guó)高等院校影視學(xué)會(huì)第十三屆年會(huì)暨第六屆中國(guó)影視高層論壇論文集[C];2010年

4 董濮瑜;吳嘉偉;;北京影視產(chǎn)業(yè)對(duì)外貿(mào)易現(xiàn)狀、問(wèn)題以及對(duì)策分析[A];國(guó)際服務(wù)貿(mào)易評(píng)論（總第7輯）[C];2013年

5 張苗苗;;廣播影視產(chǎn)業(yè)創(chuàng)新的風(fēng)險(xiǎn)及其監(jiān)管路徑選擇[A];新世紀(jì)新十年：中國(guó)影視文化的形勢(shì)、格局與趨勢(shì)——中國(guó)高等院校影視學(xué)會(huì)第十三屆年會(huì)暨第六屆中國(guó)影視高層論壇論文集[C];2010年

6 張志君;;面向世界,平和崛起——中外廣播影視產(chǎn)業(yè)之比較及對(duì)發(fā)展本土廣播影視產(chǎn)業(yè)的幾點(diǎn)建議[A];中國(guó)傳媒經(jīng)濟(jì)（第一輯）[C];2004年

相關(guān)重要報(bào)紙文章 前10條

1 ;促進(jìn)青海影視產(chǎn)業(yè)發(fā)展繁榮問(wèn)答(2)[N];青海日?qǐng)?bào);2013年

2 ;促進(jìn)青海影視產(chǎn)業(yè)發(fā)展繁榮問(wèn)答(3)[N];青海日?qǐng)?bào);2013年

3 本報(bào)記者 杜思?jí)?數(shù)據(jù)推動(dòng)影視產(chǎn)業(yè)發(fā)展[N];中國(guó)電影報(bào);2013年

4 彭昊陽(yáng);地方發(fā)展影視產(chǎn)業(yè)莫為政績(jī)攀比[N];中國(guó)文化報(bào);2013年

5 時(shí)報(bào)記者 王淞 李h齢，

本文編號(hào)：1554559