【摘要】：隨著全球化進程的加快和信息技術(shù)的發(fā)展,各國各地區(qū)間的文化交流也日益增多,近兩年來,美劇以非常低調(diào)的姿態(tài)悄無聲息地走進了大眾視野,但又以非常強勁的影響力和滲透力在中國迅速流行起來,從80年代的《加里森敢死隊》、《大西洋底來的人》到90年代的《成長的煩惱》、《老友記》再到如今通過網(wǎng)絡(luò)一炮走紅的《越獄》,伴隨著大量美劇在中國取得火爆收視及持續(xù)流行,美劇中所傳遞的意識形態(tài)和價值觀念也在潛移默化地影響著中國觀眾的思維方式和生活習慣,越來越多中國年輕人的世界觀、價值觀、家庭觀等都受到了美劇的影響。曾經(jīng)在網(wǎng)絡(luò)上流傳著這樣一個段子：“追國產(chǎn)劇的最擔心婆媳關(guān)系,追韓劇的嫁不出去,追英劇的高端文藝,追美劇的不明覺厲(網(wǎng)絡(luò)流行語：雖然不明白,但感覺很厲害的樣子)�！迸_灣《旺報》在2014年4月9號的短評說：“這雖是笑談,卻也可以看出美劇及美劇觀眾的地位�！痹谝晕乃嚽嗄辍最I(lǐng)和學生為主體的時光網(wǎng)和豆瓣網(wǎng)上,關(guān)注美劇的比例達到86%；也有相關(guān)數(shù)據(jù)顯示,美劇粉絲的主要構(gòu)成是由高學歷、高職位、高收入的“三高”人群所構(gòu)成,25-30歲的人群占到多數(shù),他們有著較高的消費能力,追求著品質(zhì)的生活。正是這樣的年輕群體同樣也是中國社會未來發(fā)展的主力軍。這些制作精良的美劇借助網(wǎng)絡(luò)這一特殊傳播途徑在中國年輕群體中得到廣泛流行,此種現(xiàn)象背后值得我們深思和探討的是為何美劇中蘊含的意識形態(tài)和價值觀念能夠俘虜這么多年輕觀眾的心?美劇在中國的盛行又對中國國家文化安全有著怎樣的沖擊?而作為一個尚處在社會主義發(fā)展中階段的發(fā)展大國,我們又該如果看待和應對這種威脅?如何保衛(wèi)我國國家文化的安全? 本文主要由前言、正文和結(jié)束語三部分組成。 前言部分主要論述了選題的提出和現(xiàn)實意義,對國內(nèi)外美劇的研究情況進行概述,并簡要介紹了論文的基本框架和主要內(nèi)容。正文主要由五部分組成。第一部分主要描述了美劇在中國的傳播情況。本部分總共分為二小節(jié)：第一小節(jié)為美劇概述,即美劇的基本情況,美劇在中國的影響力。第二小節(jié)主要介紹美劇在我國的傳播歷史和傳播現(xiàn)狀。第二部分則主要介紹論文采取的研究方法,即問卷調(diào)查和個人訪談相結(jié)合的形式,就美劇對國內(nèi)受眾的影響進行研究及分析,調(diào)查的目的在于突出美劇的意識形態(tài)和價值觀念在受眾群體中產(chǎn)生何種影響。第三部分以個別美劇為例并結(jié)合實證調(diào)查,分析美劇的意識形態(tài)和價值觀念。第四部分主要論述了美劇的盛行現(xiàn)象對我國國家文化安全的沖擊。這里主要從美劇如何提升美國的文化實力及美劇對中國觀眾的思維方式產(chǎn)生的影響等方面來論述美劇對我國文化安全的沖擊。第五部分依據(jù)實證調(diào)查數(shù)據(jù),主要論述了在美劇盛行的美國文化霸權(quán)的侵略下,中國該如何抵御以及如何維護中國國家文化安全。 在全球加速發(fā)展的今天,中國因長期處于發(fā)展階段,其綜合國力同美國相比還存在著較大差距。中國文化市場的體制不健全,文化產(chǎn)業(yè)的發(fā)展不完善,美劇的意識形態(tài)輸出及美國的文化霸權(quán)都對我國的文化安全形勢構(gòu)成了極大的威脅,我們也受到了前所未有的挑戰(zhàn)。如何應對這種挑戰(zhàn),維護我國文化安全,已成為構(gòu)建中國文化安全戰(zhàn)略中必須思考和解決的一個重要課題。面對美國文化霸權(quán)的戰(zhàn)略企圖,我們必須認識到當前形勢的險峻性和維護國家安全的重要性,我們應對美國文化霸權(quán)有深入了解,充分認識其對中國文化安全的嚴重危害和侵蝕,并做出相應的思考和抉擇,確保國家的文化利益不受侵犯。我們應對西方的文化滲透保持清醒和警惕的頭腦,采取積極的防御措施,維護國家的文化安全。
[Abstract]:With the acceleration of globalization and the development of information technology, cultural exchanges among countries and regions are increasing. In the past two years, American TV series have quietly entered the public view with a very low-key attitude, but with a very strong influence and penetration in China, it has rapidly become popular, from the 1980s < Garrison's Death Team >, < Daxi's People from the ocean floor to Growing Pains in the 1990s and Friends to Prison Break, which is now popular through the Internet, have been gaining popularity and popularity in China with a large number of American dramas. The ideology and values conveyed in American dramas have also exerted a subtle influence on the way of thinking and living habits of Chinese audiences. More and more young Chinese are influenced by American dramas in their world outlook, values and family outlook. "It's a joke, but it also shows the status of the audience of American TV dramas," Taiwan's Wang Bao said in a short commentary on April 9, 2014. The majority of the people aged 25-30 are people with higher educational background, higher vocational positions and higher income. They have higher consumption ability and pursue a quality life. It is such a young group that is also the main force for the future development of Chinese society. It is worth pondering and discussing why the ideology and values contained in American dramas can capture the hearts of so many young audiences, and what impact does the prevalence of American dramas have on China's national cultural security, which is still in the middle stage of socialist development. How should we treat and deal with this threat and safeguard the security of our national culture?
This article is mainly composed of three parts: preface, main body and concluding remarks.
The first part mainly describes the spread of American TV Series in China. This part is divided into two sections: the first section is beauty. The second section mainly introduces the history and current situation of American TV Series in China. The second part mainly introduces the research methods adopted by the thesis, that is, the combination of questionnaire survey and personal interview, to study and analyze the influence of American TV series on domestic audiences. The purpose is to highlight the impact of ideology and values on the audiences of American TV dramas. The third part analyzes the ideology and values of American TV dramas by taking individual American TV dramas as examples and combining with empirical investigation. The fourth part mainly discusses the impact of the prevalence of American TV dramas on China's national cultural security. How to enhance the cultural strength of the United States and the impact of American drama on the way of thinking of Chinese audiences to discuss the impact of American drama on China's cultural security. The fifth part, based on empirical survey data, mainly discusses how China should resist the invasion of American cultural hegemony prevailing in American drama and how to maintain Chinese National culture. Security.
Today, with the accelerated development of the world, China has been in the stage of development for a long time, and its comprehensive national strength still lags behind that of the United States. We are also facing unprecedented challenges. How to deal with these challenges and safeguard our cultural security has become an important issue that must be considered and solved in the construction of China's cultural security strategy. We should have a deep understanding of American cultural hegemony, fully understand its serious harm and erosion to China's cultural security, and make corresponding thinking and choices to ensure that the country's cultural interests are not infringed.
【學位授予單位】：安徽大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：C913

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