本文選題：敘述性圖像 + 展示性圖像��； 參考：《西南民族大學(xué)學(xué)報(bào)(人文社科版)》2017年11期

【摘要】：近代中國(guó)畫(huà)報(bào)中刊登了大量女性形象。其中有很多內(nèi)容專門(mén)針對(duì)女性讀者,因而很難從"供男性注視"的角度來(lái)分析。作者將這些女性形象分為敘述性圖像和展示性圖像兩類,進(jìn)一步應(yīng)用阿爾都塞關(guān)于國(guó)家意識(shí)形態(tài)的相關(guān)理論,對(duì)展示性圖像進(jìn)行了專門(mén)研究,認(rèn)為國(guó)家意識(shí)形態(tài)以自然化的方式寓于畫(huà)報(bào)女性形象之中,在實(shí)現(xiàn)大寫(xiě)主體(以"新女性"形象為代表)對(duì)小寫(xiě)主體(即畫(huà)報(bào)讀者,特別是女性讀者)的召喚過(guò)程中,實(shí)現(xiàn)教化國(guó)民的功能。
[Abstract]:Modern Chinese pictorial published a large number of female images. Much of it is specifically aimed at female readers, making it difficult to analyze it from a "for men's eye" perspective. The author divides these female images into narrative images and display images, and applies Althusser's theory of national ideology to study them. The author holds that the national ideology is embodied in the pictorial female image in a natural way, and in the process of realizing the call of the uppercase subject (represented by the "new female" image) to the lowercase subject (that is, the pictorial reader, especially the female reader), To realize the function of civilizing the people.
【作者單位】： 四川大學(xué)文學(xué)與新聞學(xué)院;四川大學(xué)海外教育學(xué)院;
【基金】：國(guó)家社會(huì)科學(xué)基金項(xiàng)目“清末民初畫(huà)報(bào)研究”(10CXW002) 四川大學(xué)中央高�；究蒲袠I(yè)務(wù)費(fèi)研究專項(xiàng)項(xiàng)目(skqx201104)階段性成果
【分類號(hào)】：C913.68;G219.29
，

本文編號(hào)：2079849