本文關鍵詞：杜詔及《中晚唐詩叩彈集》研究，由筆耕文化傳播整理發(fā)布。

        本論文的研究對象是清初時杜詔、杜庭珠于康熙42年(1703)、43年(1704)編成并刊刻的一部唐詩選本《中晚唐詩叩彈集》,該書正集十二卷,選37位中晚唐詩人的詩1594首,續(xù)集三卷,補選76位中晚唐五代詩人的詩作265首,全書共選中晚唐五代113名詩人的詩1859首。本論文通過對此唐詩選本的綜合研究,得出如下結論：該書產生的時代原因有兩個：一、康熙皇帝對唐詩的情有獨鐘使得唐宋詩之爭中的宗唐派獲得了特別的強勢,這為該書的產生提供了精神引導。二、明代人對初盛唐詩的過度重視和對中晚唐詩的過度輕視使得明末清初的學者們紛紛抨擊明代“詩必盛唐”之說的流弊,并掀起了重視中晚唐詩的熱潮,這為該書的產生營造了輿論支持。該書產生的直接原因有三個：一、作為該書編者之一杜詔的兩位老師,嚴繩孫和顧貞觀“獨抒性靈”的論詩主張給杜詔以深刻的影響,這為該書的選編原則輸送了思想養(yǎng)料。二、杜詔在氣質性情上的真摯醇厚和詩學追求上的“專主性靈”使得他更注重具有“才調風情”的詩歌,并把中晚唐詩作為選詩范圍,這是杜詔、杜庭珠編選此書最內在的原因。三、嚴繩孫、顧貞觀豐富的藏書和杜詔、杜庭珠充饒的家財使得該書的產生不僅可能,而且很快,這為該書的產生準備了成熟的物質條件。《中晚唐詩叩彈集》的編選動機主要來自兩個方面：一個方面是因為高棅《唐詩品匯》選詩時重“初盛唐”而輕“中晚唐”,選“中晚唐詩”時又重“貞元以前”而輕“元和以后”,為了彌補高棅之書的缺陷,杜詔、杜庭珠此書專選“中晚唐詩”。另一方面是因為高棅選詩時基于初盛唐詩基本一致的時代風貌而著重于詩格的“渾厚含蓄”,而中晚唐詩體現(xiàn)了更為鮮明的個人特色,故杜詔、杜庭珠選詩時只能著重于詩味的“才調風情”�！吨型硖圃娺祻椉返氖珍浽瓌t主要來自兩個角度：一個角度是題材上側重于收錄具有“才調風情”的詩歌,而對詩歌的體裁不甚在意,這是該書詩學思想的必然要求；另一個角度是在體裁上側重于近體尤其是七言近體,但對詩歌的題材盡量兼顧。這是晚唐詩歌實情的客觀限制�！吨型硖圃娺祻椉返倪x詩情況有三個內容需要交代。首先,就詩人的選擇而言,該書選詩最多的十個詩人依次是：白居易、李商隱、溫庭筠,王建、李賀、杜牧、韓偓、許渾、張籍、張祜。其中白居易、王建、張籍、李賀四人為中唐詩人,其余六人為晚唐詩人。這表明,晚唐詩人比中唐詩人更喜歡寫具有才調風情的詩歌。其次,就體裁的選擇而言,入選的近體詩壓倒性的比重(超過了70%)表明了最能表現(xiàn)“才調風情”的三大體裁是七律、五律、七絕,其比例是3：2：2。最后,就題材的分布而言,愛情詩和詠史懷古詩入選最多,這表明最能表現(xiàn)才調風情的題材有兩個：一是談情說愛,二是詠史懷古。《中晚唐詩叩彈集》的主要成就有四個：第一,從眾多的中晚唐詩作品中體會到了中晚唐詩完全不同于“渾厚含蓄”的初盛唐詩的主體品格是“才調風情”,這對認識中晚唐詩人詩作相當鮮明的個人特色提供了一個適宜的研究角度。第二,該書表明七律、五律、七絕是最能表現(xiàn)才調風情的三種題材,而且這三種體裁表現(xiàn)才調風情的能力相差不大(因為這三種體裁入選詩作的比例是3：2：2)。第三,該書表明了愛情詩和詠史懷古詩在表現(xiàn)才調風情時突出的作用和地位。第四,作為收詩數(shù)量之多僅次于明高棅《唐詩品匯》的唐詩選本,該書不僅收詩很多,而且所收皆中晚唐詩,這就彌補了明高棅《唐詩品匯》選詩過于輕視中晚唐詩的缺陷�！吨型硖圃娺祻椉返娜毕莺褪д`相當多,主要如下：一,選詩標準的含義是模糊的。二,選詩范圍(即“中晚唐詩”的起始年代)是模糊的。三、《例言》的陳述是自相矛盾的。四、選本的實際與《例言》制定的規(guī)矩不相符合。五,詩人和詩作的前后排列,皆相當混亂。結論：杜詔、杜庭珠選編的《中晚唐詩叩彈集》是一個有眼光、有思想、有成就、有價值的唐詩選本。在某種意義上,《中晚唐詩叩彈集》(十五卷)是明高棅《唐詩品匯》(九十卷)的續(xù)編,這兩個選本相結合,才能組成一本完整的、能夠比較合理地反映整個唐詩全貌的唐詩選本。但是,《中晚唐詩叩彈集》是一本急就章似的草創(chuàng)之作,缺陷和失誤相當多,亟待后人的研究和整理。

    This paper is a comprehensive study of <Zhong Wan Tang Shi Kou Tan Ji>, which was compiled by Du Zhao and Du Tingzhu in early Qing Dynasty. This Tang poetry anthology had12volumes, compiled37poets’1594poems who were lived in the Middle and Late Tang Dynasty. Sequel other three volumes about76poets’poems265.So,the book selected113poet’s1859poems in the Middle and Late Tang dynasty. Through the comprehensive study of this anthology, we can get the following conclusions:There are two era reasons for the book generated:First, Kangxi’Favorites about the Tang peoms makes the school which like Tang poems win in the war between Tang poems and Song poems.This Provided spiritual guidance for the generation of the book. Second, people in Ming Dynasty pay too much emphasis on the early and prosperous period Tang poems made the scholars of the late Ming and early Qing dynasties criticized the poetics concept about "the flourishing Tang poems are the best"of the Ming Dynasty. A craze of paying attention to the Middle and Late Tang Dynasty poetry had been set off. It provided a public opinion support of the book to create.There are three direct reasons for the book generated:The poetics concept about "express the emotion" of Du Zhao’s two teachers Gu Zhenguan and Yan Shengsun affected him profoundly. Second, the poetics concept about "pay attentionto spirit and emotion" of Du Zhao. The third, Gu Zhenguan and Yan Shengsun’s rich collection of books and Du Zhao’s wealthy family.The compilers’motivation mainly from two aspects:First, in order to remedy the drawback of Gao Bing’s<Tang Shi Pin Hui> what is value the early and prosperous Tang Poetry when he compiled. The other is because Gao Bing only focused on the Tang poetry style, the two Mr.Du had to pay more attention to "artistic talent and emotion" of the Middle and Late Tang PoetryThe standard for compilation of the <Zhong Wan Tang Shi Kou Tan Ji> is from two angles:one is focusing to choose the poetry whose theme is focused on "artistic talent and emotion". The other is the type of poetry is focused on morden type, especially the qi yan.There are three points about the poetry content of <Zhong Wan Tang Shi Kou Tan Ji>need to tell: First, as for the selection of poets, the ten whose poetry had been selected the most in proper order are Bai Juyi、Li Shangyin、Wen Tingyu、Wang Jian、Li He、Du Mu、 Han Wo、Xu HunvZhang Ji and Zhang Hu. Among them, Bai Juyi、Wang Jia、Zhang Ji、Li He were the Middle Tang Dynasty Poem, the rest of the six were the Late Tang Dynasty poem. This shows that, the later prefered to write the poetry which with a style of "artistic talent and emotion" than the former.Secondly, as for the selection of the type of poetry, the large proportion of modern-style shows that the three poetry type which can reflect the "artistic talent and emotion" are wuyan Metrical、qiyan Metrical and qiyan Quatrains. And the ratio is3:2:2.Last, as for the distribution of subject matter, Love Poems and History-Nostalgia Poems selected most. Tt shows that there are two subjects which can reflect the "artistic talent and emotion"best:the Love Poems and History-Nostalgia Poems.There are four main achievements about<Zhong Wan Tang Shi Kou Tan Ji>:First, from so much the Middle and Late Tang Dynasty poetry, we realize its main mharacter is completely different from the "deep and implicit" of the early and prosperous Tang Poetry. It can provide a appropriate research perspective to realize the distinctive personal characteristics about the Middle and Late Tang Dynasty poems and poetry.Secondly, this anthology shows that wuyan Metrical、qiyan Metrical and qiyan Quatrains are the best poetry type which can reflect the "artistic talent and emotion", Meanwhile, their ability are more or less the same (because the three types’selected ratio is3:2:2).Third, this anthology shows the outstanding role and status of Love Poems and History-Nostalgia Poems when they reflect the "artistic talent and emotion"Fourth, as a anthology of Tang Dynasty poetry which compiled the most poetry preceded only by Gao Bing’s<Tang Shi Pin Hui>,it not only compiled so much poetry, more important is the poetry it compiled is all Middle and Late Tang Dynasty. It remedyed the drawback of Gao Bing’santhology about underrating the Middle and Late Tang Dynasty poetry overly.There are quite a lot defects and mistakes about<Zhong Wan Tang Shi Kou Tan Ji>, mainly as follows:First, the meaning of the compilation standard is fuzzy. Second, the range of selecting poems (ie, the starting age of Late Tang Dynasty) is vague. Third, the statement of reface is self-contradictory. Fourth, the real facts didn’t conform with the rules the reface established.Fifth, the arrangement of poets and poetry are both orderless.Conclusion:<Zhong Wan Tang Shi Kou Tan Ji> which was compiled by Du Zhao and Du Tingzhu, is an anthology with vision、ideas、achievements and value. In a sense,<Zhong Wan Tang Shi Kou Tan Ji>(15volumes) is the continuation of Gao Bing’s<Tang Shi Pin Hui>. Onlythe two anthologies combine together can build up an integral anthology which can reflect the Tang Dynasty’s whole aspect reasonablely.But,<Zhong Wan Tang Shi Kou Tan Ji> is an urgent works, so there are quite o lot of flaws and mistakes. It needs descendants to research and collate urgently.

杜詔及《中晚唐詩叩彈集》研究

摘要5-7Abstract7-9目錄10-11前言11-14第一章 《中晚唐詩叩彈集》的成書背景14-26    第一節(jié) 清初詩壇“唐宋詩之爭”中宗唐派的強勢地位14-20    第二節(jié) 清人對明人“詩必盛唐”之說流弊的矯枉意識20-26第二章 杜詔的生平、交游及性情、趣味26-34    第一節(jié) 杜詔的生平行跡和交游圈子26-30    第二節(jié) 杜詔的氣質性情和詩學趣味30-34第三章 編選動機、收錄原則及選詩情況34-52    第一節(jié) 《中晚唐詩叩彈集》的編選動機34-40    第二節(jié) 《中晚唐詩叩彈集》的收錄原則40-45    第三節(jié) 《中晚唐詩叩彈集》的選詩情況45-52第四章 《中晚唐詩叩彈集》的優(yōu)缺點和影響力52-58    第一節(jié) 《中晚唐詩叩彈集》的優(yōu)缺點52-54    第二節(jié) 《中晚唐詩叩彈集》的影響力54-58結語58-60參考文獻60-63致謝63

  本文關鍵詞：杜詔及《中晚唐詩叩彈集》研究，，由筆耕文化傳播整理發(fā)布。