本文關(guān)鍵詞：汪中駢文研究，由筆耕文化傳播整理發(fā)布。

摘要：

自清代乾隆時(shí)期至當(dāng)代，學(xué)界對(duì)汪中駢文研究，從內(nèi)容上說(shuō)，一是高度贊揚(yáng)汪中的文學(xué)成就，肯定汪中是清代駢文創(chuàng)作的最高峰；二是指明汪中的駢文創(chuàng)作根源于六朝。從形式上說(shuō)，各家評(píng)論以評(píng)點(diǎn)式為主，寥寥數(shù)語(yǔ)，沒(méi)有翔實(shí)具體地說(shuō)明汪中與六朝駢文之間的淵源。由此觀之，對(duì)汪中駢文的研究尚有較大學(xué)術(shù)空聞，應(yīng)當(dāng)系統(tǒng)研究汪中駢文，，深入分析其對(duì)六朝駢文之師承與超越，進(jìn)一步探討汪中的駢文主張及創(chuàng)作對(duì)清代駢散之爭(zhēng)的影響。

Abstract： 

Since the Qian Long period of the Qing Dynasty to the contemporary, critics sing highly of the parallel prose (Plan Wen) of Wang Zhong, pointing out that he reached the highest level of the Qing Dynasty and his works was influenced by the Six Dynasties Prose. These criticisms are too simple to ex- pound the relation between the parallel prose of Wang Zhong and the Six Dynasties Prose. It is necessary to do a systematic research on the parallel prose of Wang Zhong, describing its study and surmounting of the Six Dynasties Prose, illustrating its effect on the debate between the Prose and the parallel prose in the Qing Dynasty.

  本文關(guān)鍵詞：汪中駢文研究，由筆耕文化傳播整理發(fā)布。