【摘要】： 宋代是我國瓷業(yè)發(fā)展的一個(gè)高峰,景德鎮(zhèn)青白瓷則是這個(gè)時(shí)代的一朵奇葩。青白瓷屬宋代六大瓷系之一,無論釉色、造型、裝飾和審美方面,都有很高的藝術(shù)價(jià)值。但由于受時(shí)代政治經(jīng)濟(jì)文化的影響,最終傳統(tǒng)青白瓷由繁榮走向沒落。到了20世紀(jì)80年代,隨著自然情懷在各個(gè)藝術(shù)領(lǐng)域的逐步深入展開,人們渴望自然和人文精神的回歸。此時(shí),景德鎮(zhèn)青白瓷以其自身獨(dú)特的氣質(zhì),重新回到人們的視野中。本文以景德鎮(zhèn)青白瓷發(fā)展的興衰為導(dǎo)線,通過人們對(duì)自然情懷和審美需求的分析,論述現(xiàn)代景德鎮(zhèn)青白瓷,在繼承和發(fā)揚(yáng)了傳統(tǒng)景德鎮(zhèn)青白瓷文化內(nèi)涵的同時(shí),也符合了現(xiàn)代人們的審美意識(shí)和人文情懷,滿足了現(xiàn)代人的精神文化需要。
[Abstract]:Song Dynasty is a peak of the development of China's porcelain industry, Jingdezhen celadon is a wonderful work of this era. Blue and white porcelain belongs to one of the six major porcelain systems in Song Dynasty, no matter glaze color, modeling, decoration and aesthetics, it has high artistic value. However, due to the influence of the politics, economy and culture of the times, the traditional celadon finally went from prosperity to decline. In the 1980 s, with the gradual development of natural feelings in various fields of art, people yearned for the return of natural and humanistic spirit. At this time, Jingdezhen celadon with its own unique temperament, back to people's horizons. Taking the rise and fall of Jingdezhen celadon as the conductor, through the analysis of people's natural feelings and aesthetic needs, this paper discusses the modern Jingdezhen celadon, while inheriting and carrying forward the cultural connotation of the traditional Jingdezhen celadon. It also accords with the aesthetic consciousness and humanistic feelings of modern people, and meets the spiritual and cultural needs of modern people.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：K876.3

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 孫臣;宋代景德鎮(zhèn)青白瓷紋飾分期研究[D];景德鎮(zhèn)陶瓷學(xué)院;2012年

，

本文編號(hào)：2497254