【摘要】： 本文首先對文人畫和十七世紀(jì)民窯青花的概念及其產(chǎn)生的歷史背景進(jìn)行概述分析,其次深入分析文人畫對十七世紀(jì)民窯青花產(chǎn)生影響的原因(歷史因素、社會因素)。然后分別從裝飾題材(花鳥、山水、人物題材)、藝術(shù)表現(xiàn)手法(筆法、墨色、形象與構(gòu)圖特點)、基本形式與風(fēng)格(簡淡、雅拙、偶然、縱恣奇崛)以及文化內(nèi)涵這四個方面進(jìn)行分析研究,具體論述了文人畫對十七世紀(jì)民窯青花所產(chǎn)生的深遠(yuǎn)影響。其中穿插了大量的圖片進(jìn)行對比分析,使文章更具說服力,也進(jìn)一步論證了十七世紀(jì)民窯青花確實吸取了文人畫的精髓。最后簡要說明了十七世紀(jì)民窯青花吸收文人畫精華后所提升的藝術(shù)價值,及其對清三代青花發(fā)展起到的鋪墊作用,為進(jìn)一步促使青花藝術(shù)的發(fā)展奠定了基礎(chǔ)。
[Abstract]:In this paper, the concept and historical background of the literati painting and the 17th century folk kiln blue and white flowers are summarized and analyzed, and then the causes (historical factors, social factors) of the influence of the literati paintings on the 17th century folk kiln blue and white flowers are analyzed in depth. Then from decorative themes (flowers and birds, landscapes, characters), artistic expression techniques (brushwork, ink, image and composition characteristics), the basic form and style (simple, elegant, clumsy, accidental, This paper discusses the profound influence of literati painting on the blue and white flowers in the 17th century. Among them a large number of pictures for comparative analysis, making the article more convincing, but also further demonstrated that the 17th century folk kiln blue and white indeed absorbed the essence of literati painting. In the end, the paper briefly explains the artistic value of the folk kiln after absorbing the literati painting essence, and its paving effect on the development of the blue and white flowers in the three dynasties of Qing Dynasty, which lays a foundation for further promoting the development of the blue and white flower art.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：K876.3

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 葉加貝;當(dāng)代青花藝術(shù)創(chuàng)作中的筆墨精神[D];景德鎮(zhèn)陶瓷學(xué)院;2012年

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本文編號：2404559