【摘要】：金文最早產(chǎn)生于商代早期,這個(gè)時(shí)期的銘文相對(duì)較少,但字形活潑生動(dòng),極富天趣;至西周早期,其金文亦較多地保留了商代金文的特點(diǎn),字形各盡其態(tài),瀟灑自如;金文發(fā)展至西周中后期達(dá)到了鼎盛時(shí)期,此時(shí)的特點(diǎn)為銘文較長(zhǎng),布局趨于秩序化,規(guī)范化,后人多取法。然而筆者認(rèn)為,在金文的整個(gè)發(fā)展過(guò)程中,正是它的早期形態(tài)而非鼎盛時(shí)期所具有著天真爛漫、無(wú)拘無(wú)束、錯(cuò)落奇崛的構(gòu)成特質(zhì),具有著更高的藝術(shù)價(jià)值,當(dāng)然不排除其中也有粗糙潦草之作。正是由于這個(gè)時(shí)期先人還沒(méi)有形成一定的規(guī)范性和秩序感,多隨字形大小排列,一任自然,很少有整齊劃一的感覺(jué),反而使得字形活潑生動(dòng),樸茂自然,一派天機(jī)。 本文即以此為出發(fā)點(diǎn),運(yùn)用形式構(gòu)成的基本原則,著重從金文的結(jié)體構(gòu)成入手,通過(guò)與其它不同時(shí)期的金文比較,較詳細(xì)具體地分析其中的形式構(gòu)成關(guān)系。將早期金文的樸茂自然、天趣盎然——這一感性體驗(yàn),通過(guò)具體理性地分析,探究它的構(gòu)成規(guī)律,從而更深入地了解和把握其內(nèi)涵與奧妙所在。 本文主要由兩部分組成:第一部分,概括闡述金文從早期到鼎盛時(shí)期再到逐漸衰落這一發(fā)展過(guò)程中各個(gè)時(shí)期呈現(xiàn)出的特點(diǎn)。而本文旨在論述金文的早期即商代至西周早期金文的形式特征。第二部分為本文的中心內(nèi)容,從結(jié)體構(gòu)成的欹正、疏密、離合、錯(cuò)落、收放、大小六個(gè)方面,通過(guò)不同時(shí)期金文的分析比較,總結(jié)商及西周早期金文的空間構(gòu)成特質(zhì),有助于我們更加理性地把握早期金文的結(jié)構(gòu)特點(diǎn)。
[Abstract]:The inscriptions in this period were relatively few, but the characters were lively and lively, and they were extremely interesting. In the early Western Zhou Dynasty, the characters of the inscriptions in the early Western Zhou Dynasty also kept the characteristics of the inscriptions of the Shang Dynasty, each of which was natural and natural. Jin Wen reached its peak in the middle and late Western Zhou Dynasty, which was characterized by a long inscription, a more orderly layout, and more methods to be taken by later generations. However, the author thinks that in the whole development process of Jin Wen, it is its early form, not its peak period, which has the characteristics of innocence, unfettered, strange rise, and has higher artistic value. Certainly does not rule out among them also has rough scrawls. It is precisely because of this period ancestors have not formed a certain sense of standardization and order, more with the size of the glyph arrangement, a natural, rarely have a sense of uniformity, but make the font lively, simple and natural, a school of heaven. Based on the basic principle of formal composition, this paper focuses on the formation of the conclusion of the Jin text, and analyzes the relation of the formal composition in detail through the comparison with the other periods of the Jin text. This perceptual experience of the pristine nature of the early Jin Wen, which is full of interest, through the concrete and rational analysis, probes into its constitution law, so as to understand and grasp its connotation and mystery more deeply. This paper consists of two parts: the first part generalizes the characteristics of Jin Wen from the early period to the peak period and then to the gradual decline. The purpose of this paper is to discuss the formal characteristics of the early Jin Dynasty from Shang Dynasty to the early Western Zhou Dynasty. The second part is the central content of this paper, from the aspects of interjection, density, clutch, dislocation, collection and size of the junction body, through the analysis and comparison of Jin Wen in different periods, the author summarizes the space constitution characteristics of Shang and early Western Zhou Dynasty. It is helpful for us to grasp the structural characteristics of the early Jin Wen more rationally.
【學(xué)位授予單位】：中國(guó)美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：K877.3

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