【摘要】： 彩陶作為史前時(shí)期很重要的文化遺存,是中國(guó)藝術(shù)發(fā)展鏈條中的一個(gè)重要環(huán)節(jié),在一定程度上形塑了中國(guó)藝術(shù)的形式基礎(chǔ),受到了不同研究領(lǐng)域?qū)W者們的關(guān)注,到目前為止,國(guó)內(nèi)已經(jīng)出現(xiàn)了不少論述彩陶的學(xué)術(shù)專(zhuān)著。然而,從當(dāng)前的研究狀況來(lái)看,學(xué)者們或是把彩陶作為一種文化進(jìn)行綜合研究,或是從美術(shù)史或考古學(xué)角度對(duì)彩陶進(jìn)行研究,或是把彩陶作為工藝美術(shù),對(duì)其制作工藝和裝飾特點(diǎn)進(jìn)行研究,而對(duì)彩陶重要構(gòu)成部分的紋飾的研究卻并不多,尤其是對(duì)彩陶紋飾所蘊(yùn)含的審美思想及其理論意義對(duì)于美學(xué)發(fā)展的意義的研究極其不夠,這與彩陶發(fā)掘已經(jīng)取得的成果相比很不平衡。因此,本文從彩陶紋飾著手,解讀其蘊(yùn)含的豐富的文化內(nèi)涵,從彩陶紋飾的演變中找出美學(xué)規(guī)律,進(jìn)而來(lái)認(rèn)識(shí)史前先民的審美意識(shí)。 導(dǎo)論部分重點(diǎn)在于對(duì)論文的選題及意義的探討,以及國(guó)內(nèi)外研究現(xiàn)狀的描述,并指出本文的研究思路、研究方法以及研究的重點(diǎn)和難點(diǎn)。通過(guò)這種描述,希望能夠使讀者對(duì)本文的基本框架有所了解。 第一章“彩陶紋飾概論”,主要觀照的是彩陶紋飾的起源、分類(lèi)、構(gòu)成要素和形式法則,并對(duì)特殊的彩陶紋飾圖案做簡(jiǎn)單的個(gè)案分析,以期借此獲得對(duì)彩陶紋飾的系統(tǒng)梳理。 第二章“彩陶紋飾與原始思維”,重點(diǎn)在于從彩陶紋飾中去認(rèn)識(shí)它對(duì)史前社會(huì)生活的反映,以及對(duì)宗教情感和原始生殖崇拜的表現(xiàn)等。 第三章“彩陶紋飾與中國(guó)史前審美意識(shí)”’,是本文的論述重點(diǎn)。該部分從彩陶紋飾的演變中尋找美學(xué)規(guī)律,從而去探討中國(guó)史前審美意識(shí)。 最后是本文的結(jié)語(yǔ)部分,試著探討了彩陶紋飾對(duì)中國(guó)藝術(shù)尤其是中國(guó)繪畫(huà)的線(xiàn)條特征和寫(xiě)意特色等方面的積極影響,并希望亦能借此表明彩陶紋飾在中國(guó)審美意識(shí)發(fā)生上的重大意義。
[Abstract]:As an important cultural relic of the prehistoric period, painted pottery is an important link in the development chain of Chinese art. To a certain extent, it has shaped the formal basis of Chinese art and has attracted the attention of scholars in different fields of study. So far, There have been many academic monographs on painted pottery in China. However, from the point of view of the current research situation, scholars either comprehensively study painted pottery as a kind of culture, or study painted pottery from the perspective of art history or archaeology, or use painted pottery as an arts and crafts. In this paper, the process of making and the decorative characteristics are studied, but there are few researches on the patterns of the important components of the painted pottery, especially the aesthetic thought and the theoretical significance of the color pottery ornaments, which are extremely insufficient in the study of the significance of the development of aesthetics. This is very uneven compared with the achievements made in the exploration of painted pottery. Therefore, this article starts from the color pottery decoration, unscrambles its rich cultural connotation, finds out the esthetics rule from the color pottery decoration evolution, and then realizes the prehistoric people's aesthetic consciousness. The introduction focuses on the discussion of the topic and significance of the thesis, as well as the description of the present research situation at home and abroad, and points out the research ideas, research methods, key points and difficulties of this paper. Through this description, we hope to make readers understand the basic framework of this paper. The first chapter is an introduction to the pattern of painted pottery, which mainly focuses on the origin, classification, elements of composition and rules of form, and makes a simple case study of the special pattern of painted pottery, in order to obtain a systematic combing of the pattern of painted pottery. The second chapter, "Color pottery decoration and primitive thinking", focuses on understanding its reflection on prehistoric social life, religious emotion and the performance of primitive reproductive worship from the perspective of painted pottery ornaments. The third chapter, "Color pottery decoration and Chinese prehistoric aesthetic consciousness", is the focus of this paper. This part looks for the aesthetic law from the evolution of the painted pottery ornaments, and probes into the Chinese prehistoric aesthetic consciousness. The last part is the conclusion of this paper, which tries to explore the positive influence of painted pottery decoration on Chinese art, especially on the characteristics of lines and freehand brushwork of Chinese painting. It also hopes to show the great significance of the color pottery decoration in the occurrence of Chinese aesthetic consciousness.
【學(xué)位授予單位】：蘭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類(lèi)號(hào)】：K876.3

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本文編號(hào)：2160640