本文選題：巴里坤 + 八強(qiáng)子�。� 參考：《西北大學(xué)》2011年碩士論文

【摘要】：1985年,新疆文物考古研究所對(duì)新疆巴里坤縣八墻子巖畫進(jìn)行調(diào)查,但未涉及全部?jī)?nèi)容。2008年9月,全國(guó)第三次文物普查時(shí)哈密普查隊(duì)對(duì)該巖畫點(diǎn)重新進(jìn)行全面調(diào)查,并做了詳細(xì)的資料記錄。這次調(diào)查共發(fā)現(xiàn)刻有巖畫的石塊180塊,約300多幅巖畫,這批資料無論從數(shù)量還是從內(nèi)容上講,都具有很大的重要性。但是關(guān)于這批資料研究的文章卻很少,因此本文的寫作就是以這批新資料為基礎(chǔ)的。 全文除結(jié)語部分外共分四章,第一章簡(jiǎn)要介紹中國(guó)北方地區(qū)巖畫研究的現(xiàn)狀及存在的問題,第二章和第三章是文章的主體部分,主要介紹八墻子巖畫點(diǎn)全部巖畫資料,并運(yùn)用考古類型學(xué)的方法對(duì)全部巖畫資料做類型學(xué)研究,并做分組與分期研究。在巖畫資料的介紹中,運(yùn)用“幅”的概念,根據(jù)巖畫內(nèi)容、造型風(fēng)格以及制作方法等因素,將一塊巖石上所有的巖畫分成若干幅。文章第四章對(duì)與八墻子巖畫相關(guān)的問題進(jìn)行了探討,初步確定了八墻子巖畫的年代、族屬等問題。 八墻子巖畫研究,主要是將類型學(xué)的方法運(yùn)用到對(duì)巖畫資料的整理與研究中,最終將這批新資料介紹出來,同時(shí)對(duì)其內(nèi)容進(jìn)行描述,對(duì)其年代等相關(guān)問題作出推斷,這種方法在巖畫研究中剛剛起步,在新疆尼勒克窮科克巖畫的研究以及馬鬃山區(qū)游牧文化遺存研究中關(guān)于馬鬃山區(qū)巖畫的研究已經(jīng)證明是可行的。
[Abstract]:In 1985, the Xinjiang Institute of Cultural relics and Archaeology carried out an investigation into the rock paintings of Bawuzi in Barikun County, Xinjiang, but did not cover all aspects. In September 2008, the Hami Census team re-conducted a comprehensive investigation of the rock painting site at the time of the third National Cultural relics Census. And made the detailed data record. The investigation found 180 rocks, about 300 rock paintings, which are of great importance both in quantity and in content. However, there are few articles on this research, so the writing of this paper is based on the new materials. The first chapter briefly introduces the current situation and existing problems of rock painting research in northern China. The second and third chapters are the main part of the article, which mainly introduces all the rock painting materials of the eight wall rock painting spots. The archaeological typology is applied to the typology of all the rock paintings, and the study is divided into groups and stages. In the introduction of rock painting materials, all the rock paintings on a rock are divided into several pieces according to the content of the rock painting, the style of modeling and the method of making, using the concept of "amplitude". In the fourth chapter, the author discusses the problems related to the rock paintings of eight walls, and preliminarily determines the age and clan of the rock paintings of the eight walls. The main purpose of the study of rock paintings in the eight walls is to apply typology to the collation and study of the materials of rock paintings, and finally to introduce the new materials, at the same time, to describe their contents, and to infer the relevant issues such as their ages, etc. This method has just started in the study of rock painting. It has been proved feasible in the study of rock painting in Neilak, Xinjiang, and in the study on the remains of nomadic culture in the Madong Mountain area.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：K879.4

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 任萌;王建新;;巖畫研究的考古學(xué)方法[J];文物;2013年03期

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本文編號(hào)：1928653