本文選題：遼寧地區(qū) + 鐘　； 參考：《沈陽(yáng)音樂學(xué)院》2012年碩士論文

【摘要】：鐘磬是“金石之樂”的代表,其使用標(biāo)志著中國(guó)禮樂制度的建立。它承載著深刻的社會(huì)政治和文化內(nèi)涵，對(duì)于真實(shí)的反映中國(guó)古代音樂文化極具價(jià)值。 遼寧地區(qū)是人類開發(fā)較早的地區(qū)之一，名取遼河永久安寧之意。其名起始較晚，該名1929年民國(guó)時(shí)才有，但這一地區(qū)自夏商時(shí)期就已是幽州、營(yíng)州之重地。其地域歷代往復(fù)更迭，但都不屬于正宗“中原”之地，所以主體文化具有鮮明的本地特色。從已知的遼寧鐘磬出土實(shí)物和相關(guān)材料看，與中原鐘磬為同一衣缽，但是明顯滯后于同時(shí)期中原的同類樂器，在其細(xì)部有明顯的燕屬遺風(fēng)。 在為數(shù)不多的遼寧地區(qū)鐘類樂器中，鹵簿鐘（北宋）與大晟南呂鐘均真實(shí)地反映了當(dāng)時(shí)的音樂文化歷史特點(diǎn)、樂制及鑄造技術(shù)的水平。具有較高的歷史及藝術(shù)價(jià)值。筆者通過對(duì)鐘體各部細(xì)節(jié)信息的梳理、辨析，運(yùn)用比較法，總結(jié)其內(nèi)在聯(lián)系與本質(zhì)特征。以所在歷史背景為前提，依據(jù)相關(guān)文獻(xiàn)及實(shí)物資料，，對(duì)當(dāng)時(shí)的社會(huì)政治、文化內(nèi)涵進(jìn)行探究，從而得出結(jié)論。藏于沈陽(yáng)故宮博物院的編磬、編鐘，為清代早、中期重要的宮廷遺物，彰顯了皇家威儀之象，為我們研究清代鐘磬文化提供了可靠的實(shí)物資料。 遼寧目前發(fā)現(xiàn)的出土石磬均屬夏家店下層文化系統(tǒng)，如：水泉、北票、喀喇沁旗等遺址出土的文物，均具有相似的特征。夏家店下層文化與商文化有著密切的聯(lián)系，是商文化的祖源之一，它繼承了紅山文化的傳統(tǒng)，保持了自己獨(dú)有的特點(diǎn)，又汲取周鄰地區(qū)的先進(jìn)文明，較早地進(jìn)入到了國(guó)家文明社會(huì)。成為燕山南北地區(qū)在夏商時(shí)期文明成就的典范。 本文主要以遼寧地區(qū)的鐘磬樂器為研究對(duì)象，就其形制數(shù)據(jù)、紋飾銘文、功能、制作工藝等方面進(jìn)行分析，通過對(duì)相關(guān)墓葬文化的探究，運(yùn)用音樂考古學(xué)、音樂史學(xué)及音樂文獻(xiàn)學(xué)相互佐證，進(jìn)而勾勒出遼寧地區(qū)鐘磬文化的基本特征，揭示其深刻的文化內(nèi)涵、歷史意義以及與其它地域之間的音樂文化差異。
[Abstract]:The bell chime is the representative of the golden stone music, and its use marks the establishment of the Chinese ritual and music system. It bears profound social, political and cultural connotations, and is of great value to reflect Chinese ancient music culture. Liaoning is one of the early human development areas, named Liaohe permanent tranquillity. Its name started late, it only existed in the Republic of China in 1929, but this area has been the most important part of the city since the Xia and Shang dynasties. Its region has changed from one generation to another, but all do not belong to the authentic "Central Plains", so the main culture has distinct local characteristics. From the known material and related materials, it is found that the chime is the same as the bell chime of the Central Plains, but obviously lags behind the same musical instruments of the Central Plains in the same period. Among the few bell instruments in Liaoning Province, the halogen bell (Northern Song Dynasty) and the Da Sheng Nan Lu Zhong truly reflected the historical characteristics of music culture, music system and the level of foundry technology at that time. It has high historical and artistic value. By combing and discriminating the detailed information of each part of bell body, the author summarizes its internal relation and essential characteristics by means of comparative method. On the premise of the historical background, according to the relevant literature and material materials, this paper probes into the social and political and cultural connotations at that time, and draws a conclusion. The compilation of chimes and bells hidden in Shenyang the Palace Museum, which are important relics of the court in the early and middle period of the Qing Dynasty, show the image of the royal majesty, and provide reliable material for us to study the Qing Dynasty bell chime culture. The unearthed stone chimes found in Liaoning are all of the lower cultural system of Xia Jia Dian, such as Shuiquan, Beipiao, Karakarqin Banner and so on, all of which have similar characteristics. The lower level culture of Xia Jia Dian is closely related to the Shang culture and is one of the ancestral sources of Shang culture. It inherits the tradition of Hongshan culture, maintains its own unique characteristics, and draws on the advanced civilization of the neighboring region. Early into the civil society of the country. Yanshan North and South regions in the Xia and Shang dynasties civilization achievement model. This article mainly takes the bell chime musical instrument in Liaoning area as the research object, carries on the analysis to its shape data, the grain decoration inscription, the function, the manufacture craft and so on, through to the correlation grave culture inquiry, uses the music archaeology, Music historiography and music philology support each other, and then outline the basic characteristics of bell chime culture in Liaoning, and reveal its profound cultural connotation, historical significance and music and cultural differences between Liaoning and other regions.
【學(xué)位授予單位】：沈陽(yáng)音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：K875.5

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相關(guān)期刊論文 前10條

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本文編號(hào)：1914111