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青海年都乎寺壁畫制作材料與繪制工藝研究

發(fā)布時(shí)間:2018-03-01 19:29

  本文關(guān)鍵詞: 年都乎寺 熱貢藝術(shù) 壁畫 制作材料 繪畫工藝 出處:《中國(guó)藏學(xué)》2017年02期  論文類型:期刊論文


【摘要】:青海年都乎寺內(nèi)壁畫精美絢麗,是熱貢藝術(shù)最早的實(shí)物遺存。因壁畫年久失修,現(xiàn)已出現(xiàn)多處損壞,嚴(yán)重影響了壁畫的保存與觀瞻效果。作者對(duì)壁畫材料進(jìn)行了取樣分析,以便了解壁畫繪制工藝,為研究壁畫修繕提供依據(jù)。通過(guò)分析可知,年都乎寺院內(nèi)壁畫綠色顏料為氯銅礦、藍(lán)色為石青、黃色為雌黃、黑色為炭黑,白色和紅色顏料因殿堂級(jí)別不同,使用材質(zhì)為鉛白和白堊、朱砂和鉛丹。壁畫結(jié)構(gòu)與藏族傳統(tǒng)工藝相符合。
[Abstract]:The frescoes in Nian du Temple of Qinghai Province are beautiful and gorgeous, and they are the earliest physical remains of the Regong art. As the frescoes have been in disrepair and have been damaged in many places, this has seriously affected the preservation and visual effect of the murals. The author has made a sampling and analysis of the mural materials. Through analysis, we can know that the green pigment of the fresco in the monastery is chlorinated copper, blue is stone blue, yellow is yellowish, and black is carbon black. The white and red pigments are made of lead and chalk, cinnabar and lead, depending on the grade of the temple. The mural structure is consistent with the traditional Tibetan craftsmanship.
【作者單位】: 清華大學(xué)建筑學(xué)院;
【分類號(hào)】:K879.41
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本文編號(hào):1553282

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