本文關鍵詞： 安岳石窟 造像藝術 形式美感 審美意蘊　出處：《重慶大學》2011年碩士論文　論文類型：學位論文

【摘要】：位于西南地區(qū)的安岳石窟年代之久遠,內(nèi)容之豐富,造像之精美,是我國又一偉大石窟藝術瑰寶,同時也是珍貴的歷史文化遺產(chǎn),著名美學家王朝聞歸納安岳石窟為“古、多、精、美”四大特點,在中國的石窟藝術中有著承前啟后的重要地位。由于各種原因,安岳石窟還不為世人所熟知,迄今為止對安岳石窟造像藝術的系統(tǒng)研究相對薄弱,從造像藝術形式上研究尚未能形成較為完整的理論體系,亦未能全面、深入的揭示其精神內(nèi)涵和審美意蘊。本文通過多次對安岳石窟造像進行實地考察,查閱大量相關文獻典籍資料,綜合運用藝術學、美學,以及社會學、民俗學、歷史學、宗教學、生態(tài)學等多學科的理論與方法,融入到對安岳石窟造像藝術的研究中。論文從四個方面構(gòu)建研究體系,對安岳石窟造像藝術的形成背景、審美歷史流變、造像本體藝術形式、形式美感及審美意蘊進行了系統(tǒng)研究和較為深入的探討與論證,并以此為研究路徑,深度挖掘其多重價值。 安岳石窟造像在神性中融入人性,世俗化特征明顯,具有豐富的審美文化內(nèi)涵,從而使它成為民族化石窟造像藝術的典范,不論從美學、藝術學角度,還是歷史、社會學角度,充分體現(xiàn)其較高的研究價值。本課題將著重對安岳石窟造像藝術形式與美學意蘊進行研究,安岳石窟汲取了前期石窟造像藝術的影響,在遵從佛教造像儀軌的基礎上,于造像題材、造型特點、發(fā)展分期、藝術風格方面都具有相對獨特的形式美感,從傳神之美、意象之美、人性之美三方面對石窟造像藝術進行詮釋與解讀,以闡明傳統(tǒng)審美意蘊及人文精神對安岳石窟造像的影響和傳達出對人的教化核心意義。提出加強對文化遺產(chǎn)的保護措施與審美文化的傳承與推廣,以弘揚中華傳統(tǒng)石窟藝術精髓。
[Abstract]:The Anyue grottoes, which are located in the southwest of China, have a long history, rich contents and exquisite statues. They are another great artistic treasure of the grottoes in China, and are also a precious historical and cultural heritage. Wang Zhaowen, a famous aesthetician, sums up the Anyue grottoes as "ancient, numerous, The four characteristics of "fine and beautiful" play an important role in the art of grottoes in China. For various reasons, Anyue grottoes are not well known to the world. So far, the systematic research on the art of statues in Anyue grottoes has been relatively weak. The study on the artistic form of the statue has not yet formed a relatively complete theoretical system, nor has it fully and thoroughly revealed its spiritual connotation and aesthetic implication. To refer to a large number of relevant literature and materials, and to apply the theories and methods of art, aesthetics, sociology, folklore, history, religion, ecology, etc. The thesis constructs a research system from four aspects, including the background of the formation of Anyue grottoes, the evolution of aesthetic history, the art form of the statue itself, the research of the art of Anyue Grottoes, the study of the art of Anyue Grottoes. The aesthetic sense of form and aesthetic implication are systematically studied and deeply discussed and demonstrated, which is regarded as the research path to excavate its multiple value in depth. The idols of Anyue Grottoes incorporate human nature into the divinity, with obvious secularization features and rich aesthetic cultural connotations, thus making it a model of nationalized grottoes art, whether from the angle of aesthetics, art, or history. From the angle of sociology, it fully embodies its high research value. This subject will focus on the study of the artistic form and aesthetic implication of the Anyue grottoes, which draw on the influence of the earlier art of grottoes. On the basis of following the Buddhist idolatry ritual, there is a relatively unique aesthetic sense of form in the aspects of the subject matter, modeling characteristics, stages of development and artistic style, from the beauty of evangelism to the beauty of image. The interpretation and interpretation of the art of grottoes in three aspects of the beauty of human nature, In order to clarify the influence of traditional aesthetic connotation and humanistic spirit on Anyue grottoes and convey the core significance of enlightenment to people, this paper puts forward some measures to strengthen the protection of cultural heritage and the inheritance and promotion of aesthetic culture. In order to carry forward the essence of traditional Chinese grottoes art.
【學位授予單位】：重慶大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：K879.2

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本文編號：1505569