本文選題：繆天瑞 + 編輯實踐和思想　； 參考：《西安音樂學院》2012年碩士論文

【摘要】：繆天瑞生平跨越兩個世紀，一生都在從事有關音樂的教育和研究工作，他親身經(jīng)歷了新中國建國前后中國音樂文化事業(yè)的興衰變化史，并一直致力于音樂文化的發(fā)展事業(yè)，在多個領域（音樂編輯、著述、譯著等）為中國音樂的發(fā)展做出過重要的貢獻。 繆天瑞1926年上海藝術師范大學畢業(yè)后，便開始了音樂教育工作。1933年開始了音樂編輯工作，他所編輯的音樂書籍和刊物，內(nèi)容和質(zhì)量在當時的環(huán)境下都是處于前沿的位置，產(chǎn)生了重要的影響。他所主編《音樂教育》期刊是當時唯一一家政府性質(zhì)的期刊，出版時間長達5年之久。1984年參與主編的《中國音樂詞典》及《續(xù)編》，1989年作為編委副主任時編輯的《中國大百科全書·音樂卷》都是中國音樂界享有盛名的音樂辭書，尤其是繆天瑞在90歲高齡時由人民音樂出版社出版他所主編的《音樂百科詞典》，被稱作為中國音樂辭書建設中具有里程碑意義的音樂辭書，它的出版也開創(chuàng)了中國音樂辭書建設的新紀元。諸如此類�？娞烊鹪谝魳肪庉媽嵺`中所運用的科學方法和其自身的學識和品質(zhì)，都為后人所敬仰。 對繆天瑞音樂編輯實踐和編輯思想的研究，，一是讓后人重視繆天瑞在音樂編輯中的貢獻，二是希望通過對繆天瑞編輯實踐和思想的研究，能為音樂編輯學學科提供些許理論支持和實踐經(jīng)驗。
[Abstract]:Miu Tianrui's life span two centuries, all his life in the music education and research work. He personally experienced the history of the rise and fall of Chinese music and culture before and after the founding of the new China, and has been devoted to the development of music culture. In many fields (music editors, writings, translations, etc.), the development of Chinese music has been overemphasized. Contribution.
After graduating from Shanghai art Normal University in 1926, Miu Tianrui began the music education work in the year.1933 began the work of music editing. The music books and publications he edited, content and quality were in the forefront of the environment at that time, and had an important influence. His editor in the music education magazine was the only one at that time. Periodicals of the nature of the government are published for 5 years as long as 5 years as editor in chief of the Chinese music dictionary and sequel. In 1989, as the deputy director of the editorial committee, the Chinese music circle, edited by the deputy director of the editorial committee, was a famous Chinese music dictionary, especially when Miu Tianrui was published by the people's music publishing house at the age of 90. The dictionary of "music encyclopedia", which is called a landmark music dictionary in the construction of Chinese music dictionaries, has also created a new era in the construction of Chinese music dictionaries. For example, the scientific methods used by Miu Tianrui in the practice of music editing and his own knowledge and quality are all admired for later generations.
The study of Miu Tianrui's music editing practice and editorial thought is to let the posterity pay attention to Miu Tianrui's contribution in the music editing. Two is to provide some theoretical support and practical experience for the subject of music editing through the study of Miu Tianrui's editing practice and thought.

【學位授予單位】：西安音樂學院
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：G239.29

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