【摘要】：魏晉南北朝是在中國(guó)歷史中是一個(gè)動(dòng)蕩的歷史時(shí)期，公元220年——公元589年是中國(guó)歷史上政權(quán)更迭最頻繁的時(shí)期，但國(guó)家間爭(zhēng)斗頻發(fā)，朝代的更迭變換頻繁，黎民百姓民苦不堪言。同時(shí)這又是多種藝術(shù)的學(xué)說(shuō)大融合的時(shí)期，這段時(shí)期繪畫(huà)藝術(shù)作品取得了輝煌的成就，涌現(xiàn)出如顧愷之、宗炳等一大批的著名畫(huà)家及其理論著作如《士衡論畫(huà)》、《平南論畫(huà)》、《顏氏家訓(xùn)·論畫(huà)》、《魏晉勝流畫(huà)贊》、《述畫(huà)記》、《古畫(huà)品錄》、《續(xù)畫(huà)品并序》、《后畫(huà)錄》、《畫(huà)云臺(tái)山記》、《畫(huà)山水序》、《敘畫(huà)》、《山水松石格》共11部畫(huà)論著作。 本文探討魏晉南北朝畫(huà)論對(duì)園林的影響。尋找畫(huà)論與中國(guó)古典園林的聯(lián)系和紐帶，發(fā)掘兩者深層次關(guān)系。首先，對(duì)魏晉南北朝時(shí)期的畫(huà)論進(jìn)行全面梳理和翻譯，其次，，對(duì)畫(huà)論進(jìn)行人文觀、審美觀、山水觀三個(gè)方向視角分析園林。最后，總結(jié)出魏晉南北朝畫(huà)論在三個(gè)方面與中國(guó)古典園林關(guān)系，并對(duì)中國(guó)傳統(tǒng)審美的形成與發(fā)展產(chǎn)生深遠(yuǎn)影響。 顧愷之、宗炳、王微的山水畫(huà)論，謝赫的“六法論”等在中國(guó)美學(xué)史上有重要的地位，中國(guó)古典園林時(shí)期的繪畫(huà)藝術(shù)和園林建設(shè)充分表現(xiàn)了魏晉南北朝時(shí)期的審美寓意和傾向，為中國(guó)山水理論的形成奠定了堅(jiān)實(shí)的基礎(chǔ)，對(duì)繪畫(huà)藝術(shù)及其園林發(fā)展具有深遠(yuǎn)的影響。
[Abstract]:The Northern and Southern Dynasties in the Wei and Jin Dynasties is a turbulent historical period in the history of China. In AD 220, AD 589 is the most frequent period in the history of China, but the intercountry struggle is frequent, the change of the dynasties is frequently changed, and the people of the people of the people are suffering. At the same time, it is a period of great integration of the theory of various art, and the painting works of art have made great achievements, and a large number of famous painters such as Gu and Zong-ming and other famous painters and their theoretical works, such as the "Painting of Shiheng", "Painting of the South of the South", "Yan's Family Training 路 On-the-painting", are emerging. . On the Shadow of the Landscape in the Wei-Jin and the Northern and Southern Dynasties Sound. Find the relation and link between the painting theory and the Chinese classical garden, and discover the deep level of the two. The first is to make a thorough analysis and translation of the painting theory in the Wei and Jin and Southern and Northern Dynasties, and secondly, to analyze the garden in three directions: the humanistic view, the aesthetic and the landscape view of the painting theory. In the end, the paper sums up the relationship between the three aspects of the Wei and Jin and the Northern and Southern Dynasties and the Chinese classical garden, and has a far-reaching effect on the formation and development of Chinese traditional aesthetic In the history of Chinese aesthetics, the art of painting and the construction of the garden show the aesthetic meaning of the period of Wei, Jin and the Northern and Southern Dynasties. and has a profound foundation for the formation of the Chinese landscape theory, and has a far-reaching influence on the painting art and the development of the garden
【學(xué)位授予單位】：天津大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：TU-098.4

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本文編號(hào)：2455980