【摘要】：相對于世界聞名的中國四大石窟，巴蜀地區(qū)的石窟除了大足石刻可謂享有盛譽外，其余大多則顯得默默不彰。近幾十年來一些學者已經(jīng)開始逐漸把研究的目光投向到巴蜀地區(qū)石窟上來，在不同的學科取得了一系列的研究成果。但是對于毗鄰大足石刻的安岳石窟的研究，主要還停留在造像藝術層面，專門從建筑角度出發(fā)的研究則寥寥無幾。而石窟作為佛教建筑的三大類型之一，其實并不乏充足的研究內容。針對這一問題，，本論文嘗試從建筑歷史研究的視角對安岳石窟中的重點石窟進行一次系統(tǒng)的分析與總結。 安岳石窟距離大足石刻不遠，與大足石刻相比，安岳石窟在安岳縣分布得非常分散，由于種種原因，在整體保存上不如大足石刻完好。但是此地石窟勝在開龕造像的數(shù)目之眾，僅就一縣之地而言，謂其冠居巴蜀地區(qū)也不為過，況且其中仍然有不少研究價值較高的精品窟龕。經(jīng)過調研與資料收集，本文在寫作過程進行了三部分內容的研究： 從歷史時間的先后順序簡述安岳石窟起源于南北朝、壯大于唐代、發(fā)展于五代、興盛于宋代、衰落于元初的整個過程。這部分從社會人文的角度分析了安岳石窟得以發(fā)展的原因，并且指出了唐代、五代、宋代三個不同時期石窟建筑營造主體的時代特色。 對唐宋年間的安岳佛教石窟的分布情況、窟龕建筑形制和建筑裝飾細節(jié)進行了初步統(tǒng)計與說明。簡述了石窟形制的流變，描述了安岳石窟的窟龕特色和窟龕組合方式，分析了安岳地區(qū)的地質和交通狀況，推斷安岳石窟得以發(fā)展的地理因素，并通過舉例說明安岳石窟所體現(xiàn)的佛教文化特征。 通過實例分別對各時期的經(jīng)變相龕中所表現(xiàn)的石雕建筑形象進行分析，對其他窟龕中的石雕佛教建筑形象進行分類整理。從這些直觀建筑形象來印證唐宋時期的各種建筑特征。
[Abstract]:Compared with the four world-famous caves in China, the Bashu grottoes, except Dazu stone carvings, are mostly silent. In recent decades, some scholars have begun to focus on the Bashu grottoes gradually, and have made a series of research results in different disciplines. But the study of Anyue Grottoes, which is adjacent to Dazu stone carvings, mainly stays at the level of portrait art, and few studies are made from the architectural point of view. As one of the three major types of Buddhist architecture, grottoes are not lack of sufficient research content. Aiming at this problem, this paper attempts to analyze and summarize the key caves in Anyue Grottoes from the perspective of architectural history. Anyue Grottoes are not far from Dazu stone carvings. Compared with Dazu stone carvings, Anyue Grottoes are scattered in Anyue County. For various reasons, they are not as well preserved as Dazu stone carvings. But the number of grottoes in the niche is not too much for a county alone, and there are still a lot of fine grottoes with high research value. Through investigation and data collection, this article has carried on three parts research in the writing process: from the historical time sequence brief introduction Anyue Grottoes originated in the Southern and Northern dynasties, expanded in the Tang Dynasty, developed in the five dynasties, flourished in the Song Dynasty. The whole process of decline in the early Yuan Dynasty. This part analyzes the reasons for the development of Anyue Grottoes from the angle of social and humanities, and points out the characteristics of the main body of the cave architecture in three different periods: the Tang Dynasty, the five dynasties and the Song Dynasty. The distribution of Anyue Buddhist grottoes in the Tang and Song dynasties, the architectural form and architectural decoration details of the caves are preliminarily analyzed and explained. This paper briefly describes the evolution of the grottoes, describes the characteristics of the grotto niches and the combination of the grottoes in Anyue Grottoes, analyses the geological and traffic conditions in Anyue area, and deduces the geographical factors for the development of Anyue Grottoes. The Buddhist cultural characteristics embodied in Anyue Grottoes are illustrated by examples. Through examples, the paper analyzes the image of stone carving architecture in various periods, and classifies the image of Buddhist stone sculpture in other caves. From these visual architectural images to verify the Tang and Song dynasties of various architectural characteristics.
【學位授予單位】：清華大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：TU252

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