【摘要】：南京鼓樓始建于明洪武十五年（1382年），設(shè)置于城市中心的高崗之上，由上部城樓和下部磚砌城臺(tái)組成。城樓毀于明末清初，現(xiàn)存城樓為清康熙年間修建，城臺(tái)為明初原物，由于重修時(shí)鼓樓城樓已由計(jì)時(shí)報(bào)時(shí)報(bào)警禮儀的鼓樓，轉(zhuǎn)變?yōu)楸Ｗo(hù)“圣諭”之碑的碑樓，因此建筑規(guī)模、等級(jí)及做法均發(fā)生很大變化。民國(guó)時(shí)期對(duì)于鼓樓的改造以及鼓樓公園的成立，使鼓樓的建筑語(yǔ)言以及在城市中的定位含混不清，新中國(guó)成立后對(duì)于南京鼓樓進(jìn)行的維修，多著眼于對(duì)其明代城臺(tái)和清代碑樓文物本體的保護(hù)，對(duì)于明初南京鼓樓的建筑形制，，并未有學(xué)者做過(guò)專門(mén)研究。 本文以南京鼓樓現(xiàn)存明代城臺(tái)形制及其頂部明初遺存柱礎(chǔ)為依據(jù)，參考現(xiàn)存明代鐘鼓樓建筑、城樓建筑以及同時(shí)期明代官式建筑實(shí)例的做法，對(duì)照歷史文獻(xiàn)資料，對(duì)明代南京鼓樓城臺(tái)、城樓進(jìn)行復(fù)原研究，通過(guò)分析其空間、比例關(guān)系及細(xì)部做法，完成復(fù)原設(shè)計(jì)工作。 本文首先論述了鼓樓建筑的歷史、梳理了南京鼓樓的修繕及維修概況，明確了明代南京鼓樓建筑形制研究的重要性。其次從鼓樓在城市中的位置及其與道路的關(guān)系、建于高地之上的優(yōu)勢(shì)和其特殊朝向的原因三個(gè)角度分析了明南京城與鼓樓的關(guān)系，并介紹了明中都及明北京的鼓樓管理體系，從選址和管理體系兩個(gè)方面分別論述了南京鼓樓與都城南京在城市規(guī)劃和城市建制方面的關(guān)系。第三，從城臺(tái)基礎(chǔ)、墻體砌筑、拱券、臺(tái)頂做法等方面入手，研究明代南京鼓樓城臺(tái)特征，對(duì)城臺(tái)的比例及垂直交通空間進(jìn)行了探討。此外，從平面、剖面、立面、斗h1及大木構(gòu)件尺寸等角度分析明代南京鼓樓城樓的構(gòu)成，從小木作、彩畫(huà)、琉璃幾個(gè)方面研究總結(jié)明代城樓各部分做法。據(jù)此對(duì)明代南京鼓樓進(jìn)行復(fù)原設(shè)計(jì)研究。文中最后附有復(fù)原設(shè)計(jì)圖紙。
[Abstract]:Nanjing Gulou was built in Ming Hongwu fifteen years (1382), set on the city center of Gao Gang, made up of upper tower and lower brick platform. The city tower was destroyed in the late Ming Dynasty and the early Qing Dynasty. The existing city tower was built during the period of Kangxi in the Qing Dynasty, and the city platform was the original object in the early Ming Dynasty. Since the tower had changed from a ritual drum tower with timing and alarm to a monument building to protect the monument of the "holy oracle", it was built on a scale. Great changes have taken place in levels and practices. During the period of the Republic of China, the reconstruction of the Drum Tower and the establishment of the Gulou Park made the building language of the Drum Tower and its positioning in the city unclear. After the founding of New China, the maintenance of the Drum Tower in Nanjing was carried out. Most of them focus on the protection of the cultural relics of the Ming Dynasty and the Qing Dynasty. No scholars have done any special research on the architectural form of the Nanjing Drum Tower in the early Ming Dynasty. Based on the existing structure of the city platform of the Ming Dynasty in Nanjing Gulou and its top residual pillar foundation in the early Ming Dynasty, this paper refers to the existing Zhonggu Tower buildings in the Ming Dynasty, the city towers and the official buildings of the Ming Dynasty in the same period, and contrasts with the historical documents. The restoration of the Gulou City platform and the City Tower in the Ming Dynasty was studied, and the restoration design was completed by analyzing the space, the proportion relation and the detailed method. This paper first discusses the history of the Drum Building, combs the repair and maintenance of the Drum Tower in Nanjing, and clarifies the importance of the study on the shape of the Gulou Building in the Ming Dynasty. Secondly, from three angles of the position of the Drum Tower in the city and its relationship with the road, the advantages of the building on the high ground and the reasons for its special orientation, this paper analyzes the relationship between the capital of the Ming Dynasty and the Gulou Tower, and introduces the management system of the Drum Tower in the Midtown of the Ming Dynasty and the Ming Dynasty in Beijing. This paper discusses the relationship between Nanjing Drum Tower and the capital city of Nanjing in urban planning and urban system from two aspects of location selection and management system. Thirdly, from the aspects of city platform foundation, wall masonry, arch ticket, roof method and so on, this paper studies the characteristics of Nanjing Gulou city platform in Ming Dynasty, and discusses the proportion of city platform and vertical traffic space. In addition, from the aspects of plane, section, facade, Dou H1 and the dimensions of large wooden components, this paper analyzes the composition of the Gulou Tower in Nanjing in Ming Dynasty, and studies and summarizes the practices of each part of the building in Ming Dynasty from the aspects of small woodwork, color painting and glaze. Based on this, the restoration design of Nanjing Drum Tower in Ming Dynasty was studied. At the end of this paper, the design drawings of restoration are attached.
【學(xué)位授予單位】：南京工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU-87

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本文編號(hào)：2239052