發(fā)布時(shí)間：2018-02-11 15:46

  本文關(guān)鍵詞： 城市更新 文化保護(hù) 遺址博物館 南京 發(fā)展趨勢(shì)　出處：《南京大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：隨著我國(guó)城市更新進(jìn)程的不斷加快,社會(huì)物質(zhì)文明不斷發(fā)展的同時(shí),公眾對(duì)文化和歷史的關(guān)注也逐步提升,其主要表現(xiàn)就是近20年全國(guó)范圍內(nèi)博物館建筑的大量增設(shè)。在眾多博物館類建筑中,遺址博物館作為一個(gè)獨(dú)立的分支,以其互動(dòng)性十足的展示與保護(hù)相結(jié)合的模式,在現(xiàn)階段逐步被公眾接受和認(rèn)識(shí)。南京作為中國(guó)文化古都的一個(gè)縮影,較集中的提現(xiàn)了多門類多層次的遺址博物館發(fā)展。本文以彭一剛的建筑空間組合論和凱文林奇的城市意象為理論基礎(chǔ),以個(gè)案研究和歸納對(duì)比為分析手法,選取南京市相關(guān)案例為主要分析對(duì)象,以城市更新中的城市中心區(qū)遺址博物館現(xiàn)狀及發(fā)展趨勢(shì)為研究核心內(nèi)容。通過定性分析和案例對(duì)比,進(jìn)介紹性的設(shè)計(jì)方法研究。在分析過程中,從遺址博物館的發(fā)展沿革和概念界定觸發(fā),重點(diǎn)關(guān)注博物館與城市層面、博物館內(nèi)部空間層面的特質(zhì)。筆者以親自調(diào)研的南京城南京市博物館、南京民俗博物館、江寧織造博物館和六朝博物館·漢府街廣場(chǎng)四個(gè)項(xiàng)目為主要論述載體,分別就其保護(hù)展示、流線、邊界、核心空間與輔助空間等主要內(nèi)容進(jìn)行分項(xiàng)整理總結(jié),并結(jié)合相關(guān)國(guó)外成功案例進(jìn)行對(duì)比分析,總結(jié)問題及其發(fā)展的可能性。文章最后對(duì)當(dāng)代城市遺址博物館現(xiàn)狀進(jìn)行簡(jiǎn)單總結(jié),并重點(diǎn)討論其可能的設(shè)計(jì)策略和發(fā)展趨勢(shì),為今后城市的遺址保護(hù)工作及遺址博物館設(shè)計(jì)工作提供參考。本文總分五個(gè)章節(jié)：第一章是緒論,對(duì)本文的研究對(duì)象和內(nèi)容,研究的目的和意義,研究方法,和研究文獻(xiàn)做出簡(jiǎn)要介紹。第二章是遺址博物館相關(guān)概念。對(duì)相關(guān)基礎(chǔ)概念以及發(fā)展沿革做出介紹第三章是研究案例的背景綜述。對(duì)南京城市的歷史文化背景和研究案例的城市背景做出介紹。第四章是案例的研究與特點(diǎn)分析。在首先介紹了遺址博物館的空間評(píng)價(jià)要素的基礎(chǔ)上,對(duì)每個(gè)案例的共性和特性做出詳細(xì)分析。第五章是案例的歸納與總結(jié)。從空間等五個(gè)評(píng)價(jià)要素對(duì)案例做出評(píng)價(jià)。并對(duì)設(shè)計(jì)發(fā)展趨勢(shì)和應(yīng)對(duì)策略做出介紹。
[Abstract]:With the accelerating process of urban renewal in our country and the continuous development of social material civilization, the public's attention to culture and history has been gradually raised. The main manifestation of this phenomenon is that a large number of museum buildings have been added throughout the country in the past 20 years. Among the numerous museum buildings, the ruins museum, as an independent branch, combines its interactive display with protection. At this stage, it has gradually been accepted and recognized by the public. Nanjing is a microcosm of the ancient capital of Chinese culture. This paper takes Peng Yigang's theory of architectural space combination and Kevin Lynch's urban image as the theoretical basis, and takes case study and induction and comparison as the analytical techniques. This paper selects the relevant cases of Nanjing as the main analysis object, and takes the status quo and development trend of the ruins and museums in the urban central district as the core content. Through qualitative analysis and case comparison, In the process of analysis, it is triggered by the evolution of heritage museum and the definition of concept, focusing on museum and city level. The author takes Nanjing City Museum, Nanjing Folk Museum, Jiangning Weaving Museum and six dynasties Museum 路Hanfu Street Square as the main discussion carriers. The main contents, such as protection display, streamline, boundary, core space and auxiliary space, are separately summarized and compared with relevant successful cases abroad. Finally, the article summarizes the current situation of contemporary urban heritage museum, and discusses its possible design strategy and development trend. This paper is divided into five chapters: the first chapter is the introduction, the research object and content of this paper, the purpose and significance of the research, the research methods, The second chapter is the related concepts of the ruins museum. The third chapter is the background review of the research case, the historical and cultural background of Nanjing city. The urban background of the research case is introduced. Chapter 4th is the case study and characteristic analysis. This paper makes a detailed analysis of the commonness and characteristics of each case. Chapter 5th is the induction and summary of the case. It evaluates the case from five evaluation elements, such as space, and introduces the development trend of the design and the corresponding strategy.
【學(xué)位授予單位】：南京大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU242.5

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本文編號(hào)：1503419