發(fā)布時間：2018-06-07 06:14

  本文選題：文化產(chǎn)業(yè) + 融資�。� 參考：《吉林財經(jīng)大學(xué)》2013年碩士論文

【摘要】：縱觀世界經(jīng)濟發(fā)展史，在每一次危機中率先崛起的國家(地區(qū))依靠的都是兩大支點:科技和文化。文化產(chǎn)業(yè)是21世紀(jì)的朝陽行業(yè)，可以說，當(dāng)前世界上的發(fā)達國家，無一不是有著發(fā)達的文化產(chǎn)業(yè)市場，文化產(chǎn)業(yè)也為一國經(jīng)濟做出了巨大貢獻，同時文化產(chǎn)業(yè)也影響到普通百姓的日常生活，為人們提供了豐富的精神享受空間。 隨著我國經(jīng)濟的騰飛，文化產(chǎn)業(yè)日益得到了社會的廣泛關(guān)注和重視。然而由于我國計劃經(jīng)濟時代的歷史遺留問題，文化產(chǎn)業(yè)基本歸政府全權(quán)管理，一方面作為政策的執(zhí)行者，一方面作為政策的監(jiān)管者，這樣的管理體制很難受到約束，經(jīng)常會出現(xiàn)修改政策以適應(yīng)政府的需要這樣的問題。我國經(jīng)濟市場化不發(fā)達和金融市場不完善的因素更加加深了文化產(chǎn)業(yè)的融資難問題。多數(shù)文化企業(yè)還處在起步階段，，文化產(chǎn)業(yè)區(qū)域布局失衡。單純依靠銀行貸款已經(jīng)很難適應(yīng)蒸蒸日上的文化產(chǎn)業(yè)對資金的需求。 結(jié)合發(fā)達國家的經(jīng)驗，我國也正在摸索一條適合我國國情的融資方式。美國的市場化程度最高，他的文化產(chǎn)業(yè)也因此而受益，基本上靠其發(fā)達的金融市場就可以獲得巨額的融資；英國的情況也差不多；近年來“韓流”的發(fā)源地韓國采取的支持政策值得我們借鑒和學(xué)習(xí)，不但政府制定各種政策大力支持，并且不斷設(shè)立各種專項基金對文化產(chǎn)業(yè)加以扶持。我國舊有的方式主要依靠政府扶持，但是政府的支持已經(jīng)無法追趕市場的腳步，更多的文化產(chǎn)品需要更多的資金來源。文化產(chǎn)業(yè)投資資金是市場化的必然選擇。多數(shù)發(fā)達國家也都充分的利用了產(chǎn)業(yè)投資資金為其文化產(chǎn)業(yè)的發(fā)展添磚加瓦，完善的金融市場，通過公開上市等方式使文化產(chǎn)業(yè)投資基金有了有效的退出方式。 產(chǎn)業(yè)投資基金與企業(yè)的有效結(jié)合極大地提高了投資效率，優(yōu)化了金融市場的資源配置，創(chuàng)造了更多的就業(yè)機會并且推動高新技術(shù)產(chǎn)業(yè)的發(fā)展，進而推動經(jīng)濟更有效的發(fā)展。發(fā)展文化產(chǎn)業(yè)投資資金已經(jīng)成為了我國文化產(chǎn)業(yè)發(fā)展的必經(jīng)之路。文化產(chǎn)業(yè)投資資金在文化產(chǎn)業(yè)的不同發(fā)展階段都可以起到推動作用并改善了企業(yè)的融資結(jié)構(gòu)和治理結(jié)構(gòu)，文化產(chǎn)業(yè)投資基金更是推動了科技創(chuàng)新。 由于當(dāng)前專門針對文化產(chǎn)業(yè)投資資金的文獻及其稀少，本文系統(tǒng)的梳理了國內(nèi)外專家對于文化產(chǎn)業(yè)、產(chǎn)業(yè)投資基金的研究，并描述了美國、英國、韓國等發(fā)達國家的對文化產(chǎn)業(yè)的金融支持及文化產(chǎn)業(yè)投資基金發(fā)展情況，結(jié)合實際闡述了我國文化產(chǎn)業(yè)投資基金的現(xiàn)狀和發(fā)展問題，在最后分析了產(chǎn)業(yè)投資基金對文化產(chǎn)業(yè)的不同發(fā)展階段即發(fā)展階段、成長階段、升級階段產(chǎn)生作用的機理。
[Abstract]:Throughout the history of world economic development, the countries (regions) that took the lead in each crisis depend on two fulcrums: science and technology and culture. Cultural industry is the sunrise industry of the 21st century. It can be said that all the developed countries in the world now have developed cultural industry markets, and cultural industries have also made great contributions to the economy of a country. At the same time, cultural industry also affects the daily life of ordinary people, providing people with rich spiritual enjoyment space. With the rapid development of economy in our country, cultural industry has been paid more and more attention. However, due to the historical problems left over by the planned economy era in China, the cultural industry is basically under the sole authority of the government. On the one hand, as the executor of the policy, on the other hand, as the regulator of the policy, such a management system is very difficult to restrain. The question of changing policies to suit the needs of the government often arises. The underdevelopment of market economy and the imperfect financial market in our country have deepened the financing problem of cultural industry. Most cultural enterprises are still in their infancy, and the regional layout of cultural industries is out of balance. Relying solely on bank loans has been difficult to adapt to the growing demand for capital in the booming cultural industry. Combined with the experience of developed countries, China is also looking for a suitable financing mode for our national conditions. The United States has the highest degree of marketization, and its cultural industry has benefited from this, basically relying on its developed financial markets to obtain huge amounts of financing, while the situation in Britain is similar; In recent years, the support policy adopted by Korea, the birthplace of "Korean current", is worthy of our reference and study. Not only the government has made various policies to support it, but also various special funds have been set up to support the cultural industry. The old way of our country mainly depends on the government support, but the government support has been unable to catch up with the market, more cultural products need more funds. The investment fund of cultural industry is the inevitable choice of marketization. Most developed countries also make full use of industrial investment funds to contribute to the development of their cultural industries, improve the financial market, through the public listing and other ways to make the cultural industry investment funds have an effective exit. The effective combination of industrial investment funds and enterprises greatly improves the investment efficiency, optimizes the resource allocation of the financial market, creates more employment opportunities and promotes the development of high-tech industries, thus promoting the more effective development of the economy. Development of cultural industry investment funds has become the only way to the development of cultural industry in China. The investment fund of cultural industry can promote and improve the financing structure and governance structure of enterprises in different stages of development of cultural industry, and the fund of cultural industry investment has also promoted the innovation of science and technology. Because of the current literature on cultural industry investment funds and their scarcity, this paper systematically combs the domestic and foreign experts' research on cultural industry and industrial investment funds, and describes the United States, the United Kingdom, the United States of America and the United Kingdom. The financial support to cultural industry and the development of cultural industry investment fund in South Korea and other developed countries, and the current situation and development problems of cultural industry investment fund in China are expounded in combination with the actual situation. In the end, the paper analyzes the mechanism of the different development stages of the industrial investment fund to the cultural industry, that is, the stage of development, the stage of growth and the stage of upgrading.
【學(xué)位授予單位】：吉林財經(jīng)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：F832.48

【參考文獻】

相關(guān)期刊論文 前9條

1 張京成;劉光宇;;創(chuàng)意產(chǎn)業(yè)的特點及兩種存在方式[J];北京社會科學(xué);2007年04期

2 安定明;;文化產(chǎn)業(yè)投融資機制創(chuàng)新模式研究[J];中國城市經(jīng)濟;2010年10期

3 龔凱頌;;我國企業(yè)投融資理論研究回顧與展望[J];財會通訊;2009年01期

4 周正兵;;我國文化產(chǎn)業(yè)的風(fēng)險投資研究[J];中國創(chuàng)業(yè)投資與高科技;2006年02期

5 歐陽良宜;;中國產(chǎn)業(yè)投資基金組織形式探討[J];南方金融;2008年09期

6 宋建龍;;文化產(chǎn)業(yè)投資的特點與形式淺述[J];河北企業(yè);2008年04期

7 覃家琦;曹渝;;我國產(chǎn)業(yè)投資基金運行機制的現(xiàn)狀分析[J];經(jīng)濟與管理研究;2008年07期

8 焦斌龍;;新型工業(yè)化道路中的文化產(chǎn)業(yè)[J];晉陽學(xué)刊;2007年04期

9 馮子標(biāo);王建功;;文化產(chǎn)品、文化產(chǎn)業(yè)與經(jīng)濟發(fā)展的關(guān)系[J];山西師大學(xué)報(社會科學(xué)版);2008年02期

相關(guān)重要報紙文章 前1條

1 本報記者 李存才;[N];中國財經(jīng)報;2009年

相關(guān)碩士學(xué)位論文 前5條

1 李會麗;陜西文化產(chǎn)業(yè)投融資機制研究[D];西安工業(yè)大學(xué);2011年

2 高陽;我國文化產(chǎn)業(yè)發(fā)展現(xiàn)狀及其對策研究[D];重慶大學(xué);2008年

3 李琳琳;西安文化產(chǎn)業(yè)發(fā)展研究[D];西安科技大學(xué);2009年

4 高凌霽;文化產(chǎn)業(yè)投融資模式研究[D];中南大學(xué);2010年

5 韓偉偉;陜西文化產(chǎn)業(yè)投融資模式優(yōu)化問題研究[D];長安大學(xué);2010年

本文編號：1990138