巴塞爾藝術(shù)展在世界各地向來得到眾多人士追捧,近年在香港更成為城中熱門話題。然而,盡管受到公眾歡迎,不少藝術(shù)評論家批評巴塞爾藝術(shù)展的商業(yè)運作模式某程度上犧牲了此活動的藝術(shù)價值。本論文將采用"文化產(chǎn)業(yè)"或"藝術(shù)產(chǎn)業(yè)"的視角,配合實證研究,以評估巴塞爾藝術(shù)展于藝術(shù)世界建構(gòu)"商業(yè)網(wǎng)絡(luò)"在香港對當(dāng)?shù)厮囆g(shù)收藏家、藝術(shù)品經(jīng)銷商、藝術(shù)家和觀眾的影響。研究發(fā)現(xiàn)巴塞爾藝術(shù)展作為一個成功的藝術(shù)展覽和有效營銷渠道,在藝術(shù)產(chǎn)業(yè)充當(dāng)了正面角色。然而,由于巴塞爾藝術(shù)展在培育藝術(shù)家和觀眾上的成效有限,筆者不建議巴塞爾藝術(shù)展以塑造當(dāng)?shù)匚幕鷳B(tài)系統(tǒng)的主導(dǎo)力量的名義來傳播。故此,文化政策制定者該明確定義巴塞爾藝術(shù)展在香港藝術(shù)界的角色。另外,巴塞爾藝術(shù)展的策展團隊更可以考慮通過加強公共和非營利藝術(shù)機構(gòu)以及藝術(shù)教育組織的合作,提升藝術(shù)展的功能,以支持本地藝術(shù)產(chǎn)業(yè)。

【文章頁數(shù)】：12 頁

【文章目錄】：
Introduction
1. Art Baselinlocal Discourse
2. Networkingthe Art World:An Arts Industry Perspective
3. Research Methods
4. The Impact of Art Basel In Hong Kong
    4.1. Impacts on Local Art Galleries
        4.1.1 Networking with galleries and artists as the primary factor that triggers participation
        4.1.2 Attracting local art collectors as a minor consideration
    4.2. Impacts on Art Dealers
        4.2.1 Convenience and efficiency appealing to art dealers
        4.2.2“Must-go”despite high cost and disturbances.
    4.3. Impacts on Local Artists
        4.3.1 The primary benefits to artists coming from networking
        4.3.2 Diverse views on the internationalized platform
        4.3.3 Distorting artists'free will,creativity and creation schedule
    4.4. Impacts on the Audience
        4.4.1 Discouraging contemplation
Conclusion



本文編號：3866531